We end our brief and bitter sojourn into the COVID-riddled landscape of 2020 releases not with a whimper, but with a hateful, unapologetically awful bang. The follow up to the DCEU's critically and commercially successful Wonder Woman, Patty Jenkins' sequel Wonder Woman 1984 was reviled and mocked when it was released in theaters and on HBO Max. And if you can believe it, the movie has only gotten worse in the wake of ongoing genocidal events in Gaza. Returning guest Liz (@liz_irl) joins us to help eviscerate this truly abhorrent specimen of liberal Girl Boss #StillWithHer feminism brought to you by Equal Pay crusader Patty Jenkins, whose career will hopefully never recover from this piece of shit.

Thank you to our $10 Executive Producers: Porridge Fist, Walt Lewellyn of The Black Casebook, Owen2, bernventers, Lohik, jprestonpoole, and PineappleRevy.

If you can, also consider supporting these organizations in Palestine:

• ANERA (American Near-East Refugee Aid)

• PCRF (Palestinian Relief Children's Fund)

• MAP (Medical Aid for Palestinians)

Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley and barf. Follow @MarvelousDeath for updates.

This podcast includes copyrighted material, the use of which has not always been specifically authorized by the copyright owner. Such material is included for commentary, criticism, and educational purposes in compliance with Title 17 U.S.C. Section 107. All rights reserved to the copyright owners.

Remember that one poster you saw at the theater back in 2017 for that X-Men spin-off that you kept waiting to come out and never did, only to one day find it was playing at a movieplex near you in the middle of COVID? It's The New Mutants, the final installment in Fox's X-Men franchise victimized by both the Disney buyout and being the product of the guy who directed The Fault in Our Stars trying to make a horror movie for Freeform teenagers (among a bunch of other things). And in a shocking turn of events, Cole actually liked this one and thinks it's one of (if not the) best X-Men movies ever. Nicole and Stu thus spend significant time reacting to this unforeseen break in the ranks.

Thank you to our $10 Executive Producers: Walt Lewellyn of The Black Casebook, Owen2, bernventers, Lohik, jprestonpoole, and PineappleRevy.

Link to donate to bail funds student encampments in solidarity with the people of Gaza.

If you can, also consider supporting these organizations in Palestine:

• ANERA (American Near-East Refugee Aid)

• PCRF (Palestinian Relief Children's Fund)

• MAP (Medical Aid for Palestinians)

Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley and barf. Follow @MarvelousDeath for updates.

This podcast includes copyrighted material, the use of which has not always been specifically authorized by the copyright owner. Such material is included for commentary, criticism, and educational purposes in compliance with Title 17 U.S.C. Section 107. All rights reserved to the copyright owners.

I know tons of you probably hate Assassination Nation and anything else Sam Levinson touches but what if I told you there's some insight to be mined from this movie?

If you like what you hear, subscribe to our Patreon for exclusive episodes, commentary tracks and Discord community events at patreon.com/marvelousdeath.