Continuing on The Varieties of Religious Experience (1902). Does James' claim that science and culture shouldn't ignore the subjective point of view really mean that the religious objects that motivate people are metaphysically real? Is the "unseen realm" part of our common world?

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On The Varieties of Religious Experience (1902), focusing on lectures 1-3 and 20. What is religion and how should philosophers study it?

James describes it as a sincere, full-life reaction to the world, more emotional than intellectual, and conveys the experiences of the extreme "religious geniuses" that are merely received second or third hand by the believing masses.

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Check out Mark's Big Books in Continental Philosophy fall class at partiallyexaminedlife.com/class. Learn about our new book at partiallyexaminedlife.com/book.

Tamler teaches philosophy at The University of Houston and hosts the Very Bad Wizards podcast. He joins Mark and Bill to talk about personal identity and whether the "self" is necessarily co-extensive with a particular body. Plus: meditation, Daniel Day Improv's method acting, All of Me vs. Regarding Henry, what does "metaphysics" mean to YOU, dreams as improv, unstuck-in-time Grandma the last slaveholder, and more.

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Mark, Wes, and Seth talk about worries about the utility of various subgenres or explanation types in philosophy, Dr. Drew's recent interview with Seth and Seth's writing project about non-linguistic communication, accuracy in historical or scientific details in philosophy, and our current political moment (our candidate choices, the debate, etc.).

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On "What Is Justified Belief?" (1979) by Alvin Goldman, where he tries to come up with a "function" for justification: If a belief has such-and-such non-epistemic properties, then it counts as justified.

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Mark, Lawrence, Sarahlyn, and Al discuss the five films in George Miller's Mad Max/Road Warrior franchise. What was the original appeal of the series, and has this changed? Are we still afraid of an "Apunkalypse," or is this just an aesthetic to be ripped off by Fallout and other properties? How can films 80% occupied by car chases be actually good? Is Mad Max an icon a la Indiana Jones, and is there actual world building in this series?

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Pat has been a session drummer since the mid '70s, was a founding member of Mr. Mister in the '80s, and played in all line-ups of King Crimson since '94. He's also a producer and no stranger to electronics.

We discuss "31" by Tu-Ner from T-1 Contact Information (2023), "Flinch" by TUNER from Totem (2005), "Life Goes On" by Mr. Mister from I Wear the Face (1984), and we conclude by listening to "Prog Noir" by Stick Men (2016). Intro: "Vroom Vroom" by King Crimson from Thrak (1995).

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