Episodios

  • Hollywood Studios Year-by-Year – MGM – 1947: CYNTHIA (dir Robert Z. Leonard) and HIGH WALL (dir. Curtis Bernhardt)
    Jul 5 2024

    For this MGM 1947 Studios Year by Year episode, we discuss Cynthia, a gentle family melodrama starring a luminous 15-year-old Elizabeth Taylor as an over-protected teenager, and High Wall, a psychiatric film noir with great roles for Robert Taylor and Herbert Marshall as sweaty noir protagonists at cross purposes. Our Fear and Moviegoing in Toronto segment, meanwhile, features discussion of two radically different films: James Cameron's Terminator 2 and a 4K restoration of Vittorio de Sica's influential early neorealist drama Shoeshine. Realist horrors or horror fantasy, take your pick!

    Time Codes:

    0h 00m 30s: CYNTHIA [dir. Robert Z. Leonard]

    0h 38m 15s: HIGH WALL [dir. Curtis Bernhardt]

    1h 01m 44s: Fear and Moviegoing in Toronto – Terminator 2: Judgment Day (1991) by James Cameron at TIFF Lightbox and Shoeshine (1946) by Vittorio De Sica at The Revue Cinema

    Studio Film Capsules provided by The MGM Story by John Douglas Eames

    Additional studio information from: The Hollywood Story by Joe W. Finler

    +++

    * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s

    * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive)

    * Read Elise’s latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating.

    * Check out Dave’s new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!

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    1 h y 13 m
  • Acteurist Oeuvre-view – Lilli Palmer – Part 16: NOBODY RUNS FOREVER (1968) & HARD CONTRACT (1969)
    Jun 28 2024

    After some rocky episodes, our Lilli Palmer Acteurist Oeuvre-view uncovers a couple of gems: Nobody Runs Forever aka The High Commissioner (1968, directed by Ralph Thomas), a spy thriller bursting at the seams with the charms of Rod Taylor and Christopher Plummer, and Hard Contract (1969, the only feature film made by writer-director S. Lee Pogostin), one of the most eccentric movies we've ever seen, a meditation on love, murder, and modern life with Lee Remick and James Coburn as an improbably moving pair of lovers. Lilli Palmer adds her own flavour of eccentricity to Hard Contract as Remick's "immorally innocent" friend and makes a big impact as Christopher Plummer's wife in Nobody Runs Forever.

    Time Codes:

    0h 00m 30s: NOBODY RUNS FOREVER (1968) [dir. Ralph Thomas]

    0h 25m 53s: HARD CONTRACT (1969) [dir. S. Lee Pogostin]

    +++

    * Listen to our guest episode on The Criterion Project – a discussion of Late Spring

    * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s

    * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive)

    * Read Elise’s piece on Gangs of New York – “Making America Strange Again”

    * Check out Dave’s Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!

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    Write to us at therebuggy@gmail.com

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    51 m
  • Hollywood Studios Year-by-Year – Paramount – 1947: CALIFORNIA and CALCUTTA
    Jun 21 2024

    For this Paramount 1947 Studios Year by Year episode we watch a couple of films by producer/director team of Seton I. Miller and John Farrow: California, starring the belligerent sexual tension of Barbara Stawyck and Ray Milland in a left-leaning fable about the establishment of law and order in the West Coast, and Calcutta, a terrific Alan Ladd/Gail Russell noir, stylishly shot by Billy Wilder fave John F. Seitz.

    Time Codes:

    0h 00m 30s: CALIFORNIA [dir. John Farrow]

    0h 25m 44s: CALCUTTA [dir: John Farrow]

    Studio Film Capsules provided by The Paramount Story by John Douglas Eames

    Additional studio information from: The Hollywood Story by Joe W. Finler

    +++

    * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s

    * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive)

    * Read Elise’s latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating.

    * Check out Dave’s new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!

    Follow us on Twitter at @therebuggy

    Write to us at therebuggy@gmail.com

    We now have a Discord server - just drop us a line if you'd like to join!

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    49 m
  • Special Subject – The Wartime Mizoguchi – THE STORY OF THE LAST CHRYSANTHEMUM (1939) & THE 47 RONIN (1941)
    Jun 14 2024

    For our June Special Subject we revisit the work of Kenji Mizoguchi, looking at two films from earlier than his best-known (in the West) period: The Story of the Last Chrysanthemums (1939), about cross-class lovers and what it takes to become a great artist, and The 47 Ronin (1941), based on a true story that became emblematic of samurai values. Topics discussed include King Vidor parallels, feminism, Marxism, revenge tragedy, and propaganda and its subversion.

    Time Codes:

    0h 00m 35s: Brief Mizoguchi briefing

    0h 08m 00s: THE STORY OF THE LAST CHRYSANTHEMUM (1939) [dir. Kenji Mizoguchi]

    0h 42m 11s: THE 47 RONIN (1941) [dir. Kenji Mizoguchi]

    +++

    * Listen to our guest episode on The Criterion Project – a discussion of Late Spring

    * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s

    * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive)

    * Read Elise’s piece on Gangs of New York – “Making America Strange Again”

    * Check out Dave’s Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!

    Follow us on Twitter at @therebuggy

    Write to us at therebuggy@gmail.com

    We now have a Discord server - just drop us a line if you'd like to join!

    Más Menos
    1 h y 9 m
  • Acteurist Oeuvre-view – Lilli Palmer – Part 15: SEBASTIAN (1968) & OEDIPUS THE KING (1968)
    Jun 7 2024

    This week's Lilli Palmer Acteurist Oeuvre-view sees Lilli in two small but crucial roles: Sebastian (1968), starring Dirk Bogarde as a Cold War cryptanalyst of divided political loyalties, and Oedipus Rex (1968), starring Christopher Plummer as Freud's favourite plaything of the gods. We discuss Cold War politics, the Swinging Sixties New Woman, free will, and the perils of adapting ancient Greek tragedy. And in our Fear and Moviegoing in Toronto segment, we briefly discuss the final Powell Pressburgers of TIFF cinematheque's retrospective, A Matter of Life and Death and Canadiana curiosity 49th Parallel, as well as Elise's first big-screen Cassavetes, A Woman Under the Influence, and how no one should ever have parties.

    Time Codes:

    0h 00m 30s: SEBASTIAN (1968) [dir. David Greene]

    0h 23m 17s: OEDIPUS THE KING (1968) [dir. Philip Saville]

    0h 44m 11s: Fear and Moviegoing in Toronto: A Matter of Life and Death (1946) and 49th Parallel (1941) by Powell & Pressburger; A Woman Under the Influence (1974) by John Cassavetes

    +++

    * Listen to our guest episode on The Criterion Project – a discussion of Late Spring

    * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s

    * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive)

    * Read Elise’s piece on Gangs of New York – “Making America Strange Again”

    * Check out Dave’s Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!

    Follow us on Twitter at @therebuggy

    Write to us at therebuggy@gmail.com

    We now have a Discord server - just drop us a line if you'd like to join!

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    1 h
  • Hollywood Studios Year-by-Year – Universal – 1946: THE CAT CREEPS & SHE-WOLF OF LONDON
    May 31 2024

    For this Universal 1946 episode, we chose a B-movie double bill, The Cat Creeps (directed by Erle C. Kenton, best known for Island of Lost Souls) and She-Wolf of London (directed by Jean Yarbrough, Abbott and Costello specialist), hoping for hidden gems. But did we find any? And in the Fear and Moviegoing in Toronto segment, our Powell and Pressburger retrospective viewing continues with Black Narcissus and Michael Powell's notorious investigation of cinema, voyeurism, and violence, Peeping Tom.

    Time Codes:

    0h 00m 30s: THE CAT CREEPS [dir. Erle C. Kenton]

    0h 12m 00s: SHE-WOLF OF LONDON [dir. Jean Yarbrough]

    0h 26m 03s: Fear and Moviegoing in Toronto – Black Narcissus (1947) by Powell and Pressburger and Peeping Tom (1960) by Michael Powell

    Studio Film Capsules provided by The Universal Story by Clive Hirschhorn

    Additional studio information from: The Hollywood Story by Joe W. Finler

    +++

    * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s

    * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive)

    * Read Elise’s latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating.

    * Check out Dave’s new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!

    Follow us on Twitter at @therebuggy

    Write to us at therebuggy@gmail.com

    We now have a Discord server - just drop us a line if you'd like to join!

    Más Menos
    42 m
  • Acteurist Oeuvre-view – Lilli Palmer – Part 14: MIRACLE OF THE WHITE STALLIONS (1963) and OPERATION CROSSBOW (1965)
    May 24 2024

    In this week's Lilli Palmer Acteurist Oeuvre-view episode, we encounter more Nazis in a couple of movies very loosely based on real WWII incidents: Disney's Miracle of the White Stallions (1963), based on Operation Cowboy (but with the equine eugenics shoved into the subtext), and Operation Crossbow (1965), about the attempt by British Intelligence to stop the threat of Nazi rockets. Sophia Loren shares a great scene with Lilli Palmer in the latter, but to say more would be spoilers. In Fear and Moviegoing in Toronto, we discuss our viewings of two more Powell Pressburgers, A Canterbury Tale and The Tales of Hoffman, plus an adjacent film, The Thief of Bagdad (1940), a Korda production co-directed by Powell and starring Sabu and Rex Ingram.

    Time Codes:

    0h 00m 30s: MIRACLE OF THE WHITE STALLIONS (1963) [dir. Arthur Hiller]

    0h 21m 17s: OPERATION CROSSBOW (1965) [dir. Michael Anderson]

    0h 35m 04s: Fear and Moviegoing in Toronto: The Thief of Bagdad (1940) by Michael Powell, Tim Whelan & Ludwig Berger and A Canterbury Tale (1944) and Tales of Hoffman (1951) by Michael Powell and Emeric Pressburger

    +++

    * Listen to our guest episode on The Criterion Project – a discussion of Late Spring

    * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s

    * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive)

    * Read Elise’s piece on Gangs of New York – “Making America Strange Again”

    * Check out Dave’s Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!

    Follow us on Twitter at @therebuggy

    Write to us at therebuggy@gmail.com

    We now have a Discord server - just drop us a line if you'd like to join!

    Más Menos
    47 m
  • Special Subject – Produced By Sam Goldwyn, The 1940s: THE LITTLE FOXES (1941), THE PRIDE OF THE YANKEES (1942), THE BEST YEARS OF OUR LIVES (1946), and MY FOOLISH HEART (1949)
    May 17 2024

    This week we have a whopping big episode for you: Part 2 of our look at Samuel Goldwyn Productions, dealing with the 1940s; and, in our Fear and Moviegoing in Toronto segment, brief discussions of three Powell and Pressburgers, kicking off TIFF's May retrospective. For this episode we watched The Little Foxes (directed by William Wyler), The Pride of the Yankees (directed by Sam Wood), The Best Years of Our Lives (Wyler again), and My Foolish Heart (directed by Mark Robson). From scheming capitalists to heroic baseball stars to casting a critical eye on post-WWII America to a grown-up soap opera that defies the Production Code, we consider the legacy of the innovative independent producer who not only hired intellectuals but let them do their thing.

    Time Codes:

    0h 00m 30s: THE LITTLE FOXES (1942) [dir. William Wyler]

    0h 26m 57s: THE PRIDE OF THE YANKEES (1942) [dir. Sam Wood]

    0h 39m 40s: THE BEST YEARS OF OUR LIVES (1946) [dir. William Wyler]

    1h 01m 00s: MY FOOLISH HEART (1949) [dir. Mark Robson]

    1h 19m 38s: Fear and Moviegoing in Toronto: The Red Shoes (1948), The Life and Death of Colonel Blimp (1943) and I Know Where I’m Going (1945) – all by Michael Powell and Emeric Pressburger

    +++

    * Listen to our guest episode on The Criterion Project – a discussion of Late Spring

    * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s

    * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive)

    * Read Elise’s piece on Gangs of New York – “Making America Strange Again”

    * Check out Dave’s Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!

    Follow us on Twitter at @therebuggy

    Write to us at therebuggy@gmail.com

    We now have a Discord server - just drop us a line if you'd like to join!

    Más Menos
    1 h y 31 m