A debut novel which deals with guilt, art, and suspicious happenings on a troubled colony founded on matter transmission.

The British SF author Eric Brown passed away in March 2023. He first came to prominence through his short fiction in the 1980s. Following the publication of his first collection, Brown was given the chance to put out his first novel. This episode covers that book, Meridian Days. While it has been out of print since 1993, this is an interesting first effort from a writer who would ultimately publish numerous novels up until his sadly premature death.

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What if we share our world with a different intelligent species, but are separated from them by a failure of perception? And what if that gap could be bridged by a new technology, a new way of seeing?

That is the premise of Bob Shaw's 1976 novel A Wreath of Stars. In his ninth novel, the Northern Irish writer combined his interest in optics with speculation about exotic particles and a grounded, African setting. This short, intriguing novel is all about perception, and how it can both divide and unite.

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In a recent episode, we looked at Frederik Pohl and C.M. Kornbluth, who formed the most important science fiction writing team of the 1950s. This instalment looks at a key book by a dominant collaboration of the 1970s and 1980s - Larry Niven and Jerry Pournelle.

These right-wing hard SF authors worked together on numerous books, and even collaborated on fantasy at times. Their 1981 novel Oath of Fealty is an interesting fusion of their scientific speculations and their unsettling, libertarian politics. It is also a prominent work of SF focusing on the theme of arcologies - high-tech, self-contained, urban communities cut off from the outside world.

Oath of Fealty was published just after Ronald Reagan became President of the United States, and reflects the hard-right atmosphere of the time. A few years later it was included, with some misgivings, in David Pringle's book Science Fiction: The 100 Best Novels. This episode gives an overview of this memorable book, and its significance in 1980s political SF.

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Barrington J. Bayley's novel The Soul of the Robot (1974) fits within the wider context of robot stories in SF - these include Isaac Asimov's influential tales from the 1940s, and the more subversive work of John Sladek in the 1980s. The protagonist of Bayley's novel, the fully conscious robot Jasperodus, can be seen as a kind of middle ground between these two approaches.

Featuring fallen empires, a strange mix of technologies, a war for control of Mars, and a robot revolution, The Soul of the Robot is another of Bayley's clever confections. However it also explores deeper questions of consciousness, identity, and free will.

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Charles L. Harness' 1953 novel The Paradox Men was originally published under the title Flight Into Yesterday. It is a classic example of elevated pulp, which features swordfights, superpowers, voyages to the sun, and a strange furry creature that can speak - if only to speak the phrase "don't go..."

The Paradox Men is featured in David Pringle's 1985 book Science Fiction: The 100 Best Novels. This inclusion is arguably a key reason why Harness and his work have avoided a descent into obscurity. But as we'll see, The Paradox Men is a superior pulp story, which combines influences from Einstein, the historian Arnold J. Toynbee, and the strange of the Canadian writer A.E. Van Vogt.

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Originally published in the December 1971 issue of Playboy, “A Meeting With Medusa” is generally thought of as Clarke’s last significant shorter work. Notably, it won the Nebula Award for Best Novella the following year. It was also an early inspiration for two of Clarke’s successors in the British SF scene. 45 years after the novella’s publication, Stephen Baxter and Alastair Reynolds delivered their novel-length sequel, The Medusa Chronicles.

Taken together, these two works form an exciting exploration of the possibility of life on Jupiter, the effects of transhumanism, and the relationship between humans and machines. They are also a fascinating link between two generations of British science fiction talent.

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In The Forge of God (1987), the Earth’s demise is an inevitability. Greg Bear’s novel of apocalypse was published when he was establishing himself as a leader of American hard SF in the 1980s. This is a sophisticated, chillingly believable, and scientifically rigorous view of the end of the world. Crucially, Bear is as interested in human beings as he is in the devastation that unfolds. Knowing the outcome does not undermine the emotive power of his human-scale story.

While humankind makes a stab at self-preservation, this novel confronts the chilling idea of a broadly hostile universe for which Earth is woefully unprepared. In a way, though, The Forge of God is oddly uplifting - dealing as it does with the vanishing beauty of our world and that sturdy cliché, the strength of the human spirit.

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Robert Silverberg's To Open the Sky (1967) combines five pre-planned stories originally published in Galaxy magazine in 1965 and 1966, it is an interestingly structured piece of work published at a time when Silverberg was just entering his own personal golden age. It also combines themes of religion, psychic powers, terraforming, immortality, and political conflict into a unique take on the "future history" subgenre of SF.

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