Opera - We love singing  Por  arte de portada

Opera - We love singing

De: Katia Arellano / Ricardo Ramirez
  • Resumen

  • Music, and more particularly singing is always with us. A certain day we may find ourselves moody and with a melody from La forza del destino playing over and over again in our head. Or maybe we feel like a superhero as we've doing great at work and then we feel like Calaf solving the 3 riddles that Turandot has proposed. First, we would like to build a place where we can talk about our passion for singing in a positive way. There is already too much of those toxic places where we criticize endlessly the minimum error of a given singer. We need more places where we can be respectful and still express our differences, as art is perception and no one perceives art equally to one another.Our second proposal is to come and share, both Katia and I are pretty sure there are a million questions you have always asked yourself about singing and as singers are sometimes not the most approachable people, well we hope can answers some of those questions!!
    You can join our channel in Telegram:
    https://t.me/OperaWeLoveSinging

    © 2024 Opera - We love singing
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Episodios
  • Callas Centennial: Time travel to Mx Citi 1952: The Farewell
    Jul 20 2024

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    In this last time travel to Palacio de Bellas Artes in Mexico City, year 1952, we will witness a good variety of titles that show the wide range of roles and the versatility of her voice. Achievements that would add to would later be known as La Divina.
    The result is a little uneven, with Rigoletto standing on the way and whose results are not that good, as she herself would admit years later.
    Few times have the Orchestra and the Choir honored the singer and this farewell is wrapped up with one of the most touching moments in the history of this Opera house.
    As a reference you can also check on Sophia Lambton's book, the author of The Callas Imprint - A centennial biography, which you can find in most of the world through Amazon.

    https://www.amazon.com/Callas-Imprint-Centennial-Biography-ebook/dp/B0BRYPL5WN


    For this final episode, we would like to suggest the following materials, the local radio program Viva la Opera also collaborated with comments and thought for this episode. You will find the reference of their own programs with excerpts from the titles here presented:
    I Puritani:
    https://open.spotify.com/episode/0Lau5BzS9wOE5QEO5mS8Fh?si=XCkxTL3RSxyljy-gfYkyvA

    Maria Callas & Giuseppe Di Stefano: Bellini: I puritani (Mexico City 29-05-1952)

    Lucia di Lammermoore:
    https://open.spotify.com/episode/2KmL5I8H2Zm3YfmSbXZ8bO?si=etA8ia3VThC1fGzbi0-meA

    La Traviata:
    https://open.spotify.com/episode/4PbIJ456gnB1w1iinjqqf2

    https://youtu.be/tDeFvQ2r-DY?si=SNuTMPoFtepbZn7O

    Rigoletto:
    https://open.spotify.com/episode/3KbMIykIORCOC4uDByIC87

    https://www.youtube.com/watch?v=svMW6LskxSI

    Tosca:
    https://open.spotify.com/episode/01z0jpcxQZeb2OCd4iDRPa?si=jGbQbtfyQRKuwMREL7cZhg

    https://www.youtube.com/watch?v=wZm-oWqBS-s


    Support the Show.

    You can join our channel in Telegram:
    https://t.me/OperaWeLoveSinging

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    53 m
  • Dissecting... La donna è mobile from Rigoletto
    Jul 12 2024

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    In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Rigoletto by Maestro Verdi?

    By far, one of the most well-known melodies ever written for the tenor voice. All tenors would like to have it in their repertoire. By far one of the melodies people have heard before even if they're not familiar with Opera.

    In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through.

    Support the Show.

    You can join our channel in Telegram:
    https://t.me/OperaWeLoveSinging

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    42 m
  • Dissecting... Caro Nome from Rigoletto
    Jul 4 2024

    Send us a Text Message.

    In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Rigoletto by Maestro Verdi?

    By far, one of the most beautiful melodies ever written for the soprano voice. There is no soprano who doesn't want to have it in her repertoire.

    In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through.

    Support the Show.

    You can join our channel in Telegram:
    https://t.me/OperaWeLoveSinging

    Más Menos
    41 m

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