New Books in Film Por arte de portada

New Books in Film

De: Marshall Poe
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  • Resumen

  • Interviews with Scholars of Film about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
    New Books Network
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Episodios
  • Collateral

    Collateral
    Jul 29 2024
    Collateral was made in 2004, ten years after Speed—and while both films have the same story of a good guy trying to stop a killer in real time, Collateral feels decades away from the innocence of Speed. Much of that has to do with the villain, who espouses a set of assumptions about the world that we se all around us on LinkedIn, YouTube, and Shark Tank. On a lighter note, the movie also ends the debate of how Superman could disguise himself with a simple pair of glasses. It’s a movie made for the hosts: Michael Mann for Mike and Tom Cruise for Dan. Jump in the taxi and give it a listen! If you love Michael Mann, you love Heat. Mann’s new novel, Heat 2, can be found here. Follow us on X and Letterboxd–and let us know what you’d like us to watch! Incredible bumper music by John Deley. Also check out Dan’s new Substack site, Pages and Frames, for more film-related material. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
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    31 m
  • Kathleen Loock, "Hollywood Remaking: How Film Remakes, Sequels, and Franchises Shape Industry and Culture" (U California Press, 2024)

    Kathleen Loock, "Hollywood Remaking: How Film Remakes, Sequels, and Franchises Shape Industry and Culture" (U California Press, 2024)
    Jul 27 2024
    From the inception of cinema to today’s franchise era, remaking has always been a motor of ongoing film production. Hollywood Remaking: How Film Remakes, Sequels, and Franchises Shape Industry and Culture (U California Press, 2024) challenges the categorical dismissal in film criticism of remakes, sequels, and franchises by probing what these formats really do when they revisit familiar stories. Kathleen Loock argues that movies from Hollywood’s large-scale system of remaking use serial repetition and variation to constantly negotiate past and present, explore stability and change, and actively shape how the film industry, cinema, and audiences imagine themselves. Far from a simple profit-making exercise, remaking is an inherently dynamic practice situated between the film industry’s economic logic and the cultural imagination. Although remaking developed as a business practice in the United States, this book shows that it also shapes cinematic aesthetics and cultural debates, fosters film-historical knowledge, and promotes feelings of generational belonging among audiences. For more on the Hollywood Memories project, go here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
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    1 h y 7 m
  • Rosemary Pennington, "Pop Islam: Seeing American Muslims in Popular Media" (Indiana UP, 2024)

    Rosemary Pennington, "Pop Islam: Seeing American Muslims in Popular Media" (Indiana UP, 2024)
    Jul 26 2024
    As Muslim American representation becomes more prominent in popular culture, how are they continued to be portrayed? Rosemary Pennington's new book Pop Islam: Seeing American Muslims in Popular Media (Indiana University Press, 2024) explores the “trap of hypervisibility” faced by Muslims in popular media and the burden of representation that follows them. More representation may not always be generative, if there is not an intentional move away from stereotypes or caricatures of Muslim humanity to portraying real complicated and diverse human beings. Using a wide variety of case studies from prime-time television shows, such as Lost, 24, or Ramy to stand-up comedians such as Hasan Minhaj, Aziz Ansari, Kumail Nanjiani to Zainb Johnson, reality shows (like Project Runway or Top Chef), magazines (like Teen Vogue) and comic books (Ms. Marvel), Pennington carefully guides us through some of the binary representations we continue to see in popular culture around us, especially those that are framed as portraying "authentic" Muslims. Thus representation may not be the only answer, as Islamophobia and anti-Muslim violence continues to grow, but more is needed as we more forward, as the book contends. This book will be of great interest to those who work on popular culture, media, comedy, gender, and Islam, and a great addition to courses on Islam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
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    1 h y 17 m
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