Like most leaders in the arts, Heather Maloy spends far more time raising money, hunting for rehearsal spaces and recruiting dancers than she does immersed in the work she’s so committed to—cultivating the ideas and creating the dances that are the signature of her Asheville-based company, Terpsicorps Theatre of Dance.

For 21 summers, Terpsicorps has fielded troupes of young professionals from all over the U.S. and beyond, who put their feet to the fire of Maloy’s imagination. I met with Maloy just before her company started rehearsals for their new production, inspired by Edvard Munch’s singular painting, “The Scream.” Performances are July 25 through 27 at Diana Wortham Theatre.

We’ll talk with the company’s founding director about keeping her dream live and evolving her company through two decades of challenges, how she parses through scores of auditioners to select her company and how she defines growth when her company is only on stage for two weekends each year.

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