The Bestseller Experiment  Por  arte de portada

The Bestseller Experiment

De: Bestseller Experiment
  • Resumen

  • Join author and screenwriter Mark Stay with coach and entrepreneur Mark Desvaux, as they discover the secrets to writing a bestseller and challenge themselves and you to write, market and self-published a bestselling book in just one year. Each week, they are guided by and interview million-selling, chart-topping authors, publishers on the inside, editors, agents, social media specialists, and many more big names who play a part in the bestseller process. From the writing to marketing, plotting to publishing, learn the secrets to help you write your way to the top of the charts.
    (c) 2020 Mark Stay & Mark Desvaux
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Episodios
  • EP514: Defying the Odds with Sherrilyn Kenyon
    Jul 22 2024

    Sherrilyn Kenyon’s first book was published when she was still in college, since then she has had more than 80 novels on the New York Times list, and more than 70 million books in print. We talk to Sherrilyn about her rise from childhood poverty to eBook pioneer and a bestselling phenomenon.

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    1 h y 35 m
  • EP513: Ask the Editor with Emad Akhtar
    Jul 15 2024

    Editor Emad Akhtar has worked with authors like Michael Connelly, Ian Rankin and Justin Cronin and was kind enough to join our show and answer our listeners’ questions!

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    57 m
  • EP512: Steve Cavanagh – Author on the verge of a massive breakthrough
    Jul 8 2024

    Steve Cavanagh is the author of the Eddie Flynn legal thrillers The Defence, The Plea, The Liar and now, with his new book Thirteen, he is on the verge of a bestselling breakthrough. Steve brings his legal expertise to his writing and creates compelling characters and nail-biting thrillers, and co-presents the Two Crime Writers And A Microphone podcast… Which we’re not going to plug on the show. No way.

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    37 m

Lo que los oyentes dicen sobre The Bestseller Experiment

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excellent interviews

I hate the opening music/teasers, but the interviews are excellent! I think I hate the dramatics of the openings more BECAUSE it's quite a good podcast and they don't need it

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