Another second-album episode! A follow-up not to a trailblazingly exploratory recording (as when we spoke to Heloïse Werner last episode) but to a quietly uplifting one, filled with spirituality and peace.

The Poor Clares of Arundel appeared on many people's musical radar back in 2020, when their album Light For The World was released into the midst of uncertain and difficult times. Inspired by the daily life of the community of the Poor Clares, and mixing contemporary compositions with ancient plainchant, it was a huge hit - offering reassurance and comfort to listeners in a situation that could hardly have been imagined when the recording was made.

Earlier this year, the Poor Clares' second album was released - My Peace I Give You, drawing particularly on the Canticle of Creation written by St Francis of Assisi, the medieval saint whose lifestyle of deliberate poverty and rejection of worldly goods and activities was the direct inspiration for the formation of the order itself.

We talk to Sister Aelred and Sister Graca of the Poor Clares about the unlikely formation of a relationship between a cloistered convent and a major record label, the role of music in the daily life of their community, and how the releasing of commercial recordings fits in with their calling to a life of seclusion and prayer.

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Hot on the heels of 2022's Phases comes a second album from acclaimed young singer-composer Heloïse Werner, Close-Ups. Drawing together works by Bingen, Strozzi, the French Baroque composer Julie Pinel, and Errollyn Wallen, it also features compositions by Werner herself - including Les Leçons du Mardi, an acerbic, witty piece biting back against centuries of medical misogyny, and the title-track close-ups, a selection of wordless character-sketches that push the boundaries of song itself.

We talk about how some of these works came to be, how Heloïse assembled her dream team of top-notch musicians and improvisers, what it's like to be a bilingual composer, and more.

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This year the Berliner Philharmoniker celebrates two anniversaries, with the online Digital Concert Hall turning 15, and the Berliner Philharmoniker label marking its first decade. Rob Cowan spoke to Olaf Maninger, who alongside a busy schedule as principal cellist with the orchestra, is General Manager of Berlin Phil Media GmbH, and has been one of the key figures driving these innovative projects.

Presto Music

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