Julia Louis-Dreyfus (Seinfeld, Veep) is a national treasure with more primetime Emmys than any performer in the history of television. Then there’s her latest decade in film: two collaborations with Nicole Holofcener (Enough Said and You Hurt My Feelings) along with a devastating turn in the heart-rending fairytale from A24, Tuesday. Her range is unparalleled, including in the role of host on her excellent, award-winning podcast, Wiser Than Me from Lemonada.

We sat with Julia as part of this year’s Aspen Ideas Festival, where we discussed her powerful new film, Tuesday (6:33), her early performances in the basement of her childhood home (15:45), a formative high school yearbook quote (16:45), landing at SNL in the 1980s (22:06) with Larry David (24:56), the legacy of Seinfeld (28:42), and where she stands on the issue of “political correctness in comedy” (31:54).

On the back-half, a celebration of her uproarious turn as Selina Meyer on Veep (36:47), a life-changing diagnosis on the heels of her historic Emmy win (40:00), and the support she received from showrunner David Mandel (42:52) and President Biden (46:23). To close, we sit with the stakes of this upcoming election (50:40), words of wisdom from Jane Fonda (52:14), and the poem “Explanation” by Julia’s father, the late Gérard Louis-Dreyfus (54:00).

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On the heels of his first Emmy win, actor Ebon Moss-Bachrach joins us on the show to unpack the return of The Bear.

At the top, we dive into the making of the hit series (9:22), a powerful scene with co-star Jeremy Allen White (11:20), and how Moss-Bachrach manages to keep adding layers to his portrayal of Cousin Richie (14:26). Then, he describes the mounting pressures around this new season (19:23), the day he knew he wanted to be an actor in Williamstown, Massachusetts (27:35), and the early days of his collaboration with actor Jon Bernthal (30:26).

On the back-half, Ebon reflects on a formative role as a jazz musician in Warren Leight’s play Side Man (35:34), his ideas about success and living a more balanced life (38:19), his experience playing Desi in Girls (43:33), a philosophy depicted in The Bear (47:35), and the work he hopes to continue making in years to come (50:38).

Thoughts or future guest ideas? Email us at sf@talkeasypod.com.

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“You’re never gonna forget where you were last night at 7:30,” says James Carville. “It has the potential to be that consequential.”

Carville is regarded as one the most influential (and animated) operators in the Democratic Party. He came to prominence as the chief architect behind Clinton’s 1992 Presidential campaign, and has remained one of the most incisive political analysts in the country.

He joins us this week from the Aspen Ideas Festival, the day after the first presidential debate between Joe Biden and Donald Trump (8:15), to discuss what he saw from each candidate (10:30), whether Biden should (or will) step aside in the months ahead (16:16), and who, theoretically, would be fit to run come August at the DNC (26:00).

On the back-half, Carville shares how he would reframe the Democrats' political strategy (33:19), the “coastal condensation” that has slipped into the bloodstream of the left (36:30), his advice on winning elections (54:00), and how he aims to inspire swing voters in purple states through the American Bridge project (59:48). To close, a scene from the 1993 documentary The War Room (1:01:57), and why his love of politics remains undiminished even after this dark week in American democracy (1:05:10).

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Beloved playwright Annie Baker won the Pulitzer for Drama in 2014 for her play, The Flick. A decade later, she’s releasing her directorial debut, Janet Planet, through A24.

We begin by talking about her striking first feature (7:55): the Western Massachusetts origins of the project (11:00), the mother-daughter love story at its center (13:24), how Thomas Mann’s “The Magic Mountain” shaped Baker’s understanding of time (22:55), and why she’s routinely sidestepped the slippery-slope of “confessional” autobiography in her own work (30:30).

On the back-half, we discuss Annie’s early jobs in New York before she turned to the page and the classroom (40:00), the issues of class that continue to plague contemporary theater (45:00), a formative Rainer Maria Rilke poem as read by Sam (55:50), and whether she believes art “matters” in 2024 (1:00:18)

Thoughts or future guest ideas? Email us at sf@talkeasypod.com.

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This Father's Day, we're revisiting our special talk with actor Ethan Hawke.

After a phone call with Dad Fragoso (2:00), we dive into the episode. At the top, Hawke unpacks his docuseries The Last Movie Stars (9:24), describing his introduction to Paul Newman through Butch Cassidy and the Sundance Kid (12:13). Then, he reflects on his personal history: growing up with his mother on the east coast (16:43), his on-screen debut at fifteen in Explorers with River Phoenix (20:04), the enduring legacy of Robin Williams (25:57), and how Richard Linklater’s Before trilogy transformed his career (33:01).

On the back-half, we revisit a memorable scene from Before Midnight (42:28), how capturing Chet Baker in Born to Be Blue helped Hawke process loss (52:31), what he learned about longevity from director Paul Schrader (55:29) and how that definition evolved in making The Last Movie Stars (58:32). To close– we discuss the importance of family (1:02:12), Hawke’s hopes for his third act (1:04:24), and why he continues to honor The Actor’s Vow by Elia Kazan (1:07:38).

Drop us a line at sf@talkeasypod.com.

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Director Richard Linklater has made a career out of telling personal stories with universal appeal. Dazed and Confused, Waking Life, the Before trilogy, Boyhood. No matter the genre or form, Linklater's human touch remains.

He joins us this week around the release of his latest film, Hit Man (7:36), an action-packed neo-noir (9:15) that also explores the malleability of identity (12:00). Then, Linklater reflects on his athletic career in college (18:20), the health scare that ushered in a period of creative exploration (19:48), and the renegade spirit that drove his first two feature films, It’s Impossible to Learn to Plow by Reading Books and Slacker (29:12).

On the back-half, Linklater describes a formative Sundance memory with director Robert Altman (36:00), his first experience at the helm of a major motion picture (39:48), and the lived serendipity that inspired his Before films (54:22). To close: a Hollywood state of the union (1:02:54), why Richard continues to create art from the fabric of his life (1:10:00), and whether Sam should return to directing himself (1:19:36).

You can watch Sam’s directorial work here, including his short film Sebastian.

Drop us a line at sf@talkeasypod.com.

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On the heels of her breakout role in Stranger Things, Maya Hawke has gone her own way as an artist— both as an actor and singer-songwriter. That’s especially true on her striking new record, Chaos Angel.

We begin our conversation by diving into this third record of hers (5:37), the ‘emotional pendulum’ that guided her creative process (9:15), and how director Paul Thomas Anderson’s Magnolia inspired the first track (16:12). Then, Maya discusses a piece by novelist Flannery O’Connor (21:20) that shaped her portrayal of the Southern Gothic writer in the new film, Wildcat (25:28), directed by her father (Ethan Hawke).

On the back-half, we sit with Hawke’s childhood growing up in a household of actors (41:55), a passage from her father reflecting on Before Midnight (45:10), the connective tissue between her latest projects (55:10), and how she’s recently found a place of peace in the aftermath of her new album, Chaos Angel (59:36).

For questions, comments, or to join our mailing list, reach me at sf@talkeasypod.com.

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This week we’re joined by comedian and actor Ilana Glazer.

At the top, Glazer reflects on her recent tour across the country (4:55), portraying a new mother in Babes while having her first child (8:30), and the film’s timely politics around reproductive rights (10:28). Then, we dive into the creation of Broad City with collaborator Abbi Jacobson (16:06), how the show ascended to five seasons on Comedy Central with the support of Amy Poehler (22:40), and their maternal approach to creating the series (26:14).

On the back-half, we talk about her regenerative period following Broad City (37:10), why Glazer has yet to rewatch the series (39:00), her daily practice of presence (48:05), the joy of parenthood (50:05), and why she still has faith in humanity (58:10).

This conversation is available to watch on YouTube. For questions, comments, or to join our mailing list, reach me at sf@talkeasypod.com.

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