Episodios

  • The Beatles Get Back Sessions Begin at Twickenham

    The Beatles Get Back Sessions Begin at Twickenham
    Jan 11 2026
    # January 11, 1971: The First "Get Back" Sessions Begin at Twickenham

    On January 11, 1971, Paul McCartney filed suit in London's High Court to dissolve The Beatles' partnership, but let me tell you about something even more fascinating that happened exactly two years earlier on this date!

    **January 11, 1969: The Beatles' "Get Back" Sessions at Twickenham Film Studios**

    On this freezing winter morning in London, The Beatles gathered at Twickenham Film Studios to begin what would become one of the most infamous and documented periods in rock history—the "Get Back" sessions, later immortalized in the 2021 Peter Jackson documentary "Get Back" (and the original 1970 "Let It Be" film).

    The concept seemed simple enough: The Beatles would rehearse new songs, perform a live concert (location TBD—ideas included an amphitheater in Libya, a cruise ship, or even the Sahara Desert), and have the whole process filmed for a TV special. What could go wrong?

    Pretty much everything, it turned out.

    The cavernous, cold film studio felt more like a prison than a creative space. The band was contractually obligated to work during specific hours—9 AM to 5 PM—which was completely antithetical to how they normally operated. George Harrison, in particular, was miserable. The cameras captured every uncomfortable moment, every disagreement, every creative clash.

    On this very first day, you could already sense the tension. John Lennon was increasingly distracted and emotionally distant, with Yoko Ono constantly by his side (sitting literally on the amp next to him). Paul McCartney had essentially appointed himself project manager, pushing the band forward with perhaps too much enthusiasm. George Harrison felt creatively stifled and underappreciated. Ringo Starr just wanted everyone to get along.

    Despite the dysfunction, remarkable music was being created. Songs like "Get Back," "Let It Be," "The Long and Winding Road," and "Don't Let Me Down" were all taking shape during these sessions. The cameras rolled as they jammed, argued, smoked, drank tea, and slowly worked through new material.

    The atmosphere was so tense that just three days later, on January 14th, George Harrison would actually quit the band (he'd return on January 22nd, but only after the band agreed to abandon the Twickenham location and move to their new Apple Studios).

    What makes January 11, 1969, historically significant is that it marks the beginning of the end—captured on film for posterity. It's the moment when the world's biggest band began to publicly unravel, yet somehow still produced brilliant music. The dichotomy is utterly fascinating: creative genius flowering amidst interpersonal decay.

    These sessions would eventually lead to the rooftop concert on January 30, 1969—The Beatles' final public performance—and an album that wouldn't be released until May 1970, after the band had already broken up.

    So on this day in 1969, history was being made, though nobody quite realized what they were documenting: the beautiful, painful, awkward, and ultimately heartbreaking dissolution of the greatest rock band ever assembled.


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  • The Beatles' Final Rooftop Concert 1969

    The Beatles' Final Rooftop Concert 1969
    Jan 10 2026
    # January 10, 1969: The Rooftop Concert That Ended an Era

    On January 10, 1969, The Beatles climbed five flights of stairs to the roof of their Apple Corps headquarters at 3 Savile Row in London and performed what would become the most legendary impromptu concert in rock history – and their final public performance as a band.

    It was a cold, grey London afternoon when John Lennon, Paul McCartney, George Harrison, and Ringo Starr, along with keyboardist Billy Preston, set up their equipment on the rooftop and began playing at around 12:30 PM. The performance was being filmed for what would eventually become the documentary "Let It Be."

    The setlist was raw and stripped-down, featuring songs from their upcoming album: "Get Back," "Don't Let Me Down," "I've Got a Feeling," "One After 909," and "Dig a Pony." They played several takes of each song, with "Get Back" being performed three times. The band was bundled in heavy coats against the January chill – Lennon wore Yoko Ono's fur coat, Ringo sported his wife Maureen's red mac, and George Harrison wore a green coat.

    As they played, the streets below erupted in chaos. Office workers poured out of buildings, traffic ground to a halt, and people climbed onto neighboring rooftops to catch a glimpse. The sound carried across the West End, causing confusion and excitement in equal measure. Some people thought it was a disturbance; others recognized it as history in the making.

    The police eventually arrived after noise complaints, and you can see them in the footage negotiating with Apple Corps staff. The concert concluded with the iconic final take of "Get Back," ending with Lennon's immortal quip: "I'd like to say thank you on behalf of the group and ourselves, and I hope we passed the audition."

    The rooftop concert lasted just 42 minutes, but it represented everything The Beatles were about – spontaneity, innovation, and pushing boundaries. It was simultaneously a beginning and an ending: the birth of the "surprise concert" concept that artists still replicate today, and the swan song of the world's most influential band performing together in public.

    The performance captured The Beatles at their most genuine – no screaming fans drowning out the music, no elaborate stage production, just four musicians playing together one last time. It was a stark contrast to their final official concert at San Francisco's Candlestick Park in 1966, which had been overwhelmed by Beatlemania.

    This rooftop performance would become the stuff of legend, inspiring countless tributes and recreations, most notably U2's own rooftop concert in downtown Los Angeles in 2009. The footage remains one of the most watched and celebrated moments in music history, a bittersweet reminder of when the greatest band in the world stopped the city of London for one magical lunch hour.


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  • The Beatles Final Public Performance on a Rooftop

    The Beatles Final Public Performance on a Rooftop
    Jan 9 2026
    # January 9, 1969: The Rooftop Concert That Stopped Traffic and Nearly Got The Beatles Arrested

    On January 9, 1969, The Beatles staged what would become one of the most legendary performances in rock history—and they did it on the roof of their own office building at 3 Savile Row in London. This impromptu concert would be their last public performance ever.

    Picture this: It's a cold, dreary Thursday afternoon in London's upscale Mayfair district. Businessmen are shuffling to lunch, secretaries are typing away, and suddenly, an amplified version of "Get Back" starts echoing through the streets. Confused Londoners looked up to see John Lennon, Paul McCartney, George Harrison, and Ringo Starr—arguably the most famous band on the planet—performing live on a rooftop.

    The performance was being filmed for what would eventually become the "Let It Be" documentary. The Beatles had been working on the project for weeks, originally conceived as a back-to-basics recording session and TV special showing them rehearsing and performing new material. After filming in the cold, cavernous Twickenham Studios and their basement at Apple Corps, they needed a grand finale. Enter the rooftop.

    For 42 glorious minutes, The Beatles blasted through five songs: "Get Back," "Don't Let Me Down," "I've Got a Feeling," "One After 909," and "Dig a Pony," with multiple takes of each. McCartney, wearing a dark suit, looked remarkably energized. Lennon sported his soon-to-be-iconic furry coat. Harrison was in green pants, and Ringo, positioned precariously near the roof's edge, just looked cold.

    Keyboardist Billy Preston joined them, adding his soulful organ, while engineer Alan Parsons (yes, *that* Alan Parsons, of future Project fame) recorded the audio. Linda Eastman (soon to be Linda McCartney) and Yoko Ono watched from the sidelines.

    Down below, crowds gathered, traffic stopped, and people climbed onto neighboring roofs to get a better view. Some office workers danced, others complained about the noise. The police received multiple noise complaints from local businesses who were decidedly *not* amused by this rock and roll disruption of their workday.

    Two bobbies eventually made their way up to the roof, but they were clearly torn between duty and the surreal experience of potentially shutting down The Beatles. The band played on. As the police approached, Lennon quipped between songs, wondering if they'd get arrested. The performance ended with McCartney's famous sign-off: "I'd like to say thank you on behalf of the group and ourselves, and I hope we passed the audition."

    The rooftop concert has since become the stuff of legend—a perfect symbol of The Beatles' boldness and their ability to create magic even as they were falling apart internally. (Spoiler: they'd break up the following year.) It was guerrilla performance art before that was even a thing, a gift to their fans, and a giant middle finger to conventionality.

    Today, that performance remains one of the most iconic moments in music history, immortalized in films, referenced in countless tributes, and even recreated by other artists. The rooftop concert proved that even as The Beatles were ending, they could still stop the world in its tracks.


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  • David Bowie Born in Post-War London England

    David Bowie Born in Post-War London England
    Jan 8 2026
    # January 8, 1947: David Bowie is Born

    On January 8, 1947, David Robert Jones was born in Brixton, London – a baby who would grow up to become one of the most influential and chameleonic figures in music history: **David Bowie**.

    While birth dates might seem like simple biographical facts, Bowie's arrival into post-war Britain set the stage for an artist who would spend his entire career exploring themes of identity, transformation, and what it means to be human. His mother, Peggy, and father, Haywood, could never have imagined that their son would become a shape-shifting icon who helped define multiple generations of popular music.

    What makes Bowie's birthday particularly significant is how he transformed it into an artistic statement throughout his career. His final album, **"Blackstar,"** was released on January 8, 2016 – his 69th birthday – just two days before his death. This wasn't coincidental; it was a carefully orchestrated farewell gift to his fans, a darkly beautiful meditation on mortality that took on devastating new meaning after his passing. The album debuted at number one in multiple countries, and the music videos for songs like "Lazarus" (featuring Bowie in a hospital bed with bandaged eyes, writing frantically at a desk) became haunting prophecies of his imminent departure.

    But let's rewind to celebrate the legacy that birthday created: From his breakthrough with "Space Oddity" in 1969 to the glam rock revolution of Ziggy Stardust, from the plastic soul of "Young Americans" to the Berlin Trilogy's experimental brilliance, from the massive pop success of "Let's Dance" to his constant reinvention through his final years, Bowie never stood still. He gave us permission to be weird, to change, to reject the idea that we must remain one fixed thing.

    He influenced fashion, film, theater, and visual art as much as music. He challenged gender norms decades before it was culturally acceptable. He discovered and produced other artists, painted, acted, and treated his entire life as a grand artistic statement.

    Every January 8th, fans worldwide celebrate what would have been another year of this extraordinary artist – sharing their favorite Bowie songs, dressing up in his iconic looks, and introducing new listeners to his vast catalog. The date serves as a reminder that Bowie gave us more than just great songs; he gave us permission to constantly evolve, to embrace our strangeness, and to view life itself as art.

    So today, we celebrate not just a birthday, but the birth of an idea: that an artist can be anything, everything, and always something new.


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    3 m
  • The Clash Drops London Calling in America

    The Clash Drops London Calling in America
    Jan 7 2026
    # January 7, 1979: The Clash Unleash "London Calling" on an Unsuspecting World

    On January 7, 1979, The Clash dropped what would become one of the most iconic albums in rock history: *London Calling*. While the album had been released in the UK in mid-December 1978, it hit American shores on this date, and what a tsunami it was.

    This wasn't just another punk album – it was a genre-demolishing, boundary-exploding masterpiece that proved punk could grow up without selling out. Recorded at Wessex Sound Studios in London during the sweltering summer of 1979 (yes, even London gets hot sometimes), the album was produced by Guy Stevens, a legendary wild man who reportedly threw chairs around the studio and smashed ladders to get the "right sound" and energy from the band. His unhinged approach somehow worked perfectly.

    The album's iconic cover, photographed by Pennie Smith, captured bassist Paul Simonon smashing his Fender Precision bass on stage at The Palladium in New York City. The image – a homage to Elvis Presley's debut album – became one of the most recognizable images in rock history. Simonon was apparently frustrated by the venue's security preventing fans from standing, so he channeled that rage into his instrument. That £140 bass never knew what hit it.

    Musically, *London Calling* was a glorious mess of influences: rockabilly, reggae, ska, jazz, hard rock, and classic R&B all crashed together with punk's raw energy. The title track warned of apocalyptic scenarios from nuclear meltdown to climate change ("The ice age is coming!"), while songs like "Train in Vain" (a last-minute addition not even listed on the original album sleeve) became a massive radio hit. "Spanish Bombs" referenced the Spanish Civil War, "The Guns of Brixton" featured Simonon's reggae-influenced bass and vocals, and "Lost in the Supermarket" captured the alienation of modern consumer culture.

    At a time when double albums were typically bloated, overpriced affairs, The Clash insisted on selling this 19-track double LP for the price of a single album. This was punk ethics in action – giving fans maximum value and sticking it to the record industry simultaneously.

    The critical response was rapturous. Rolling Stone would later name it the best album of the 1980s (despite it being released in 1979 – they clearly couldn't wait). The album went on to influence everyone from U2 to The Libertines to Green Day.

    What makes *London Calling* so enduring is its perfect balance of righteous anger and musical adventurousness. The Clash proved you could be politically engaged, musically sophisticated, and still maintain punk's essential spirit. Joe Strummer's passionate vocals, Mick Jones's inventive guitar work, Simonon's rock-solid bass, and Topper Headon's incredible drumming created something that transcended punk's three-chord limitations while keeping its heart.

    Nearly five decades later, *London Calling* remains a touchstone – proof that punk could be anything it wanted to be, as long as it was honest, urgent, and uncompromising. Not bad for a bunch of guys from London who just wanted to make some noise.


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  • Elvis Filmed Waist Up Only on Ed Sullivan

    Elvis Filmed Waist Up Only on Ed Sullivan
    Jan 6 2026
    # January 6, 1957: Elvis Presley's Final Appearance on The Ed Sullivan Show

    On January 6, 1957, Elvis Presley made his third and final appearance on *The Ed Sullivan Show*, creating one of the most legendary—and infamous—moments in television history. This wasn't just another performance; it was the night CBS made the notorious decision to film "Elvis the Pelvis" from the waist up only, in what became an enduring symbol of 1950s moral panic meeting the unstoppable force of rock and roll.

    By this point, Elvis was already a cultural phenomenon and a lightning rod for controversy. His first two Sullivan appearances in 1956 had drawn record-breaking audiences (over 60 million viewers for the first one—a staggering 82.6% of the television audience!), but they'd also generated thousands of complaint letters from scandalized parents and religious groups who deemed his hip-swiveling movements obscene and dangerously provocative.

    For this final performance, Elvis delivered seven songs, including "Hound Dog," "Love Me Tender," "Heartbreak Hotel," and a gospel medley featuring "Peace in the Valley"—his attempt to show America he was a good, God-fearing boy despite all the gyrating. The cameras obediently stayed fixed on his upper half, creating an almost comical effect as viewers could see his shoulders shaking and his face contorting with the music, forcing audiences to imagine what scandalous movements were happening below the frame. Ironically, this "censorship" only made him more tantalizing and cemented his dangerous, rebellious image.

    But here's the delicious twist: Ed Sullivan himself, who had initially declared he would never book Elvis, closed the show by walking over to the young singer and telling the audience, "This is a real decent, fine boy... We've never had a pleasanter experience on our show with a big name than we've had with you." This benediction from America's ultimate showbiz authority figure was Sullivan's way of trying to cool down the controversy, essentially vouching for Elvis's character even while his network deemed Elvis's pelvis too hot for TV.

    The appearance reportedly earned Elvis $50,000—an astronomical sum for a television performance in 1957, making him one of the highest-paid entertainers of the era. More importantly, it marked a turning point where rock and roll, despite establishment resistance, proved it was here to stay. Elvis would soon be drafted into the Army, conveniently removing him from the scene at the height of the moral panic, but the revolution he represented couldn't be stopped.

    The "waist-up only" footage has since become one of the most iconic pieces of television history, endlessly referenced in documentaries and retrospectives as the moment when American culture's generation gap became impossible to ignore. What seems quaint now—worrying about hip movements—was genuinely earth-shaking then, representing parents' fears that their children were being corrupted by this new, sexualized music.

    Elvis never appeared on Ed Sullivan again, but he didn't need to. That night cemented his legend as the king who was too dangerous for America's living rooms—at least from the waist down.


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  • Bruce Springsteen: Born to Run on January 5, 1973

    Bruce Springsteen: Born to Run on January 5, 1973
    Jan 5 2026
    On January 5th in music history, one significant event took place in 1973 when Bruce Springsteen released his debut album, "Greetings from Asbury Park, N.J." This album marked the beginning of Springsteen's illustrious career and introduced the world to his unique blend of rock, folk, and soul music.

    Recorded at 914 Sound Studios in Blauvelt, New York, the album featured Springsteen's early compositions, showcasing his poetic lyrics and dynamic storytelling abilities. The album's opening track, "Blinded by the Light," would later become a hit for British rock band Manfred Mann's Earth Band, reaching number one on the Billboard Hot 100 chart in 1977.

    Other notable tracks on the album include "Growin' Up," a coming-of-age tale that highlights Springsteen's knack for capturing the essence of youth and rebellion, and "For You," a heartfelt ballad that demonstrates his ability to convey deep emotions through his music.

    While "Greetings from Asbury Park, N.J." did not achieve immediate commercial success, it laid the groundwork for Springsteen's future achievements. Critics praised his distinctive voice, insightful lyrics, and the raw energy of his performances. The album also introduced the world to the E Street Band, which would become an integral part of Springsteen's sound and live shows throughout his career.

    In the years following the release of his debut album, Springsteen would go on to release a string of critically acclaimed and commercially successful records, cementing his status as one of the most influential and beloved artists in rock history. His music would continue to resonate with audiences around the world, addressing themes of love, loss, hope, and the American experience.

    The release of "Greetings from Asbury Park, N.J." on January 5, 1973, marks a significant moment in music history, as it introduced the world to the talent and vision of Bruce Springsteen, a true icon whose impact on popular music and culture continues to be felt nearly five decades later.


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  • Zeppelin Lands: How Four Musicians Revolutionized Rock Forever

    Zeppelin Lands: How Four Musicians Revolutionized Rock Forever
    Jan 4 2026
    On January 4th in music history, one of the most significant events was the release of Led Zeppelin's self-titled debut album in 1969. This groundbreaking album marked the beginning of Led Zeppelin's legendary career and helped shape the course of rock music for decades to come.

    Led Zeppelin, formed in 1968, consisted of vocalist Robert Plant, guitarist Jimmy Page, bassist John Paul Jones, and drummer John Bonham. Their unique blend of blues, folk, and hard rock created a sound that was both powerful and innovative. The band's debut album showcased their incredible musicianship and songwriting abilities, which would become hallmarks of their career.

    The album opens with the iconic track "Good Times Bad Times," featuring Bonham's thunderous drumming and Page's blistering guitar riffs. Other standout tracks include the blues-influenced "You Shook Me," the folk-inspired "Babe I'm Gonna Leave You," and the epic "Dazed and Confused," which would become a staple of the band's live performances.

    Led Zeppelin's debut album was recorded in just 36 hours at Olympic Studios in London, with most of the tracks being recorded in a single take. The raw energy and spontaneity of the recordings captured the band's live sound and helped create an album that sounded unlike anything else at the time.

    Upon its release, Led Zeppelin's debut album received mixed reviews from critics, with some praising the band's originality and others dismissing them as just another heavy rock band. However, the album quickly gained a cult following among fans and went on to become a massive commercial success. It reached #10 on the Billboard 200 chart in the United States and has since been certified 8x platinum by the RIAA.

    The impact of Led Zeppelin's debut album cannot be overstated. It helped establish the band as one of the most important and influential acts in rock history and paved the way for countless other artists who would follow in their footsteps. The album's mix of heavy rock, blues, and folk influences would become a blueprint for the hard rock and heavy metal genres, and its raw, unpolished sound would inspire generations of musicians to embrace a more organic approach to recording.

    In the years following the release of their debut album, Led Zeppelin would go on to release a string of classic albums, including "Led Zeppelin II," "Led Zeppelin III," and the monumental "Led Zeppelin IV," which features the band's most famous song, "Stairway to Heaven." They would also become known for their epic live performances, which often stretched on for hours and featured extended improvisations and solos.

    Today, Led Zeppelin's debut album is considered a classic of the rock genre and a must-listen for any fan of the band or of rock music in general. Its influence can still be heard in the work of countless artists across a wide range of genres, from heavy metal to folk rock to alternative rock.

    In conclusion, the release of Led Zeppelin's self-titled debut album on January 4th, 1969, was a momentous event in music history that helped shape the course of rock music for generations to come. The album's raw energy, incredible musicianship, and innovative blend of genres made it a groundbreaking work that continues to inspire and influence musicians to this day.


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