Yorgos Lanthimos’ “Poor Things” draws a parallel with contemporary ethos, exploring the intertextual connections and distinctions between the film and the Frankenstein story.

Evolution of Lynch's signature style, focusing particularly on the way his films subvert traditional narrative structures and incorporate elements of surrealism.

Set towards the backdrop of a secluded holiday home on a faraway island, the film unfolds with a creeping experience of dread that permeates each frame.

Jim Jarmusch’s *Only Lovers Left Alive* serves as both a meditation on the nature of existence and a celebration of art’s power to create meaning in a world that threatens to dissolve into the absurd.

Daniel Frampton’s Filmosophy offers an interesting account of conceptualizing film as an ‘organic’ entity whose philosophical potential lies in its performative character and its possibilities to transcend traditional ways of thinking.

Welcome to Short Cut Cinema, where hosts Jane and Paul dive into relaxed, fun conversations about film as both art and philosophy. In each short and simple episode, they break down movies with humor and insight, exploring deeper meanings while keeping things light. Whether you’re a film buff or just curious, Jane and Paul make movie talk fun, accessible, and always worth your time.

In an age when many films try to impress with plots and visual effects, "Perfect Days" reminds us of the intrinsic power of film.