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As the healer’s daughter, Malka has seen how the wood’s curse has plagued her village, but the Ozmini Church only comes to collect its tithe, not to listen to heretics with false stories of monsters in the trees. So when a clergy girl wanders too close to the forest and Malka’s mother is accused of her murder, Malka strikes an impossible bargain with a zealot Ozmini priest: bring the monster out and spare her mother from execution.

A Language of Limbs is a breathtaking spin on a will-they-won’t-they love story; it is a tender epic that explores the weight of a choice, the love of community, and how joy is found in even the darkest corners.

Star point guard Mack Morris’s senior year of high school begins with twin cataclysms: the death of her father and the arrival of transfer student Liv Cooper. On the court, Mack and Liv discover an exhilarating, game-winning chemistry; off the court, they fall into an equally intoxicating more-than-friendship that is out of bounds for their small Pennsylvania town in 2004, and especially, for Liv’s conservative mother. As Mack’s desire and grief collide with drugs, sex, and the looming college signing deadline, she is forced to reckon with the disconnects between her past and her future.

On the cusp of adulthood, James dreams of another life far away from his small village. His burgeoning desire – an ache for autonomy, tenderness and sex – threatens to unravel his shy exterior. Then he meets Luke. Unkempt and handsome, charismatic and impulsive, he has been sent to live with his aunt and uncle on a nearby farm. Luke comes with a reputation for danger, yet underneath his bravado lie anxieties and hopes of his own. As the seasons pass, and the pair form an ever-changing bond, James falls into a terrifying first love that will transform his life forever.

Brought up in a devout household in Ireland, Jay is now living in London with her girlfriend, determined to live day to day and not think too much about either the future or the past. But when she learns that her beloved older brother, who died in a terrible accident, may be made into a Catholic saint, she realises she must at last confront her family, her childhood and herself . . .

Set in a remote village in the north of England, Open, Heaven unfolds over the course of one year in which two teenage boys meet and transform each other’s lives. James—a sheltered, shy sixteen-year-old—is alone in his newly discovered sexuality, full of an unruly desire but entirely inexperienced. As he is beginning to understand himself and his longings, he also realizes how his feelings threaten to separate him from his family and the rural community he has grown up in. He dreams of another life, fantasizing about what lies beyond the village’s leaf-ribboned boundaries.

Francine's Spectacular Crash and Burn is a bighearted novel that will wiggle its way into the heart of every listener. It follows Francine Stevenson. whose life revolved around her anxious agoraphobic mother—her abrupt passing rocks Francine to her core and sends her into a tailspin of depression. She copes by rummaging through her mother’s assortment of pills, dancing manically at night to the disco she and her mother enjoyed while keeping up appearances at work during daylight hours.

Serena and Beth are best friends who couldn’t be more different—Beth is an avowed demisexual, who lacks confidence in her career and in her chances at a happy relationship due to her sexual orientation. Serena is a free spirit who oozes with confidence, both in her job and her sexual proclivities. And yet, since the moment they met, they knew they were platonic soulmates. So, when Beth decides that she officially wants to take charge of her sex life and explore the things that scare her the most, Serena is more than happy to help.

Victor and Zoey are getting old—well, older—and it’s beginning to be a real problem. Best friends since college they have been through thick and thin, poor and poorer, drunk and drunker throughout their twenties in New York. Victor has built a successful career writing celebrity profiles for one of the last glossy magazines left standing, and Zoey is working for a fashion startup that is desperately trying to figure out how to monetize influencers, but has definitely figured out how to create a toxic work culture.

Cherry Hendricks might be down on her luck, but she can write the book on what makes something funny: she’s a professional clown who creates raucous, zany fun at gigs all over Orlando. Between her clowning and her shifts at an aquarium store for extra cash, she’s always hustling. Not to mention balancing her judgmental mother, her messy love life, and her equally messy community of fellow performers. Things start looking up when Cherry meets Margot the Magnificent—a much older lesbian magician—who seems to have worked out the lines between art, business, and life.

In the shadow of an ancient abbey nestled between rivers, Daniel is growing up. He is highly intelligent but little understood by his parents, and a secret passion burns inside him for love and recognition. When his father loses his job as the headmaster of the local school, his family stumbles into a rural life for which they are ill-prepared. Daniel’s sole solace is the arrival of Philip, a new boy at school, whom he worships with a confused intensity.

Written in a Yorkshire dialect that brings a place and its people magnificently to life, We Pretty Pieces of Flesh takes you by the hand and drags you through Doncaster’s schoolyards, alleyways and nightclubs, bringing back the intimate treachery of adolescence and how we betray ourselves when we don’t trust our friends. Like The Glorious Heresies and Shuggie Bain, it tracks hard-edged lives and makes them sing, turning one overlooked and forgotten place into the very centre of the world.

Always on the periphery, looking on, young Frankie Howe was never quite sure enough of herself to take center stage—after all, life had already judged her harshly. Now old, Frankie finds it easier to forget the life that came before. Then Damian, a young Irish caretaker, arrives at her London flat, there to keep an eye on her as she recovers from a fall. A memory is sparked, and the past crackles into life as Damian listens to the story Frankie has kept stored away all these years.

When Darby left Oak Falls for college in NYC, all he wanted was to get as far away as possible, find a community where he could start fresh—and finally forget about his childhood best friend Michael, and just how painfully their friendship ended. Now, about to turn thirty, Darby suddenly finds himself unemployed. With no better alternative, and questioning where he really belongs, he moves back to his hometown. But the changes in Oak Falls—the planned community with his mother’s new town home, the trendy coffee shop—make him feel off balance. And Michael’s still here.

It’s the new millennium and the anxiety of midlife is creeping up on Sam Singer, a thirty-seven-year-old art advisor. Fed up with his partner and his life in New York, Sam flies to Berlin to attend a gallery opening. There he finds a once-divided city facing an identity crisis of its own. In Berlin the past is everywhere: the graffiti-stained streets, the candlelit cafés and techno clubs, the astonishing mash-up of architecture, monuments, and memorials.

Most days, Magda is fine. She has her routines. She has her anxious therapy patients, who depend on her to cure their bad habits. She has her longtime colleagues, whose playful bickering she mediates. She’s mourning the recent loss of her best friend, Sara, but has brokered a tentative truce with Sara’s prickly widower as she helps him sort through the last of Sara’s possessions. She’s fine. But in going through Sara’s old journal, Magda discovers her friend’s last directive: plans for a road trip they would take together in celebration of Magda’s upcoming seventieth birthday.

Lorel has always dreamed of becoming a witch—learning magic, fighting monsters, and exploring the world beyond the small town where she and her mother run the stables. Even though a strange plague is killing the trees in the Kingdom of Cekon and witches are being blamed for it, Lorel wants nothing more than to join them. There’s only one problem: all witches are women, and she was born a boy. When the coven comes to claim her best friend, Lorel disguises herself in a dress and joins in her friend’s place, leaving home and her old self behind.

In 2006, 14-year-old Kieran Northrup has just moved from Pacific Palisades, California, to the wealthy suburbs of Berks County, Pennsylvania. Immediately upon moving into their new home, Kieran's older brother and best friend, Justin, quickly begins growing distant from him as he is initiated into a group of popular jocks who terrorize Kieran. To make matters worse, a sudden and tragic accident changes Kieran's life forever, pushing him into an even deeper and lonely sadness.

It’s 2001, and twenty-four-year-old Gordon—handsome, sensitive, and eager for direction—takes a bus from Minnesota to New York City because it’s the only place for a young gay man to go. As he begins to settle into the city’s punishing rhythm, he gets a job walking rich Manhattanites’ dogs. But it isn’t until he stumbles into the West Village brownstone of two of his clients, the powerful gallery owners Phillip and Nicola, that Gordon learns how much the world has hidden from him—and what he’s capable of doing in order to get it for himself.

It’s 1953 when Memory Feather and her mother, Virginia, are welcomed back home to the Mississippi Gulf Coast community of Belle Cote by Virginia’s childhood friend Mac McFadden, whose verve and energy buoy the recently divorced Virginia to embrace this new chapter. Memory (“Mem”) is unlike other girls: she is attuned to the voices of plants and animals and is missing two fingers on her twisted left hand. The three of them knit their lives together and become a close, though unconventional, family.