Efstathios 'Steve' Pilidis is the Director and Youth Advisor for the Pan Macedonian Youth Dance Group of Philadelphia. Born and raised in the suburbs of Philadelphia, former dance instructor for numerous GOYA dance groups as well as active participant with the Macedonians for over 20 years with the goal of preserving Hellenism and the Orthodox faith for future generations in our community.

Bobby Garofalis is the Director of the Hellenic Youth Dancers at Saints Constantine and Helen in Newport News, Virginia. With over 35 years of experience in Greek dance, he began as a dancer in 1990 and rose to become choreographer, director, and now lead administrator — overseeing 4–5 active youth and adult groups, including the award-winning troupe Enosis.

Widely respected for his expertise in the dances of Pontos, Thrace, and the Dodecanese, Bobby’s deepest connection lies with the traditions of Crete — a passion first sparked in 1985 while studying at the Xirouhakis Dance Studio in Chania. Over the past decade, he has worked closely with master instructors to revive lost village dances, including a 2020 suite from Rizinia, Chania featuring Rizitika songs — performed for the first time in the U.S. and honored with the Folk Expression Award at HDF.

From 2019 to 2025, Bobby focused on refining the distinct Syrto style of Chania, training American dancers to perform with authentic precision. That work culminated in Enosis earning first-place honors in the advanced categories at both FDF and HDF in 2023.

Most recently, Bobby has turned his attention to the underrepresented region of Bafra in Pontos, debuting its unique traditions at HDF in 2025. His mission is to give voice to Greeks whose stories fall outside the mainstream — preserving their music, steps, and spirit for a new generation.

Bobby’s latest passion is mentorship: offering guidance and support to Greek dance groups and young directors across the country. Whether through workshops, collaboration, or one-on-one coaching, he’s committed to helping the next wave of leaders carry Hellenic dance forward with skill, integrity, and pride.

With 34 HDF medals — including 20 platinum — and a 2012 Director of the Year award, Bobby continues to see Greek dance as more than performance — it’s a lifelong journey of heritage, identity, and community.

Episode Music: Endasi Live in Miami

Andreas Seas, is the co-director for the Koinonia dance group in Raleigh North Carolina. He was born in Akrotiri, Cyprus, to two dance teachers, and has been active as a dancer, researcher, and community organizer ever since. His goals as a dance instructor are to preserve Hellenic culture and simultaneously spark interest and curiosity in the next generation of dancers. When he isn’t dancing, Andreas is working to complete his MD and PhD with a focus in biomedical engineering and neurosurgery.

Episode Music Credit: The Anemos Music Project

Harry Koutroumanis and Paul Calzada share about the 2025 Gnosis research trip through the Hellenic Performing Arts Foundation to Karpathos and Crete. Learn a bit about their work, and its connection to the Foundation's mission.

For more information visit www.hellenicperformingarts.org or @hellenicperformingarts

Vasilios Aligiannis has an extensive and impressive resume within the Greek folk dance community. He is the founder and lead instructor of the Hellenic Lyceum Sydney. Below are excerpts from his remarkable CV.

"My lifelong passion for Greek folk dance has led me on a remarkable journey of exploration and discovery throughout Greece. With over twenty five visits to this captivating country, I have immersed myself in its diverse regions, delving into the rich tapestry of its folk dance traditions. Through a meticulous blend of research and firsthand experience, my methodology encompasses a multifaceted approach aimed at uncovering the cultural nuances and significance of Greek folk dance.

In essence, my research into Greek folk dance is a labor of love, fuelled by a deep-seated admiration for the beauty and resilience of this cherished tradition. Through my interdisciplinary approach and immersive experiences, I strive to illuminate the cultural significance of folk dance in Greece and contribute to its preservation for future generations to embrace and enjoy.

My research methodology is characterised by its comprehensive and interdisciplinary nature, drawing upon elements of musicology, anthropology, and ethnography. Each trip to Greece involves meticulous planning, as I meticulously research areas and regions of interest, seeking out villages and local communities where folk dance traditions thrive. Upon arrival, I engage in immersive experiences, participating in festivals, workshops, and cultural events that celebrate Greek heritage.

In my quest to understand Greek folk dance, I actively seek out opportunities to connect with villagers and locals who embody these traditions. By immersing myself in their communities, I gain firsthand knowledge of the customs, rituals, and social dynamics that underpin folk dance practices. I document these experiences through video recordings, photographs, and field notes, capturing the essence of daily life and cultural expression.

A crucial aspect of my research involves the recording of interviews with key figures in the field of Greek folk dance. From local dancers and instructors to cultural experts and historians, these interviews serve as invaluable sources of insight into the origins, practices, and evolution of folk dance in Greece. Through these conversations, I aim to preserve oral histories and capture the diverse perspectives that shape this cherished cultural tradition. I also participate in one on one lessons of dance and learn these steps from firsthand.

Throughout my research journey, I have forged meaningful connections with key organisations dedicated to the preservation and promotion of Greek folk dance. From the Lykeion Ellinidon to KEPEM (Center for Research on Greek Dance), Dora Stratou Greek Dance Theater and the Domna Samiou Foundation, I have collaborated with esteemed institutions that share my passion for safeguarding Greece's cultural heritage. Through these partnerships, I have access to resources, expertise, and networks that enrich my research endeavours. I have also made some amazing connections with people involved in Greek dance e.g. Alkis Raftis, Lefteris Drandakis and Kostas Mitsis."

Regions of Expertise

• Arkadia / Messinia, in the Peloponnese.
• Naousa and the Boules Dromena in Macedonia.
• Syrrako, Tzoumerka Region, in Epirus.
• Konitsa and the Mastorohoria Region, in Epirus.
• Roumlouki Imathias, in Macedonia.
• Kalymnos/Leros, in the Dodecanese Islands.
• Palia Roumata Village, outside Chania, in Crete

https://www.greekdancing.com.au

Episode Music: Kostas Mitsis

Vasiliki Malamatos is the director of Epanastasi Dance Troupe at St. Demetrios Greek Orthodox Church in Fort Worth, Texas; and the founder & director of Rizes HDF. Epanastasi is a young-adult competitive dance troupe that she started back in January of 2024 and is an official ministry of the St. Demetrios parish in Fort Worth, Texas. Epanastasi will be hosting Rizes HDF on January 25: a parish level event encouraging dance groups within the Denver Metropolis & beyond to attend for a first ever HDF event in the area.

Vasiliki grew up on the East Coast & has been dancing all of her life. She grew up in New Jersey & attended the Ascension Fairview parish where she competed at their own HDF: “Sights & Sounds”. At the age of 17, she & her family moved to Florida where she completed her final year of GOYA & Dance at the Tarpon Springs Parish with Levendia. She then moved to Boston, MA where she attended Hellenic College Holy Cross from 2016-2020 where she met her husband, Theodore Malamatos. They got married in Florida & relocated to Fort Worth, Texas in February 2022 for his job.

Vasiliki is first generation Greek & was raised in a home where Greek tradition & culture was always prevalent & important. Vasiliki & her family are Vlachoi (Vlachs) from Thessalia. Her father was born and raised in a Vlachochori (Vlach-speaking village) called “Kalochori”, located just outside of Larisa. Vlachika was her fathers first language, & their village of Kalochori still practices their Vlach customs & traditions (ex: speaking Vlachika, Vlach music & dance at their annual Panigiria, etc). Her mother is from a village in Trikala called “Mavrelli”, located north of Kalambaka. Vasiliki is very proud of her Greek Vlach roots. She visits her villages in Greece as often as she can where she spends her summers with family. While there, attending every Panigiri is always on the list of things to do. She was raised listening to her region's music, so she loves all things Klarino, Epirotika, and Thessalika.

Vasiliki also runs a private business: DFW Greek Social Club. It is a private Greek event promotional business where she brings various different Greek cultural events to the DFW Metroplex, such as: Greek Nights, Greek Concerts, Greek Comedy Shows, etc. The events are for all ages because Vasiliki feels that Greek culture is for everyone. Greek culture is intergenerational and she wants everyone in the community to be able to come together to bond over their Greek culture.

Vasiliki is very passionate about preserving Greek culture & tradition in the diaspora. She feels that it is important we equip the next generation with the tools needed to preserve our traditions and culture. If we fail to do so, it is so easy for our culture to slip through the cracks and die off. We need strong events, outlets, and more to keep this younger generation hungry for their culture so that they themselves will grow up and want to pass the torch to the next generation, & so-on.

www.stdemetrios.net

Episode Music: ΞΕΝΙΤΕΜΕΝΟ ΜΟΥ ΠΟΥΛΙ (Πωγώνι) - Ηπειρώτικα τραγούδια

Eleni Koubi is a Greek fashion designer who founded her own brand in 2021.

The philosophy behind the clothes is that the garment a person wears is not only meant to meet their physical needs and to highlight their beauty, but is an expression of their personality and cultural identity.

The brand is promoting sustainability through garments that are not mass produced but instead a few pieces are launched in each collection that are created ethically and made mostly from natural materials, such as cotton, wool or silk, in order to minimize waste.

Greek folk tradition and the Greek elements are the dominant sources of inspiration for the designs, since the designer believes that Greek culture is an endless source of inspiration and an expression of timeless values. Beauty is the dominant value of the Greek culture and every fashion piece aims to capture this essence. The values of the Greek elements are not only historical but have the ability to shape the aesthetics of people over time through generations.

Instagram: EleniKoubiOfficial

https://elenikoubi.com/

Episode Music Credit: Manolis Kottoros, Live in Santorini, 2021

Michelle is a member of the Greek American Folklore Society based in Astoria, Queens. Michelle was born in Los Angeles, grew up in Athens, with roots in Volos, then moved to San Diego at the age of eight. She proudly both Greek and Filipina but for the purposes of this podcast will focus on the Greek American experience. After moving to the US she found community in the St Spyridon Greek Orthodox Church and first FDF was in Anaheim 1997 (?) and continued dancing while in grad school with the St Sophia GOC in Los Angeles. When she moved to New York she joined GAFS and is always seeking to build connections across the various religious and cross-cultural organizations. She has taught various age ranges and people of different backgrounds, with a core belief that this dance, this joy, is for everyone. When you dance with Michelle, the circle is always open.

Michelle serves as an organizer and webmaster for GAFS and supports the artistic director Vaia Allagianis and president Anastasia Tsantes. The organization is completely run by volunteers, and at times seems raucous and it is a miracle and a blessing. Like many organizations out there, Greek dance is a labor of love. I thank Vaia and Anastasia and all our volunteers and dancers for showing up every week.

We have the benefit of a legacy of dance research from Paul. We have the institutional knowledge from Vaia and Anastasia. We have the proximity to Greek cultural and religious organizations in Astoria. We have the luxury of not aligning directly with a church or syllogo. We are an independent folklore society that has survived for 41 years and we can only continue to grow by building more connections and showing up. Just like you. Thanks for showing up every day and opening the door.

About GAFS: https://youtu.be/Eb81baTEBds?si=DiG-mqh59kKSHiOY

http://www.greekamericanfolkloresociety.org/

IG: GreekDancewithMichelle

Episode Music Credit: Yiannis Mandas