In Microsoft’s pioneering AI For Good Lab, data scientists and researchers’ use of artificial intelligence (AI) is helping to tackle disinformation, predict wildfires, track whales and even detect leprosy in vulnerable populations. But what are the dangers in AI being used for bad? Chief Scientist and Lab Director Juan M Lavista Ferres has co-authored the book ‘AI for Good’, which explores the measurable effect, potential and limitations of AI’s application in addressing global challenges in health, climate change and human rights, explored in this in-depth conversation.

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Ever wondered what David Bowie liked to eat for dinner, or how the members of Queen wrote and rehearsed their famous “Galileos”? Tiffany Murray’s new memoir invites us into the lives of 1970s rock nobility. Set at two recording studios, including the legendary Rockfield Studios where she was raised, her mother Joan was a chef for the likes of Black Sabbath and Motörhead. Georgina Godwin speaks to the author about Freddie Mercury’s love for the family’s great dane, her first encounter with drugs and vengeful neighbouring farmers in this enchanting account of the rural recording studio.

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The twentieth-century author Christopher Isherwood, made famous by his 1930s work in Berlin, approached his writing about queerness, politics and religion with frankness and wit. The writer repeatedly fictionalised himself and his friends in his novels. Katherine Bucknell, the editor of four volumes of Isherwood’s diaries and letters, explains that it was his mother’s own diaries that first introduce us to the character of Isherwood. Using a wealth of unpublished material, Bucknell reveals the drama and complexity of the author’s inner world in an epic new biography.

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The 2024 UK general election is just days away. Speaking to Georgina Godwin is an expert on many aspects of UK government and politics, in particular, the support systems to ministers and prime ministers. Alun Evans CBE, a civil servant for more than three decades, lifts the lid on what’s happening behind the door of 10 Downing Street during important transitions in politics through his new book, ‘The Intimacy of Power: An insight into private office, Whitehall’s most sensitive network’.

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Today’s guest is perhaps the only playwright and novelist to have been an international athlete, teacher of those on death row at San Quentin prison in California and a tree surgeon – and he only began writing in his thirties. He won the inaugural Harold Pinter Playwright’s Award for ‘If You Don’t Let Us Dream, We Won’t Let You Sleep’ at the Royal Court and his play ‘Lampedusa’ has been performed in 40 countries. His debut novel is ‘Three Burials’, a satire on the refugee crisis.

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Taking home this year’s prize is US writer and journalist V V Ganeshananthan for her second novel, ‘Brotherless Night’, which took her almost two decades to complete. Her debut novel, ‘Love Marriage’, was longlisted for the Women’s Prize in 2009. ‘Brotherless Night’ is the story of Sashi, a 16-year-old aspiring doctor, growing up in Jaffna, Sri Lanka, in the 1980s. The novel vividly and compassionately centres erased and marginalised stories – Tamil women, students, teachers, ordinary civilians – exploring the moral nuances of violence and terrorism against a backdrop of oppression and exile.

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The Berlin-based author and playwright was born in the then-USSR and emigrated to Germany in 1995. ‘Glorious People’, their second novel, now translated into English, was longlisted for the German Book Prize and won several others. Salzmann has since been awarded the prestigious Kleist Prize for 2024, the biggest prize for literature in Germany.

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The British-Cambodian writer and editor initially wrote ‘The Ministry of Time’ – her gripping sci-fi rom-com debut – as a joke for a handful of friends. The genre-bending thriller, which explores themes including immigration and environmentalism, became an instant bestseller. Even before the novel landed on bookshelves last month, the BBC beat Netflix in a bidding war to turn the book into a TV drama. Kaliane Bradley tells Georgina Godwin about the obligation she felt to write a “serious” book about Cambodia and the Khmer Rouge, her work at Penguin Classics as an editor, and how her funny and fantastical debut came about.

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