Recall This Book Por arte de portada

Recall This Book

De: Elizabeth Ferry and John Plotz
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  • Resumen

  • Free-ranging discussion of books from the past that cast a sideways light on today's world.
    Elizabeth Ferry and John Plotz
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Episodios
  • 130* Racism as Power Relation: A Discussion with Adaner Usmani (EF, JP)

    130* Racism as Power Relation: A Discussion with Adaner Usmani (EF, JP)
    Jul 4 2024
    Do we understand racism as the primary driving engine of American inequality? Or do we focus instead on the indirect ways that frequently hard-to-discern class inequality and inegalitarian power relations can produce racially differentiated outcomes? Adaner Usmani, Assistant Professor of Sociology and Social Studies at Harvard and on the editorial board at Catalyst joined Elizabeth and John back in Fall, 2020, to wrestle with the subtle and complex genealogy of Southern plantation economy and its racist legacy. Adaner offers a complex genealogy of violence, mass incarceration and their roots in the social inequity (and iniquity) of antebellum economic relations. He emphasizes a frequently overlooked fact that a century ago Du Bois had already identified a key issue: the belatedness of African-American access to the social mobility offered by the North's industrialization, thanks to structures of a racist Southern agricultural economy that kept African-American workers away from those high-wage jobs. The result? An explanation for racial injustice that hinges on ossified class imbalances--contingent advantages for certain groups that end up producing (rather than being produced by) bigotry and prejudice. Adaner Usmani and John Clegg, "The Economic Origins of Mass Incarceration" (Catalyst 3:3, 2019) Michelle Alexander, The New Jim Crow: Mass Incarceration in the Age of Colorblindness (2010) Robin Einhorn, American Taxation, American Slavery (2006) Richard Rothstein, The Color of Law (2017) Kenneth Jackson, Crabgrass Frontier (1987) Learn more about your ad choices. Visit megaphone.fm/adchoices
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    34 m
  • 129* Vince Brown, Caribbean Vectors (EF, JP)

    129* Vince Brown, Caribbean Vectors (EF, JP)
    Jun 6 2024
    The largest slave uprising in the 18th century British Caribbean was also a node of the global conflict called the Seven Year’s War, though it isn’t usually thought of that way. In the first few days of the quarantine and our current geopolitical and epidemiological shitshow, John and Elizabeth spoke with Vincent Brown, who recently published Tacky’s Revolt: The Story of an Atlantic Slave War (Harvard UP, 2019), centered on a group of enslaved West Africans, known under the term “Coromantees” who were the chief protagonists in this war. Tracing the vectors of this war within the Caribbean, the North Atlantic, and West Africa, Vince shows us how these particular enslaved Africans, who are caught in the gears of one of human history’s most dehumanizing institutions, constrained by repressive institutions, social-inscribed categories of differences and brutal force, operate tactically within and across space in complex and cosmopolitan ways. Vince locates his interest in warfare (as an object of study) in emergence of new world order and disorder through the Gulf Wars. His attention to routes and mobilities he credits to an epidemiological turn of mind–perhaps inherited from his father Willie Brown, a medical microbiologist now retired from UCSD. The idea of the vector shaped his first book as well. Vince’s “cartographic narrative” “A Slave Revolt in Jamaica: 1760-1761” and the film he produced with director Llewellyn Smith, Herskovits at the Heart of Blackness (which traces African studies and anthropology’s understanding of cultural movements from between Africa and the Americas) also explore these burning questions. Along the way, Vince discusses C.L.R. James’ notion of conflict, war and global connectedness in The Black Jacobins and the ways that categories of social difference both are constituted by global capital (reminding us of our conversation on caste, class and whiteness with Ajantha Subramanian) and those bumper stickers from the early 1980s in which the Taliban were the good guys. Mentioned in this episode: Rambo III (1988) The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African, written by himself (1789) Aphra Behn, Oroonoko (1688) Catherine Hall, Civilising Subjects: Metropole and Colony in the English Imagination, 1830-1867 (2002) C. L. R. James, The Black Jacobins: Toussaint L’Ouverture and the San Domingo Revolution (1938) John Thornton, Africa and Africans in the making of the Atlantic World-1400-1800 (1992) Derrick ‘Black X’ Robinson on his advocacy to make Tacky a national hero in Jamaica Black X walks barefoot across Jamaica to make Tacky a national hero  Recallable Books: Marlon James, The Book of Night Women (2009) John Tutino, Making a New World (2011) Angel Palerm, The First Economic World-System (1980) Listen and Read Here: 34 The Caribbean and Vectors of Warfare: Vincent Brown Learn more about your ad choices. Visit megaphone.fm/adchoices
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    46 m
  • 128 Steve McCauley excavates John Cheever's "The Five-Forty-Eight" (JP)

    128 Steve McCauley excavates John Cheever's "The Five-Forty-Eight" (JP)
    May 9 2024
    We debut a new feature: Recall This Story, in which a contemporary writer picks out a bygone story to read and to analyze. Surely there is no better novelist to begin with than RTB' shouse sage, Steve McCauley. And not just because he's got the pipes to power through a whole fantabulous John Cheever story. "The Five-Forty-Eight" (published in The New Yorker 70 years ago) is about sordidness uncovered, a train, and a face in the dirt. It ticks almost every Cheever box, evoking an infinitude of lives unled elsewhere while ostensibly documenting nothing more than the time to takes to down a couple of drinks, scuttle feverishly through some midtown streets, and take a lumbering commuter train out of the city. Steve feels that in our own century, things have changed for the American short story and there's no going back to Cheever's mode. After Raymond Carver, it would be hard to embrace the proliferation (sometimes dizzying, sometimes delightful) of solid details that Cheever deploys. The two try out a final comparison to E M Forster who also quasi-fit into this society, but, Steve opines, could project himself into his female characters in a way that Cheever cannot or will not. John Cheever works mentioned: "The Swimmer" (also a Gregory Peck movie) "The Jewels of the Cabots" "Oh Youth and Beauty" and other stories that nest multiple lives within a single frame, like "The Day the Pig Fell into the Well" Works by others: Sloane Wilson's 1955 novel, Man in the Gray Flannel Suit (and the 1956 film) Flannery O'Connor, "A Good Man is Hard to Find" ("she would have been a good woman if there had been someone there to shoot her every day of her life.") Anton Chekov, "Lady with the Lapdog" Richard Yates and mid-century office nihilism (eg his 1961 Revolutionary Road) Jean Stafford's novels (The Mountain Lion, Boston Adventure) do get reprinted and re-read, Steve points out. Raymond Carver, only partially minimalist, but reduced still further by Gordon Lish in e.g. the story "Mr Copy and Mr fix-it" Listen to and read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 h y 14 m
Arte Mundial Historia y Crítica Literaria Ciencias Sociales
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