Sustain.fm  Por  arte de portada

Sustain.fm

De: Stephen Williams / drusnoise
  • Resumen

  • Harmonizing Sound and Sustainability – merging electronic music and sustainability. Explore global electronic soundscapes, beats, and live performances while hearing from artists, researchers, and activists driving positive change. Each episode of Sustain features a curated selection of electronic music from diverse cultures and genres. From pulsating basslines to ethereal melodies, our show celebrates the power of music to unite people while highlighting its connection to sustainable living. Tune in to experience the fusion of digital sounds and environmental consciousness, creating a unique audio landscape.
    Copyright 2023 All rights reserved.
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Episodios
  • Darkness and Sound with Melissa Ingaruca Moreno
    Jul 24 2024

    Sound is one of our most powerful senses. But it is just one of our senses. Sight, touch, smell, and taste are powerful too. And even more powerful when they are combined with sound. Today we talk with Melissa Ingaruca Moreno about her work with light, fungi, meditation, and sound. Melissa is an award-winning futurist and researcher in multispecies design based in Berlin. Her project ‘Endarken’ integrates fungal bioluminescence and sonification of nature with glimpses of darker futures. This is a future of designed light-darkness for multispecies cohabitation with a focus on healing and I am excited to chat with Melissa about how all of these ideas – and senses – fit together.

    Bio

    Melissa Ingaruca Moreno is an award-winning futurist and researcher in multispecies design. Endarken is a research-through-design project of Melissa Ingaruca Moreno´s PhD “Multispecies Cities and Emerging Technologies”, that re-imagines the future of nocturnal urban light for more-than-human wellbeing in Berlin via a series of participatory design workshops.

    Links and references

    Endarken Futures: Darkness as Healing https://melissa-ingaruca.medium.com/healing-in-darkness-endarken-futures-part-i-0d680189ea55

    Endarken project overview https://drive.google.com/file/d/1lU7Elq6W2ZzZJMHAKe_IJvEYliCPB0Y4/view

    Instagram @endarken_cities

    Floating University https://floating-berlin.org/

    Falchi, F. et al. The new world atlas of artificial night sky brightness. Sci Adv 2, (2016).

    Dunn, N. Dark Design: A New Framework for Advocacy and Creativity for the Nocturnal Commons. International Journal of Design in Society 10, 9–23 (2016).

    Falchi, F., Cinzano, P., Elvidge, C., Keith, D. & Haim, A. Limiting the impact of light pollution on human health, environment and stellar visibility. J Environ Manage 92, 2714–2722 (2011).

    Falcón, J. et al. Exposure to Artificial Light at Night and the Consequences for Flora, Fauna, and Ecosystems. Frontiers in Neuroscience vol. 14 Preprint at https://doi.org/10.3389/fnins.2020.602796 (2020).

    Yang, L., Xiao, L., Guo, Y. & Yan, Y. A review of the effects of artificial light at night in urban areas on the ecosystem level and the remedial measures. (2022).

    Gallan, B. & Gibson, C. New dawn or new dusk? Beyond the binary of day and night. Environment and Planning 43, 2509–2515 (2011).

    Zielinska-Dabkowska, K. M. & Xavia, K. Protect our right to light. Nature 568, 451–453 (2019).

    Pollastri, S. et al. More-Than-Human Future Cities. in ACM International Conference Proceeding Series 23–30 (Association for Computing Machinery, 2021). doi:10.1145/3469410.3469413.

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    1 h
  • From ethereal to material with Priscilla Haring-Kuipers
    Jun 26 2024

    Sound and music are in many ways ethereal and, quite literally, float through the air with no environmental impact. But, especially in the electronic music world, the gear that makes sound, transmits sound, records sound, and drives the dance floor does have an environmental impact. What does that mean for a sustainable electronic music scene? Today we talk with Priscilla Haring-Kuipers of This is Not Rocket Science in Amsterdam about all this and more. Together with her husband Stijn, they design, make, sell and perform with modular synthesizers. Her background is in marketing, social sciences, media psychology and game-based-learning. I have had the chance to talk with Priscilla over the years about their company’s approach to sustainability and I’m excited to go deeper with that conversation today.

    Bio

    Priscilla Haring-Kuipers of This is Not Rocket Science in Amsterdam. Together with my husband Stijn we design, make, sell and perform with modular synthesizers. My background is in marketing, social sciences, media psychology and game-based-learning. Will sing.

    Links

    TINRS https://www.thisisnotrocketscience.nl/this-is-not-rocket-science/

    TINR Sustainability https://www.thisisnotrocketscience.nl/sustainability/

    Mastadon https://priscillaharing.info/

    Articles at Elektor Magazine https://www.elektormagazine.de/authors/167432/priscilla-haring-kuipers

    Vocal pack https://thisisnotrocketscience.bandcamp.com/album/vocal-pack-boom-link-to-zip

    Club Synth https://www.thisisnotrocketscience.nl/clubsynth

    sustain.fm https://sustain.fm

    Contact info@drusnoise.com

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    1 h
  • Sound, memory, buildings, and bodies with Monica Sand
    May 22 2024

    Sound is an interesting thing. Sounds can evoke emotions like happiness, anxiety, hope, and calmness. But what I find most interesting is how sound can evoke memories. One of my first memories of sound is my Mum playing the organ at church, laying down on the wooden pew and feeling bass in my whole body. Strong memories of family, connection and childhood – all from sound. In the latest episode of sustain, we are talking with Monica Sand – an artist and researcher based in Stockholm and Gothenburg. Monica has a long history of working with sounds and space. And most recently a project in Gothenburg exploring art, buildings, and human bodies as carriers of cultural memory. Today we chat about sound, memory, art, science, buildings, and bodies.

    Bio

    Monica Sand, artist and researcher with a PhD in artistic research, from the School of Architecture, KTH, Stockholm. Sand holds a position as Research Adviser at the Artistic Faculty, and affiliated researcher at the Academy of Music and Drama, at Gothenburg University. From 2011 until 2019 she was coordinating research at ArkDes, Stockholm. At KTH and during a postdoc at Konstfack (University College of Arts Crafts andDesign, Stockholm) she produced courses, walk-shops and lectures based on art and artistic research projects with a focus on collective actions in public space. Earlier art work took place in collaborations with different physics laboratories in Sweden and at CERN, the largest particle laboratory in Europe, Geneva: In between art and science and Acting Physics

    Links

    Playing the Space https://playingthespace.wordpress.com/

    Matter Matters – Art, Buildings and Human Bodies as Carriers of Cultural Memory

    https://playingthespace.wordpress.com/2023/12/18/en-bage-genom-tiden/

    Matter Matters Sound Archive by Louisa Palmi https://palmi.org/The-Sound-Archive

    Important message to the public, VMA: https://soundcloud.com/lur_arkdes/sarafranceschi-elegi-short

    Forest Improvisations in the Uppsala Cathedral:

    https://vimeo.com/55853657

    City Experiments with students in an exhibition hall: Färgfabriken

    https://vimeo.com/149003424?from=outro-embed

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    1 h

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