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Graham discusses the brilliant new book, Ways of Art by the Sunday Times art critic, Laura Freeman. Ways of Art tells the story of art collecting legend Jim Ede, the creator of Kettle's Yard in Cambridge

Charles reports on Bomb Squad's latest exhibition in York, Rise of the Vandals, which took place over three weekends at 2, Low Ouse Gate. The exhibition occupied three floors of the building and featured artists such as Inky, and DJ Soda.

Graham reveals some positive news about this year's Edinburgh International Film Festival in August.

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Graham and Charles interview Pete Oxley, the guitarist and bandleader behind, Hejira - a group that celebrates the music of Joni Mitchell and is definitely not a tribute band. Their setlist is drawn from Joni Mitchell's live album, Shadows And Light. Comprising highly experienced jazz musicians, Hejira is fronted by the brilliant Hattie Whitehead.

Graham gets excited about the news that there is a new film in the works by indie darling, Richard Linklater celebrating the films and directors and actors behind them of the French New Wave, inevitably called Nouvelle Vague.

Charles and Graham choose some of their highlights from this year's Glastonbury festival and discuss the sets by headliners and musical icons on smaller stages, alike.

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Charles and Graham preview summer festivals including Deer Shed Festival and Leeds Festival.

Graham revels in his exciting diary: meeting the star of Ken Loach's last film The Old Oak and Lib Dem leader Sir Ed Davey in Harrogate in the same week.

Charles reports on how the arts are being treated in the election manifestos.

Graham previews the next Vinyl Sessions with R.E.M’s Automatic for the People.

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Graham reports on seeing Pink Floyd, well Nick Mason's Saucerful of Secrets in York and Foo Fighters in Manchester in two days. Who won?

Charles considers what makes a good new musical stand out, after seeing Unfortunate: The Untold Story of Ursula the Sea Witch at Grand Opera House, York?

Graham reflects on Viggo Mortensen's new film as director - a Western, -The Dead Don't Hurt.

Graham also catches up with some old punks who never die. He watched Leeds mini legends, Cowton who were back from the dead at Brudenell Social Club.

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Graham reports on the return of Vinyl Sessions and the, perhaps, surprising, hidden depths of The Eagles, as the band's Hotel California is played in full in front of a packed and appreciative crowd in Harrogate.

Charles has a fun and fascinating evening at a PechaKucha event in York and then asks: how do you evoke a whale inside a theatre in Simple8's new adaptation of Herman Melville's Moby Dick at York Theatre Royal?

Graham is enthused by a clutch of mazing new albums by bands that Charm Magazine raved about years ago and who never made it big but just kept on going to the present day. Graham looks at one fine example this week with York band, Percy.

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Charles taunts Graham with a review on Charles Hutch Press of Yes, live in York. Will Graham ever see Yes live?

Graham discusses the book, Demarco’s Edinburgh (Richard Demarco and Roddy Martine, 2023) about the history of Edinburgh International Festival chronicling the struggles and success of legendary Scots maverick arts impresario, Richard Demarco.

Graham announces that he likes Billie Eilish’s latest album, Hit Me Hard and Soft!

Charles went to see the sublime Dexys at Scarborough and discusses the joy in experiencing Kevin Rowland live, with a focus again on last year's Feminine Divine album and even a cover of the Bee Gees’ To Love Someone. Much more like A Soul Passion Revue of old, he thinks.

Graham previews the return of his Vinyl Sessions classic albums event in Harrogate this week with The Eagles' Hotel California.

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Charles and Graham welcome special guest, musician, Chantel McGregor. Bradford born, Chantel is a rock musician and female guitar prodigy, who enrolled at the Leeds College of Music and became the first student in the college’s history, to achieve a 100% pass mark at BTEC, with 18 distinctions. Chantel followed this with a First Class Honours degree in Popular Music and a coveted prize, the college’s musician of the year award. Her critically acclaimed 2011 debut album, Like No Other was followed by second album, Lose Control, in 2015 on her independent boutique label Tis Rock Music. Subsequently she has released the Shed Sessions albums, volume 1 and 2. After many years of touring and festival appearances, Chantel has made a gradual transition from conventional Blues to a harder, bigger and bolder rock sound with progressive influences. She is currently on a national tour which includes a date at Ripley Town Hall on 20 July.

Graham reflects on the strange nature of 1970s albums with elaborate 'fold out' sleeves, as typified by Isaac Hayes' 1971 double album Black Moses.

Charles raises the issue of Rich Sunak’s latest policy ahead of the General Election on 4 July - the decision to introduce a new National Service scheme and wonders if the arts can benefit from those who want to volunteer in the community rather than the military.

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