The High Point podcast - Atelier Crescendo's podcast  Por  arte de portada

The High Point podcast - Atelier Crescendo's podcast

De: Atelier Crescendo
  • Resumen

  • Welcome to High point, Atelier Crescendo's podcast where we talks about public places, performing arts venues, acoustics, instruments, and music in general.
    Atelier Crescendo
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Episodios
  • EP23: Sam Watts | Composing for The Traitors
    May 21 2024

    Marc chats with film and television composer Sam Watts! You might have heard his work on hit shows like Doctor Who: Tales of the TARDIS, The Traitors, Planet Earth, and The Sarah Jane Adventures. He’s spent over 20 years in the industry creating music for science fiction, fantasy, reality, drama, horror, documentary, and much more. Sam has worked with Bad Wolf, BBC, HBO, PBS, NBC Universal and many more clients. His work has led to accolades including Emmys, BAFTAs, RTS, TCA, Peabody, Saturn, and Producers Guild awards. He discusses his early career, meeting George Fenton while studying at university, then later Russel T Davies, and learning about networking and the value of working with nice people in the industry. Sam and Marc also share their personal experience of walking the fine line between successful networking and pestering. Sam gives his insights on the importance of ethical journalism in documentary making, which he learnt about when working with Anthony Thomas on the 2010 film ‘For Neda’. The conversation covers topics such as kindness, communication, adaptability, and diversity in the context of the TV show Traitors and Sam shares insights on treating others as they wish to be treated, adapting communication styles, and the power of listening and respect. Though information on the making of the show is tightly guarded, Sam still gives us a peek behind the curtain and discusses his experiences working with Claudia Winkleman and the importance of recognising the contributions of behind-the-scenes professionals. He also shares insights into the process of composing and recording music for TV shows, including the time and budget constraints involved, as well as being candid about how possible it is to make a living as a composer. Finally, they discuss some of his favourite venues and recording studios. 00:00:00 - Episode Begins 00:01:11 - Introduction to Sam 00:04:32 - Writing Music for Documentaries 00:16:30 - The Competitive Nature of the Industry 00:20:09 - Meeting and Working with George Fenton and Russel T Davies 00:29:06 - The Positive Career Impact of Being Nice 00:38:24 - Start of Sam’s Career 00:41:56 - Working on The Traitors 00:49:24 - Diversity in Cast and Crew 01:03:05 - Claudia Winkleman 01:06:45 - Composition Process for TV 01:17:03 - How Much Does this Career Pay? 01:24:35 - Venues Find out more about Sam on his website and keep up to date with his projects on Instagram.

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    1 h y 29 m
  • EP22: Ben Morales Frost | From Computer science to film music
    Apr 29 2024
    Marc sits down with Ben Morales Frost, film composer, theatre composer, orchestrator and arranger with credits on blockbuster projects Wonka, Argylle, Mission:Impossible - Dead Reckoning Part One, and Kuther. The conversation delves into the mental health benefits of hobbies necessitating concentration, such as playing instruments, alongside the cognitive advantages of engaging in music from a young age, and how he now balances his passion with the busyness of modern life and the necessity of creativity in professional growth, advocating for consistent practice over natural talent in a career in music. Ben shares his trajectory from computer science to film and theatre composition, underscoring the importance of curiosity in musical development. Abbey Road Studios' legendary status and the intricacies of orchestrating music for films are explored, as well as uncovering a never before heard Beatles song, and how the emerging role of AI in music production allowed them to bring it to life. Reflecting on London's classical music scene, they contemplate its cultural footprint and the need for accessibility and rebranding to engage modern audiences, and what the UK as a whole can do to ensure that the quality buildings and venues reflects that of it’s orchestras and historical musical importance. They also discuss: The role of curiosity and exploration in learning music Ben’s Formal Musical EducationThe Importance of GritHow accessible is it to write music?Creativity and deviating from Rules From theatre stage management to music composition Having the courage to switch career paths multiple timesProductivity within a creative industryTalent vs. DeterminationSong writing and different interpretationsThe state of concert halls in London Learn more about Ben on his website. Timestamps: 00:00:00 - Episode Introduction 00:01:10 - Who is Ben Morales Frost? 00:04:46 - The Role of Curiosity and Exploration in Learning Music 00:14:07 - Formal Musical Education 00:16:27 - The Busyness of Modern Life and its Impact on Pursuing Passions 00:23:18 - The Importance of Grit 00:28:07 - How Accessible is it to write music? 00:32:29 - Creativity and Deviating from Rules 00:36:25 - From Theater Stage Management to Music Composition 00:44:22 - Having the courage to switch career paths multiple times 00:52:00 - Productivity within a creative industry 00:57:58 - Talent vs. Determination 01:03:34 - The Significance of Abbey Road Studios 01:11:54 - Working on Film Soundtracks 01:17:28 - Film Scores and Orchestration 01:22:41 - A NEW Beatles song? 01:23:28 - Song Writing and Different Interpretations 01:25:58 - AI in Music Production 01:28:32 - Venues 01:31:33 - The State of Concert Halls in London For more episodes of the High Point podcast, follow⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠this link⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠this one⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for Youtube⁠⁠. -------------------------------------------------------------------------------- Following Atelier Crescendo or the High Point podcast -------------------------------------------------------------------------------- To follow the High Point podcast on Instagram, follow ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠this link⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. We try to share as many pictures as possible of the places we visit. To follow the Atelier Crescendo on Linkedin, follow ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠this link⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. To follow the High Point podcast on Linkedin, follow ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠this link⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. To follow the Atelier Crescendo and the High Point podcast on Twitter, follow ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠this link⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. -------------------------------------------------------------------------------- More tips and guidance on acoustic design of performing arts facilities -------------------------------------------------------------------------------- visit Atelier Crescendo's ⁠⁠blog ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠
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    1 h y 40 m
  • EP21: Gavin Higgins | Using music as a self therapy
    Mar 18 2024

    Marc delves into the extraordinary career of composer Gavin Higgins, hailed by critics as "boldly imaginative," "a talent to watch," and "one of the most interesting voices of his generation."

    Born in Gloucestershire in 1983, Higgins' musical journey began at Chetham’s School of Music and continued through prestigious institutions like The Royal Northern College of Music and the Royal College of Music.

    His portfolio boasts remarkable compositions, including the acclaimed "Der Aufstand" and "Velocity" premiered at the BBC Proms, and the Ivor Novello Award-winning trombone concerto, "The Book of Miracles." Notable for his diverse range, Higgins' works span from operas like "The Monstrous Child" to dynamic brass pieces deeply rooted in his working-class brass band heritage.

    As the inaugural Music Fellow for the Rambert Dance Company, Higgins crafted mesmerising ballet scores, earning accolades for works like "Dark Arteries." His debut album, "Ekstasis," showcases his chamber music prowess, described as "seductively sinewy" and "sensuously gritty."

    Gavin talks about how being diagnosed with Tourette Syndrome and OCD as a child helped him use music a self therapy, as well as the challenges around general misconceptions of Tourette’s.

    With the UK's arts and culture sector facing mounting challenges, including funding constraints and limited opportunities, Marc and Gavin explore the imperative need for broader conversations, particularly surrounding diversity and class representation within the arts.

    They explore the personal growth and development fostered by music engagement, regardless of proficiency level or instrument choice. While underscoring the pressing need for increased funding, support, and investment in both music education and accessible venues, we also spotlight the transformative potential of community-driven initiatives.


    00:00:00 - Episode Begins - Intro to Gavin

    00:05:21 - Musical Education

    00:07:41 - Brass Bands

    00:10:59 - Chetham Music School

    00:15:15 - Royal Northern College of Music

    00:17:45 - Early Compositions

    00:22:44 - Moving to London

    00:27:31 - Financial challenges of pursuing a career in music

    00:33:44 - Class representation in the arts

    00:41:00 - What can be done to get kids more musically engaged?

    00:47:12 - Tourette Syndrome

    01:02:06 - Venues

    01:07:17 - Finding Inspiration and Creative Process

    01:14:19 - How do you compose for a whole orchestra?

    01:20:26 - Awards


    Find out more about Gavin on his website.

    For more episodes of the High Point podcast, follow⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠this link⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠this one⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for Youtube⁠⁠. -------------------------------------------------------------------------------- Following Atelier Crescendo or the High Point podcast -------------------------------------------------------------------------------- To follow the High Point podcast on Instagram, follow ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠this link⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. We try to share as many pictures as possible of the places we visit. To follow the Atelier Crescendo on Linkedin, follow ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠this link⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. To follow the High Point podcast on Linkedin, follow ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠this link⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. To follow the Atelier Crescendo and the High Point podcast on Twitter, follow ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠this link⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. -------------------------------------------------------------------------------- More tips and guidance on acoustic design of performing arts facilities -------------------------------------------------------------------------------- visit Atelier Crescendo's ⁠⁠blog ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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    1 h y 23 m

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