Jeff and Phil connect across travels and time zones to catch up and reflect on some of The Good, The Bad, and The WTF of recent weeks, including K-Pop Demon Hunters, New York City mayoral candidates, "rooftop Koreans," ICE raids, Squid Game, and space sushi.

Jeff and Phil welcome fashion industry commentator and writer Derek Guy, also known as "the menswear guy." He talks about how his interest in clothing and fashion led to his wildly popular blog and social media persona; how his writing weaves together humor, history, cultural criticism, and political commentary to make fashion feel relevant to anyone; why terrible politicians are such easy targets for sartorial critique; and why he was compelled to speak out about anti-immigrant rhetoric and stereotyping -- making himself the target of the likes of J.D. Vance. Also: The Good, The Bad, and The WTF of being the menswear guy.

Jeff and Phil welcome back actor, activist and author Maulik Pancholy, co-writer and star of the scripted comedy podcast Murder at the Patel Motel. He talks about the real-life "Patel motel cartel" that inspired the audio drama's small town murder mystery milieu; blending the tried-and-true tropes of an Agatha Christie-style whodunnit with a gay, Indian American family comedic twist; the creative challenges of writing for an audio-only format; whether or not Maulik will ever get to attend the Met Gala; and of course, The Good, The Bad, and The WTF of making Murder at the Patel Motel.

Jeff and Phil welcome back their old friend Andrew Ahn, writer/director of The Wedding Banquet, a reimagining of Ang Lee's beloved classic. They discuss Andrew's journey as a filmmaker; assembling an all-star team -- including Youn Yuh-jung, Joan Chen, Kelly Marie Tran, Lily Gladstone and Bowen Yang -- for the project; navigating the complexities and subtleties of contemporary queer representation; being a part of the legacy of Asian American cinema; and of course, The Good, The Bad, and The WTF of remaking The Wedding Banquet.

Jeff and Phil welcome back Shin Yu Pai to talk about the latest season of her podcast Ten Thousand Things, along with fellow podcaster Yowei Shaw (Proxy, NPR's Invisibilia). They talk about the objects that help us move forward -- like a gold star trophy; how layoffs can be like breakups that unravel your sense of identity, purpose, and self-worth; finding healing and reinvention in the wake of professional setbacks; and The Good, The Bad, and The WTF of going independent. Also: keep listening to hear a full episode of Ten Thousand Things.

Jeff and Phil welcome Michael Luo, executive editor at The New Yorker and author of the book Strangers in the Land: Exclusion, Belonging, and the Epic Story of the Chinese in America, a sweeping narrative history of the Chinese in America, and their more than century-long struggle to belong in the face of bigotry, persecution, exclusion and racial terror. Michael talks about the real-life racist incident that partially inspired the project; the complexities and quirks of Chinese American immigration history; some of the fascinating stories and characters he uncovered during his research for Strangers in the Land; and the alarming parallels between past and current debates on immigration, citizenship, and our multiracial democracy.

Jeff and Phil welcome Dolly Li, documentary filmmaker, journalist and cultural consultant on Ryan Coogler's epic vampire blockbuster Sinners. They discuss Dolly's documentary on The Untold Story of America's Southern Chinese, and the deep-rooted origins of the Mississippi Delta's Chinese American community; how Ryan Coogler's own family connection to the Delta Chinese inspired the Chinese characters in Sinners; and how Dolly worked with the filmmakers to make the movie historically accurate and authentic as possible -- right down to that one horny line of Chinese dialogue. And of course, they offer their own hot takes on Sinners.

Jeff and Phil welcome director Jennifer Lin and producer Jon Funabiki to talk about their documentary Ten Times Better and the incredible untold story of George Lee, a pioneering dancer with an unheralded place in ballet and Broadway history. They discuss the sensational skill and artistry that landed George the role he originated in The Nutcracker with the New York City Ballet; the filmmakers' search for the former dance prodigy that tracked him down in Las Vegas, where he was working in relative obscurity as a blackjack dealer; the ongoing struggle for recognition and inclusion in the performing arts; and the film's efforts to honor and preserve George's story, especially in this moment as diverse narratives face the threat of suppression and erasure.