Medievalism has been a common—and hardly innocent—practice in eastern European political discourses ever since the dissolution of the USSR in the 1990s. To use but one example, both Russia and Ukraine have laid claims on such prominent historical figures as Prince Vladimir/Volodymyr the Great, Princess Olga, Boris and Gleb/Hlib, as well as on such semi-legendary characters as Ilya of Murom. The recent military conflict has led to a renewal of interest in the history of medieval Rus’ and to the rewriting and falsification of this history, particularly in the public sphere through education and political discourse.

In this episode, scholars Anastasija Ropa and Edgar Rops discuss the appropriation of the historical and legendary figures of Prince Vladimir/Volodymyr the Baptizer of Rus’, Princess Olga, and Ilya of Murom in different Ukrainian and Russian media, particularly sculpture and cinema.

For more information about this conversation, visit www.multiculturalmiddleages.com.

Recent years have seen the re-ignition of conflict between Armenia and Azerbaijan over the Nagorno-Karabakh region. The historical monuments of this mountainous territory in the South Caucasus attest to the presence of Armenian people in the region for millennia. With the Armenian-Azerbaijani conflict having culminated in the expulsion of Armenians from their homes after Azerbaijan assumed control of the region, these monuments are in serious danger.

In this episode, Jonathan Correa Reyes speaks with Professor Christina Maranci about the Nagorno-Karabakh conflict, the rich cultural heritage of the region, and our responsibility as scholars concerning at-risk cultural heritage sites and monuments.

For more about this conversation, visit www.multiculturalmiddleages.com.

Scholar Adam Mahler reflects on their experience with researching and writing their article, "'“Ai flores, ai flores do verde pino': The Ecopoetics of the Galician-Portuguese Pine Forest," which appears in Speculum 99.3 (July 2024).

Denis of Portugal’s “Ai flores, ai flores do verde pino” [Oh flowers, oh flowers of the green pine] is the medieval monarch’s most famous cantiga de amigo and is one of the best-known songs of the Galician-Portuguese tradition. Many have read Denis’s “pine song” as an allusion to the Pinhal de Leiria, the pine forest that he planted—or so the story went. Though Portuguese historians and paleobotanists have debunked the Leiria forest’s origin story, a preponderance of documentary evidence from Denis’s reign suggests that the monarch recognized forests as poetically generative sites of political and social tension. "The Ecopoetics of the Galician-Portuguese Pine Forest" charts ecocritical and new materialist paths through the “pine songs” of Denis and other Galician-Portuguese troubadours by examining the medieval forest in its cultural, commercial, and poetic dimensions. This article contends that Denis’s pines and his poems are affectively and acoustically co-constituted, concluding that the Galician-Portuguese troubadour tradition, particularly in its woman’s-voice compositions, encodes important ecological knowledge.

For more information about Adam, Denis, and medieval Portugal, visit www.multiculturalmiddleages.com.