Episodios

  • Interview with Phil M. Williams – S. 10, Ep. 3
    Jul 7 2024
    This week's episode of the Crime Cafe podcast features my interview with crime writer Phil M. Williams. If you like thrillers, you'll want to check this out. And don't forget to check out his giveaway here! Before I bring on my guest, I’ll just remind you that the Crime Cafe has two eBooks for sale: the nine book box set and the short story anthology. You can find the buy inks for both on my website, debbimack.com under the Crime Cafe link. You can also get a free copy of either book if you become a Patreon supporter. You’ll get that and much more if you support the podcast on Patreon, along with our eternal gratitude for doing so. We also have a shop now. Check it out! Check us out on Patreon: https://www.patreon.com/crimecafe The transcript can be downloaded here. Debbi: Hi everyone! This week we have with us the author of 27 books, primarily thrillers. His stories tend to explore modern dilemmas and controversies which pit powerful villains against average citizens. He's giving away an audio version of one of them, NO GOOD DEED. It's my pleasure to introduce my guest, Phil M. Williams. Hi, Phil. How are you doing today? Phil: Very good, Debbi. Thank you so much for having me on! Debbi: It's my pleasure, believe me. I noticed that most of your books are thrillers. I also noticed that you do have at least one series, the 2050 series. Phil: That's correct. Debbi: What prompted you to write this series? Phil: I think I was interested in – in thinking about what would happen in my lifetime. Right? I mean, I'm 48 years old, so I'm hoping I get another 25 years at least. So I was thinking, okay, well, I wonder what the world would look like. I don't know. 2050 is a good, seemed like a good round number. And I see a lot of the – I'm interested in history. I'm interested in some politics. And to me it was just sort of an extension of. Now it's a very exaggerated version of what's maybe happening in the world today, but it's sort of taking the extreme versions of totalitarianism and projecting it on the United States and seeing what life would be like for. And in the series, there's four main characters. And so I wanted to see, wanted to explore what life would be like for the one character as a farmer. He's an average guy that's struggling, as a lot of our farmers are today, and struggling to make ends meet. And then you have the congresswoman who's sort of a budding communist congresswoman who eventually rises to power. And then you have the banker, who sort of comes from a very shadowy family where they control a lot of the economics behind the scenes. So you get a chance as the reader to kind of, to see that. And then you have just this regular woman who's sort of, who's a nurse, and she and the farmer end up. They end up, they end up crossing paths, but they kind of show that … those two characters show the every man and every woman perspective of what life is like in this dystopian future, whereas, and then the other side of the coin, you have the corporate power banker, and then you have the governmental power person that ends up being the president. They show you the power side of the dynamics, which I think is really interesting for the readers. And you can see, as the series goes on, you can see how the plots wrap around each other and how the characters sort of interact with each other. And in the beginning, you don't always see how it all is going to connect, but it all kind of sort of weaves together, which I think was just unbelievably complex to do. The plot outline was – Yeah, the plot outline was over 100,000 words. I think it was, like, 130,000 words just for the plot outline. And I put a – put a lot. I spent over a year just working on the five book plot outline before I even wrote a single sentence of the series. Yeah, the plot outline was over 100,000 words. I think it was, like, 130,000 words just for the plot outline. And I put a – put a lot.
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  • Interview with Clay Stafford – S. 10, Ep. 2
    Jun 30 2024
    This week's episode of the Crime Cafe podcast features my interview with crime writer and entrepreneur Clay Stafford. Check out the plans for the upcoming Killer Nashville conference! Before I bring on my guest, I’ll just remind you that the Crime Cafe has two eBooks for sale: the nine book box set and the short story anthology. You can find the buy inks for both on my website, debbimack.com under the Crime Cafe link. You can also get a free copy of either book if you become a Patreon supporter. You’ll get that and much more if you support the podcast on Patreon, along with our eternal gratitude for doing so. We also have a shop now. Check it out! Check us out on Patreon: https://www.patreon.com/crimecafe The transcript can be downloaded here. Debbi: Hi everyone. Our guest today is a return visitor. Along with being a bestselling and award-winning author, he's a poet, screenwriter, and playwright. He's also founder and CEO of Killer Nashville. It's my pleasure to have with me again as this week's guest. Clay Stafford. Hi, Clay. How are you doing? Clay: Hi, Debbi. Doing well. Absolutely wonderful. Debbi: Wonderful. You're looking good there. Clay: Well, thank you. Debbi: Looking good. It's always nice to know. The farther we get along in age, it's nice to know you're still looking good at least. Shall we talk about what's coming up at Killer Nashville then? Clay: So you're just leaving it wide open then, what's coming up? Debbi: Yeah. What's special coming up, let's say? Clay: Well, every year it changes, and this year I truly do think it's going to be the best one yet so far, and we're coming up on - what is it - it's the 18th year or something. Debbi: 18th or 19th, I was going to say Clay: Maybe 19th, but we're getting close to that two decade point. I think the lineup ... I'm currently finalizing the schedule - should have it online very quickly, and it's going to be, I think, a wonderful year. Debbi: That's excellent. That's good to hear. I happened to notice that one of your offerings was a mock crime scene, which I thought was kind of cool. Is that like a display, or do people get to interact with it? Clay: We actually used to do that all the time, and then Dan Royce, who was the assistant director of the Tennessee Bureau of Investigation, always put that on. This last year and the year before, he did not do it just because I think he'd been doing it for 15 whatever years and decided to take a break. But he has told me that he is coming back with another crime scene. It's basically an interactive crime scene where people try to actually solve the crime, and it looks like it's the same training methods that are used with the Tennessee Bureau of Investigation and the FBI and all of the other agencies. Each attendee who wants to try to solve the crime, the winner gets a heavily discounted attendance for next year for Killer Nashville. But it's a tricky business and it's always been a lot of fun. We've learned over the years how to be able to handle that, because one year we just set up the crime scene and some attendees at a hotel we were at at the time came by and happened to look in, and it looks very realistic - blood and brain matter and everything all around - and they called 9-1-1. The next thing we know, we have police officers and medical people all showing up, and they're telling us to get out of the way, and then of course, they're going over to look at the dummy, and then I guess they kind of feel like maybe a dummy. But we've now set it aside so that it's not right in front of other people who are not— The hotel we're using - Embassy Suites in Cool Springs, Franklin - we actually have sold out the whole hotel, so it should be all crime writers who are there, so there should not be any danger of the 9-1-1 team showing up. I'm hoping Dan will come through with us on that. He said he is working on an idea, so hopefully we'll have that ready to go. Debbi: Well, that's very cool.
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  • Interview with Weldon Burge – S. 10, Ep. 1
    Jun 23 2024
    This week’s ad-free episode of the Crime Cafe podcast features my interview with crime writer Weldon Burge. Check out the first interview of our Tenth Season. Dear God Good grief! Has it really been ten years? And check us out on Patreon: https://www.patreon.com/crimecafe You can download the transcript here! :) Debbi: Hi everyone. This is the first episode of our 10th season here at The Crime Cafe. And boy, that decade sure went fast. Where did all that time go? In any case our guest today is a writer, indie publisher, and a full-time editor, although I now believe he has retired, but we can talk about that. He's written numerous articles for various publications as a freelancer. His first novel, Harvester of Sorrow was originally published by Suspense Publishing, but is now published through his own company, Smart Rhino Publications, which focuses mostly on horror and suspense thriller books. He has also published 17 books. That company has published 17 books, including the most recent anthology, Asinine Assassins. There's the tongue twister for you - Asinine Assassins - which I believe is also part of a trilogy. His latest short story collection is Toxic Candy, which he is offering as a giveaway. Check the notes in this recording for his guest post and giveaway details. Alrighty then. So in any case, it is a great pleasure for me to introduce Weldon Burge as my guest today. Hey, Weldon. Weldon: Hi. Thanks, Debbi. Good to hear you. Debbi: It's great to see you and great to hear you, and glad to have you on the show. So you are no longer working full-time and you are devoting yourself to writing fiction these days? Weldon: Yes. Pretty much. Debbi: As well as publishing. Weldon: If a nonfiction job comes up, I will take it, but I'm focusing primarily on fiction at this point. Debbi: Yeah, yeah. I reached a point where I pretty much said, okay, that's all I'm going to do. Weldon: Well, I was working for an educational consulting firm, so I was dealing with PhDs every day, and then I'd come home and I have to get into fiction because I'd had enough brainy stuff all day long. So now that I'm retired, I'm going full force into the fiction and enjoying it. I love it. Debbi: Awesome. That's great. That's a wonderful thing. So how do you structure your writing schedule? Weldon: I don't. I mean, I'm constantly writing. I'm constantly writing notes, bits of dialogue that come into my head I will write down. So as far as the schedule goes, it's just whenever I have time to do something, I'll do it. But I have things churning in my head constantly, so getting something on paper is something I do all day long. Ideas come for me and I try to work them out in my head, and I have notebooks everywhere, notes everywhere, and when I have time to sit down and do it, I do it. I'm constantly writing notes, bits of dialogue that come into my head I will write down. So as far as the schedule goes, it's just whenever I have time to do something, I'll do it. Debbi: Yeah. Notes everywhere. I think that's kind of like a writer's life. Notes everywhere. Weldon: Yes, that's right. That's right. Debbi: What was it that inspired you to create the Ezekiel Marrs character, and what are your plans for the series? Weldon: Okay. Actually there's one chapter in the book that has nothing to do with Ezekiel Marrs. That actually spun the tale for me. There's a section in the book where a teenage couple find a body in the woods, and that was the very first thing that came into my head, and everything kind of spread from there. Ezekiel Marrs was first called Simon something, and it went through umpteen different names, and I liked the Ezekiel because of the biblical parlance there and then Marrs because it's out there. So I like the idea of that name, and it's fairly unique, which was the other thing I was looking for. The character kind of grew out from himself. It was kind of interesting how that occurred.
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  • Interview with Charles Salzberg – S. 9, Ep. 27
    Apr 28 2024
    This week's episode of the Crime Cafe podcast features my interview with crime writer Charles Salzberg. Check out our final regular episode of Season Nine! Before I bring on my guest, I’ll just remind you that the Crime Cafe has two eBooks for sale: the nine book box set and the short story anthology. You can find the buy inks for both on my website, debbimack.com under the Crime Cafe link. You can also get a free copy of either book if you become a Patreon supporter. You’ll get that and much more if you support the podcast on Patreon, along with our eternal gratitude for doing so. We also have a shop now. Check it out! Check us out on Patreon: https://www.patreon.com/crimecafe The transcript can be downloaded here. Debbi: Hi everyone. This is the last regular episode of the ninth season of the Crime Café. I cannot believe that I've been doing this for nine years, honest to God. So, in any case, our guest tonight is a person who has worked as a journalist and he is a novelist, who has written for a variety of magazines, including Esquire, GQ, Elle and others. He's also written book reviews. He gets paid to do that. I have to find out about that. Charles: Not much. Not much. Debbi: Not much? Charles: Not much. Debbi: Well, you get paid something. That's nice. His series though is the Henry Swann Detective series, which is really cool, I think, at least based on what I've read. He has written true crime and a variety of nonfiction books, including a book about Soupy Sales, which I have to ask about. He's a writing teacher and mentor, as well as the founding member of the New York Writers' Workshop. It's my pleasure to have with me, Charles Salzberg. Charles: Thank you so much for having me. Debbi: Oh, sure. It is my pleasure, believe me. I just started actually your latest Man on the Run. Wow. What a great opening. You already have me hooked. I love your style. It has a kind of a chatty feel to it. Is this the way you write generally? Charles: Yes. Almost all the stuff I write is in first person from different people, and I just like that conversational style. Debbi: Yeah. Yeah. I'm with you there. Yeah. I like that. What inspired you to write the Henry Swann Series? Charles: It was inspired in the beginning by spite. I was in an MFA program at Columbia, and I had to have a manuscript to get in, and I chose this teacher who said he read the manuscript - I'm not sure he did. It got me into the program and he said to me, do you know how to tell a story? And I said, yes, I know how to tell a story. He said, well, you don't tell stories. This book is written like Nabokov and Philip Roth, in a style like that. You should read Chekhov. I was an English major. I had read Chekhov. Anyway, I quit after two weeks and I thought, well, this guy doesn't think I can write plot. I'm going to write a book that's very plotted, and those would be detective novels. So the first Swann book was called Swann's Last Song because I had no intention of writing crime novels after that, or revisit Swann. It had a very interesting history because I wrote it and I sent it to agents and editors, and they all said we love this, but we can't publish it with this ending. The problem with the ending for them was the detective follows all the clues, and in the end, the murder has nothing to do with any of the clues he followed. It was totally random. So the reader finds out what happened, but the detective who's really a skip tracer had nothing to do with solving the crime. And they said you're going to disappoint detective/crime lovers because they need the detective to solve the crime. And so I said, well, that's not what this book is about. I was much younger then, and so I said if you're not going to publish it this way, I'm going to put it away and forget about it and go onto the next thing. About 20 years later, I happened to stumble across the manuscript and I read it and I thought, this is pretty good.
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  • Interview with Len Joy – S. 9, Ep. 26
    Apr 14 2024
    This week's episode of the Crime Cafe podcast features my interview with crime writer Len Joy. Get to know Len and his books, as well as his interest in athletics and how it has inspired his writing. Before I bring on my guest, I’ll just remind you that the Crime Cafe has two eBooks for sale: the nine book box set and the short story anthology. You can find the buy inks for both on my website, debbimack.com under the Crime Cafe link. You can also get a free copy of either book if you become a Patreon supporter. You’ll get that and much more if you support the podcast on Patreon, along with our eternal gratitude for doing so. We also have a shop now. Check it out! Check us out on Patreon: https://www.patreon.com/crimecafe The transcript can be downloaded here. Debbi: Hi everyone. My guest this week is the award-winning author of several novels, including one that I read called Dry Heat, which I really liked a lot. Like many authors, he started off in another career before he started writing. It's my pleasure to introduce my guest Len Joy. Len, hi. Len: Hi. Thank you very much for having me. I never thought of myself as a crime writer, but as I look at my work, I do have a lot of crime in there, so happy to be part of this. Debbi: Absolutely. Well, I am glad to have you on, that's for sure. Now I finally have you . Okay. I wanted to ask you particularly about Dry Heat, because I loved it so much. What was it that inspired you to write this novel? Len: Well, this was one of the few novels I think I wrote that was inspired by a specific incident. In my earlier career, I had an engine remanufacturing company in Phoenix with my brother-in-Law. We ran that for almost 20 years. It was a down and dirty, gritty, manufacturing operation. We had about 200 employees at any given time, and I had a very trusted employee, a woman and her husband that worked for me in the office. Their son, who I knew, I think he had just turned 18 and he was out hot rodding on the interstate on a Friday night, and not sure whatever happened, but they basically were dueling with another car and somebody in the vehicle he was in shot at the other car. Didn't hit anybody, but it turned out that the other vehicle was driven by an off-duty policeman, and he was arrested. He was the only adult -18 years old - and the other three were underage, and he was charged with attempted murder of a police officer, which is a serious crime. I mean, it's more serious penalties, and even though nobody was hurt, I don't believe he was the one shooting, but nevertheless, he was arrested. I followed this with obviously the parents as a father, and I had a kid about the same age as Tim, and instead of going to college, he's going to trial, and they have this lawyer, and they're going to a pretrial conference. They're going to fight this. I think they have a good case. They come back in the afternoon and they tell me that they basically presented him with the alternative of if you lose at trial, you could go to jail for 20 years, or you can take a deal and you go to prison for three, and they took the deal. But that just stuck with me, not just for the kid, but for the parents to have to make that decision in an instant, and it just changes the whole direction of your life. That was 20 years ago, and I started writing after that, and it was just something. I followed their story and he went to prison. He came out. I stayed in touch with his mother. My business ended in 2003, so I was no longer in Phoenix, but it was a story that interested me. And after I'd written a couple other novels, I decided not to use that story, per se. I mean, his story is his story, but that incident inspired me, I guess, in a way, to try to write about that kind of event where you're heading in one direction and something happens and your whole life changes. And I like sports, so I always make it somehow an athlete involved. But that was the inciting incident, I guess,
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  • Philip Marlowe in ‘The Black Halo’ – S. 9, Ep. 25
    Mar 31 2024
    This week’s episode of the Crime Cafe podcast features another great story from The Adventures of Philip Marlowe. Feel free to check out the video version, too. Check us out on Patreon: https://www.patreon.com/crimecafe Where ad-free episodes are a bi-weekly event! Here’s a copy of the transcript in PDF. Marlowe (01:17): Somewhere in the cold, persistent rain that made the city itself seem a thing of evil, a girl had disappeared and it was my job to find her, but before I did, I found death and a devil. Narrator (01:31): From the pen of Raymond Chandler, outstanding author of crime fiction, comes his most famous character as CBS presents The Adventures of Philip Marlowe, and now with Gerald Mohr starred as Philip Marlowe, we bring you tonight's exciting story, "The Black Halo". Marlowe (02:10): For three days, an ugly storm had lashed at the west coast from northern Oregon to the tip of lower California, and although it was only noon when I drove up to the sprawling red brick house just south of Santa Barbara to meet a new client of mine, the black that was in the sky and the driving rain that was everywhere left the day bleak and wet and cold. Left it the kind of day that made you feel that logs blazing in a fireplace and a warm dry robe were the only things that could matter to anyone. But when I got inside the house, Felix Drum, 350 uncomfortable pounds of executive in a wheelchair, who made his living importing perfumes, was very worried and not about the weather outside. Felix Drum (02:52): Marlowe. Julia Perry is gone. I want you to find her and bring her back, and the sooner you do that, the better. Marlowe (02:58): And the more I know, Mr. Drum, the easier it'll be. Exactly who is Julia Perry? Felix Drum (03:02): My assistant, very capable girl who in the past six months has practically taken over my entire business. She handles most of the work from her cottage here on the grounds where she lives. She also has some little cubbyhole in Los Angeles where she keeps her files and some sample stock. Marlowe (03:19): Do you have the address of that cubbyhole? Felix Drum (03:20): If I knew the answer to everything, I wouldn't have hired you and anyway, it isn't important. Hand me that little bottle. Marlowe (03:29): This one? Felix Drum (03:31): Yes. Thank you. Marlowe (03:43): When did you last see Julia, Mr. Drum? Felix Drum (03:45): Three days ago. It was three days ago when she left on one of her regular weekly trips down to Los Angeles to bid on perfumes. Usually she stayed away overnight at the Beachwood Plaza Hotel most of the time, and she was back here by noon the next day. Marlowe (04:02): I suppose you've already checked the Beachwood Plaza? Felix Drum (04:04): Yes, of course. My man, Ruby, the one who showed you in has called the place a dozen times, but they only know that Julia registered there three days ago and hasn't been seen since. Marlowe (04:14): Well, what about the girl herself, Mr. Drum? I mean her background, friends, family, that sort of thing? Felix Drum (04:18): Yeah, as far as I know Marlowe, Julia has no friends, no family either. She's just a sweet but smart little girl from someplace in Kansas. Marlowe (04:26): No beaus, not even nice ones, huh? Felix Drum (04:28): I don't think she had the time. You see, when Julia first came to work for me, she wanted to get ahead and I gave her the chance. She made good. Today, she's as much my right arm as Ruby is my leg. Marlowe (04:39): Mr. Drum, did you notice anything unusual about Julia's behavior lately? Felix Drum (04:42): Yes, and that's the reason I'm worried. About two weeks ago I saw changes in the girl, Marlowe. She seemed less spry, more preoccupied. I figured it was overwork myself. Since the end of the year always means detailed annual reports, so I made no comment at the time. Marlowe (05:00): I see. Tell me, Mr. Drum, what does she look like? Felix Drum (05:03): Well, I have no pictures,
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  • Interview with Amanda Lamb – S. 9, Ep. 24
    Mar 17 2024
    Our guest for this episode of the Crime Cafe podcast is crime fiction and true crime writer Amanda Lamb. Join us as we discuss her career in journalism and how close she came to going to law school! Yikes! :) Good call, BTW. Before I bring on my guest, I’ll just remind you that the Crime Cafe has two eBooks for sale: the nine book box set and the short story anthology. You can find the buy inks for both on my website, debbimack.com under the Crime Cafe link. You can also get a free copy of either book if you become a Patreon supporter. You’ll get that and much more if you support the podcast on Patreon, along with our eternal gratitude for doing so. We also have a shop now. Check it out! Check us out on Patreon: https://www.patreon.com/crimecafe The transcript can be downloaded here. Debbi: Hi everyone. My guest today has worked for more than 30 years as a television news reporter. She now has four podcasts, has authored three books of crime fiction and three of true crime. She's also written family and children's books. She owns a company called Stage Might Communications. I am very pleased to have with me today the multi-talented Amanda Lamb. Hi Amanda. How are you doing? Amanda: Good, Debbi. Thanks for having me. I appreciate it. Debbi: Well, I really appreciate your being here, and I am just amazed with the work you're doing. I love that you create podcasts the way I create blogs. You seem to not be satisfied with just one. Amanda: Yes, I developed an interest in podcasting when I was working for my television station a couple years ago, and I really didn't have any idea what it was about. I had done a little bit of listening to podcasts, but I hadn't really ever worked on a podcast, and writing a narrative podcast is like writing a book, or it's like writing multiple documentaries because of the length of a True Crime podcast, for example. But I just really loved it and I really developed an interest in it, and now I'm doing more interview-based podcasts like yours, and I love that as well, because I'm curious about people. I'm interested in people, and it just really fits kind of where I am in my career. Debbi: That is really cool, because I can really appreciate that, because I've often thought of doing other interview-type podcasts because actually I have a journalism background Amanda: There you go. Well, you can try. Debbi: It all started with that, you know. That's where really my writing in a sense, professionally started kind of. Amanda: Yes Debbi: It started with journalism school, let's say. Amanda: Okay. Okay. Debbi: And I didn't go quite the route you did. I went to law school instead. Amanda: Well, you know, one of the things I'm learning - my podcast is called Ageless, and it's about women transforming personally and professionally - and I'm learning that nobody's life is linear. Everybody's life seems to kind of go in many different directions, sometimes to arrive at the same place, but there's nothing about life that's linear. Debbi: Yes, I agree with you completely there. What was it that prompted you to start writing crime fiction and true crime? Amanda: I became a focused crime reporter. Most people in TV don't specialize early on in their careers. You're a general assignment reporter, which means you cover a little bit of everything, but I was always interested, especially in the courtroom process and the criminal justice process. My parents were attorneys. My father was a district attorney, and so growing up, I actually went to several murder trials and I got an opportunity to see how the process worked. I always thought I'd be an attorney. That just seemed like the thing that I was going to do, given my family background. I really loved writing, so in college I started to think more about how could I combine this love of writing with kind of this interest in criminal justice, specifically in the puzzles, because a case,
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  • Interview with Faye Snowden – S. 9, Ep. 23
    Mar 3 2024
    Our guest for this episode of the Crime Cafe podcast is Southern Gothic mystery writer Faye Snowden. Check out our discussion of her Killing Series and what inspires her to write. Before I bring on my guest, I’ll just remind you that the Crime Cafe has two eBooks for sale: the nine book box set and the short story anthology. You can find the buy inks for both on my website, debbimack.com under the Crime Cafe link. You can also get a free copy of either book if you become a Patreon supporter. You’ll get that and much more if you support the podcast on Patreon, along with our eternal gratitude for doing so. We also have a shop now. Check it out! Check us out on Patreon: https://www.patreon.com/crimecafe The transcript can be downloaded here. Debbi: Hi everyone. Today I'm pleased to have with me the author of a series of dark Southern Gothic mysteries with strong and flawed female characters. She's going to give away a copy of her first book, A Killing Fire, and her second book A Killing Rain was named by CrimeReads as one of the best Southern Gothic mysteries of 2022. She also won and has been long-listed for various writing awards. So it is my great pleasure to have with me today Faye Snowden. Hi Faye, how are you doing? Faye: Hi there. Fine, Debbi. How are you? Debbi: Good, thank you. And I need to put you in the spotlight if I can manage to do that. I am just a technological mess today. There we go. That's much better. So, tell us about Raven Burns and the Killing Series, and what inspired you to write it? Faye: Oh my. Certainly. This series was actually not my first. I had a mystery suspense series back in the day. But the Raven Burns series is, like you said, southern noir, complete mystery, dark mystery, and it is about a woman whose father was a serial killer. So in order to atone for his sins and to prove that she's a good citizen, she decides to become a homicide detective to right his wrongs in that small town, made up fictional town. She lives in Byrd’s Landing, Louisiana that seems for some reason have a lot of serial killers and she has to spend an inordinate amount of time chasing them. So the series is actually based on - what is it, the four? Is it the four? Oh, I'm kind of drawing a blank there. But it's based on fire, water, soil, and then air. She lives in Byrd’s Landing, Louisiana that seems for some reason have a lot of serial killers and she has to spend an inordinate amount of time chasing them. So the first book in the series is A Killing Fire, and then the second book is A Killing Rain, which is out now. I'm working on A Killing Breath as we speak, and then the last book is A Killing Soil. And in each book, Raven is going to learn something about herself that's either going to push her to be a good citizen of Byrd’s Landing, Louisiana, or become more like her father. And in each book, Raven is going to learn something about herself that's either going to push her to be a good citizen of Byrd’s Landing, Louisiana, or become more like her father. Debbi: Oh, wow. I'm really hearing some interesting themes that people are basing their series on lately. I've heard the Seven Deadly Sins, now the Four Elements. Faye: The Elements, right. Debbi: Earth, wind, fire, water. Faye: Yes. Yeah. Yeah. Debbi: Wow. Faye: I got the idea for the book because - I tell this story all the time, my poor dad - but I am a child of divorce. My mom, who's since passed away - she died in 2015 - but she did not have a fondness for my dad after the divorce, and she would disparage him in front of us. I looked a lot like my dad. I favored him a lot, and I used to look in the mirror and say, well, if my dad's a something and something, what does that make me? What kind of person does that make me? And you know, a writer's mind just takes off sometimes, the imagination. I said, oh, you know, that would be a neat character to write, but you have to up the stakes. So it's like,
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