Episodios

  • Howardena Pindell on Social Change
    Aug 12 2022
    Howardena Pindell discusses how social issues and the prospect of societal change impact her art and life. In her artistic practice, Pindell’s work reflects a fascination with gridded, serialized imagery and surface texture. She often employs lengthy, metaphorical processes of destruction/reconstruction. Even in her more politically charged work, Pindell reverts to these thematic focuses to address issues of homelessness, AIDS, war, genocide, sexism, xenophobia, and apartheid. Watch the lecture: https://www.youtube.com/watch?v=7zcw9iriBvU Learn more about Howardena Pindell’s work in the Gallery’s collection: https://www.nga.gov/collection/artist-info.10097.html Pindell’s work “Free, White and 21" is featured in “The Double,” on view July 10–October 31, 2022: https://www.nga.gov/exhibitions/2022/the-double-identity-and-difference-in-art-since-1900.html The Elson Lecture Series features distinguished contemporary artists who are represented in the Gallery's permanent collection. The Honorable and Mrs. Edward E. Elson generously endowed this series in 1992. Find out more about the Elson Lecture Series on our website: https://www.nga.gov/audio-video/elson.html Still haven’t subscribed to our YouTube channels?    National Gallery of Art ►►https://www.youtube.com/NationalGalleryofArtUS   National Gallery of Art Talks ►►https://www.youtube.com/NationalGalleryofArtTalks 
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    51 m
  • John Wilmerding Symposium on American Art and Community Celebration 2022: Afro-Atlantic Histories, Session III: “Blackness is not peripheral to the American project; it is the foundation”
    Apr 28 2022
    Clint Smith, Renée Stout, and Hank Willis Thomas present on the role of history and memory in shaping American culture and identity. This is the third talk of the three-part series "John Wilmerding Symposium on American Art: Afro-Atlantic Histories," which gathers literary and visual artists to reflect on how art responds to and shapes both official and overlooked narratives wrought by the transatlantic slave trade and its legacies. Watch the entire video by Hank Willis Thomas titled “A Person is More Important Than Anything Else…,” commissioned by NY Live Arts for the Year of James Baldwin: https://hankwillisthomas.com/WORKS/Video/2 Watch the lecture: https://youtu.be/oM6_4MmmzJU
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    51 m
  • John Wilmerding Symposium on American Art and Community Celebration 2022: Afro-Atlantic Histories, Session II: “I built this altar for them”: Mining the Archives to Uplift Untold Stories
    Apr 27 2022
    Erica Buddington, Nona Faustine, and Honorée Fanonne Jeffers present archival research–based practices that create and uplift missing narratives. This is the second talk of the three-part series "John Wilmerding Symposium on American Art: Afro-Atlantic Histories," which gathers literary and visual artists to reflect on how art responds to and shapes both official and overlooked narratives wrought by the transatlantic slave trade and its legacies. Watch the video: https://youtu.be/36aA_Mg7IZA
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    51 m
  • John Wilmerding Symposium on American Art and Community Celebration 2022: Afro-Atlantic Histories, Session I: “the afterlife of slavery”
    Apr 26 2022
    Artists Rosana Paulino and Cameron Rowland explore the lasting legacy of slavery in their works of art. This is the first talk of the three-part series "John Wilmerding Symposium on American Art: Afro-Atlantic Histories," which gathers literary and visual artists to reflect on how art responds to and shapes both official and overlooked narratives wrought by the transatlantic slave trade and its legacies. Watch the lecture: https://youtu.be/5n90V4Acg_w
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    51 m
  • Season 2, Episode 8: Sonia De Los Santos and Auguste Renoir’s “Young Spanish Woman with a Guitar”
    May 31 2022
    Guitarist Sonia De Los Santos hails from Mexico, where as a child she was exposed to different musical influences. In Auguste Renoir’s “Young Spanish Woman with a Guitar,” De Los Santos sees echoes of her younger self. Her song “Sueña” is an ode to dreams. Still haven’t subscribed to our YouTube channels? National Gallery of Art ►►https://www.youtube.com/NationalGalleryofArtUS National Gallery of Art | Talks ►►https://www.youtube.com/NationalGalleryofArtTalks
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    51 m
  • Season 2, Episode 7: Maria Schneider and George Bellows’s “The Lone Tenement”
    May 17 2022
    Maria Schneider composed “Bulería, Soleá y Rumba” in the wake of a cancer diagnosis. Inspired by American artists such as Robert Henri and George Bellows, Schneider discusses “art for life’s sake” that tells a story of people—like the evocative figures in Bellows’s The Lone Tenement. Still haven’t subscribed to our YouTube channels? National Gallery of Art ►►https://www.youtube.com/NationalGalleryofArtUS National Gallery of Art | Talks ►►https://www.youtube.com/NationalGalleryofArtTalks
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    51 m
  • Season 2: Episode 6: Delfeayo Marsalis and Hawkins Bolden’s “Untitled”
    May 3 2022
    This work reminds jazz trombonist Delfeayo Marsalis of the proud, hard-working generations that raised him. A history of struggle may suggest the minor key, but Marsalis ultimately chose upbeat music to celebrate those who fought and made it work. Still haven’t subscribed to our YouTube channels? National Gallery of Art ►►https://www.youtube.com/NationalGalleryofArtUS National Gallery of Art | Talks ►►https://www.youtube.com/NationalGalleryofArtTalks
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    51 m
  • Season 2: Episode 5: Peter Sheppard Skærved and Hieronymus Bosch’s “Death and the Miser”
    Apr 22 2022
    Violinist Peter Sheppard Skærved and National Gallery director Kaywin Feldman discuss Hieronymus Bosch’s “Death and the Miser” and its symbolism of contrast: light and dark, life and death. Skærved plays a 17th-century violin sonatina that echoes similar contrasts of sensuality and fatality, beauty and mortality. Still haven’t subscribed to our YouTube channels? National Gallery of Art ►►https://www.youtube.com/NationalGalleryofArtUS National Gallery of Art | Talks ►►https://www.youtube.com/NationalGalleryofArtTalks
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    51 m