Please join me as I talk with Larry Loh, Music Director of the Waco Symphony and Conductor Laureate of the Syracuse Orchestra, who shares what inspires him on the podium. We explore how narrative elements help audiences connect with new music, the influences of film scoring, and the challenges of programming contemporary works in traditional concert settings. Included also are insights on engaging audiences through pre-concert talks and demos.

In this episode, I talk about musical inspiration, transcendence, and the process of working with living composers with Adam Johnson, the Music Director of the Baton Rouge Symphony and Guelph Symphony. Among many other things, we discuss how programming design that includes new music invites audiences in and moves them beyond their ordinary lives.

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In this episode, I talk with Ted Nelson, Vice President of Artistic Planning and Operations at the Dayton Performing Arts Alliance, about musical inspiration and how this influences artistic planning of new music for performances by orchestras in the 2020s and beyond.

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Please join me as I talk with Stephen Gunzenhauser, Artistic Director and Conductor of the Endless Mountain Music Festival and former Music Director of the Lancaster and Delaware Symphonies, about his long career and its unique focus on the classical music recording industry. Maestro Gunzenhauser is the fifth most-recorded American conductor, having recorded for Naxos and other labels. He also tells of how he worked with orchestras behind the Iron Curtain before the fall of communism in Eastern Europe. We discuss various sources of inspiration in his work as well as how new music fits into his programming, particularly now at the Endless Mountain Music Festival. Please join us!

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Please join me as I talk with Brett Mitchell, Music Director of the Pasadena Symphony and Artistic Director & Conductor of the Sunriver Music Festival, about his approach to programming strategically for orchestras. He loves drawing creative connections across music history and compositional style which yields unified programs where classic "masterworks" are seamlessly presented alongside those of living composers. Join us for a conversation about how he pulls off this programming wizardry!

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In this episode, I talk with Matthew Kraemer, Music Director of the Louisiana Philharmonic Orchestra and the Indianapolis Chamber Orchestra, about how he leads the programming of music for these two very different orchestras in unique communities. In Louisiana, he blends local talent from many different genres, and in Indianapolis, he pushes the boundaries with innovative new music. Please join us as we talk about the artistic priorities that Matthew manages as he works through his programming puzzles for his orchestras.

www.matthewkraemer.com

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Please join me as I talk with Francesco Lecce-Chong, the Music Director of the Santa Rosa Symphony on my spinoff series on strategic orchestra programming. Francesco was previously a guest on the "Muse in Music" when it was a blog, and I'm thrilled that he has returned to talk about how he balances programming standard repertoire with new and under-heard compositions. In his programming, he strives to select pieces so that they complement each other in a concert. We also discuss how he considers post-concert surveys and audience reactions to his programming. Please join us for this behind-the-scenes conversation about how a conductor builds programs for orchestra patrons!

Please join me as I talk with conductor Nicholas McGegan about his long, celebrated career. From his early days at Cambridge University through his transition to the United States, Maestro McGegan’s career has taken interesting and surprising turns. While he has spent a lot of his career conducting Baroque music, he also regularly conducts music from the Classical and Romantic Eras, and has also presented works of contemporary music. In this episode, we talk about the fascinating development of his career and various influential musicians he has known, from Benjamin Britten to Christopher Hogwood and Roger Norrington. Please join us!

www.nicholasmcgegan.com

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