Accelerate your post-production career: https://mixinglight.com

Full episode notes and additional links: https://mixinglight.com/color-grading-tutorials/the-color-timer-podcast-louper-ceo-alex-williams/
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On this session of the Color Timer Podcast I chat with Louper CEO Alex Williams. What is Louper? As Alex describes it, “It’s Zoom for video professionals.” While this snapshot is easy to picture, creating yet another review application in a crowded marketplace is no easy task, yet Louper has found its footing rather quickly. The platform allows live streaming without proprietary hardware boxes and is built around collaboration rather than pasting offline review links.

While it’s fun to geek out with the creators of our favorite bits of gear, we’re careful not to make this a cozy infomercial. Is remote grading really here to stay? Or is the human touch needed to drive a session forward? Join in on my wonderful conversation with Alex to find out.

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Editor: Rich Roddman
Executive Producer: https://mixinglight.com
Podcast Home: https://colortimerpodcast.mixinglight.com

Accelerate your post-production career: https://mixinglight.com

Full episode notes and additional links: https://mixinglight.com/color-grading-tutorials/flanders-scientific-ceo-bram-desmet-the-color-timer-podcast-201/
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The Color Timer Season 2 begins right now!

Bram Desmet joins The Color Timer to discuss monitors, philosophy, symbolic logic, LUT boxes, and his family's fallback plan.

Bram is the founder, CEO, and general manager of Flanders Scientific. His nonlinear path to launching a monitor company started with aspirations to become a philosophy professor and then a pilot while working as a bicycle repair technician. However, as he explains, these topics are all interconnected.

Headquartered in Atlanta, Georgia, Flanders Scientific has taken the post production industry by storm, creating an excellent sweet spot of price, features, accuracy, customer service, and value. If you’ve been on a film set lately, chances are you’ve seen the FSI Zunzheng stamp of approval at the DIT cart or the video village.

He’s been interviewed many times, but I feel confident this is the first time he’s done it with a 15-minute sand timer running. I also feel confident that it’s one of the first times he’s focused more on discussing philosophy and Christmas decorations than monitors.

Don’t worry; we chat about monitors as well!
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Editor: Rich Roddman
Executive Producer: https://mixinglight.com
Podcast Home: https://colortimerpodcast.mixinglight.com

Accelerate your post-production career: https://mixinglight.com

Full episode notes and additional links: https://mixinglight.com/color-grading-tutorials/the-color-timer-podcast-interview-with-paul-harrison/
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Season 1 of The Color Timer Podcast wraps: We chat with Paul Harrison, a colorist renowned for his award-winning short-form work and films.

Paul Harrison’s professional journey has covered just about every corner of the industry that could possibly be painted 18% gray. Currently, Paul is the Senior Colorist and Partner at Residence Pictures and has completed the visually stunning The Killing Kind (Paramount +) and The Gallows Pole (BBC).

From humble beginnings as an on-set runner, to learning the dark arts of telecine with a Pandora Pogle, to honing the look of top-notch brands like Guinness, Levi’s, and BMW; Paul shares his insights and his inspiration.

One of the world’s top colorists, Paul Harrison has been continually ranked amongst the top three finishing artists in the UK throughout his career, frequently topping the Televisual Best Colorist polls as well as winning successive BTAA awards for best colorist.

Chatting with Paul feels like chatting with an old friend, he quickly puts you at ease and I would imagine that this is something that would make those long hours in a color session so much easier.
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Editor: Arthur Ditner
Executive Producer: https://mixinglight.com
Supporting Sponsor: https://www.filmlight.ltd.uk/
Podcast Home: https://colortimerpodcast.mixinglight.com