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The Ultimate Modern Classics Collection: Volume One is the first instalment in our classics collection focusing on the most important and iconic novels, stories, and poems of the 20th century. Featuring 22 essential modern classics from Ernest Hemingway, F. Scott Fitzgerald, Herman Hesse, Agatha Christie, Virigna Woolf, and many more, and read by a cast of incredible narrators including David Rintoul, Robert G. Slade, Karen Cass, Nathan Osgood, amongst others, this is an essential addition to your library.

Hans Castorp is, on the face of it, an ordinary man in his early 20s, on course to start a career in ship engineering in his home town of Hamburg, when he decides to travel to the Berghof Santatorium in Davos. The year is 1912 and an oblivious world is on the brink of war. Castorp’s friend Joachim Ziemssen is taking the cure and a three-week visit seems a perfect break before work begins. But when Castorp arrives he is surprised to find an established community of patients, and little by little, he gets drawn into the closeted life and the individual personalities of the residents.

Hyperpartisanship has gridlocked the American government. Congress' approval ratings are at record lows, and both Democrats and Republicans are disgusted by the government's inability to get anything done. In It's Even Worse Than It Looks, Congressional scholars Thomas E. Mann and Norman J. Ornstein present a grim picture of how party polarization and tribal politics have led Congress - and the United States - to the brink of institutional failure.

Der Zauberer und der König der Vorleser. Gert Westphal ist eine Legende: Die wohlklingende, modulationsreiche Stimme, sein untrügliches Gespür für Rhythmus, die souveränen Tempo- und Rollenwechsel, die kräftigen Dialektfarben - nicht umsonst hat die ZEIT ihn zum "König der Vorleser" gekürt. Besonders berühmt wurden seine Rezitationen Thomas Manns, dessen "oberster Mund" (Katja Mann) er war. In dieser Edition kann man wieder und wieder dessen großen Erzählungen und Romanen lauschen.

Dem Leben so fern: der Klassiker als Mammuthörspiel. Der junge Hans Castorp will seinen lungenkranken Vetter eigentlich nur drei Wochen im Schweizerischen Sanatorium besuchen. Dort eingelebt, wird er selbst zum Behandlungsfall. Fasziniert von der morbiden Stimmung bleibt Castorp sieben Jahre lang im Reich der Zeitentrückten, umgeben von todkranken Aufklärern, Hedonisten, Hypochondern und einer russischen Schönheit.

Since its founding in 1892, GE has been more than just a corporation. For generations, it was job security, a solidly safe investment, and an elite business education for top managers. GE electrified America, powering everything from lightbulbs to turbines, and became fully integrated into the American societal mindset as few companies ever had. And after two decades of leadership under legendary CEO Jack Welch, GE entered the twenty-first century as America's most valuable corporation. Yet, fewer than two decades later, the GE of old was gone.

A towering figure in the pantheon of twentieth-century literature, Thomas Mann has often been perceived as a dry and forbidding writer—"the starched collar," as Bertolt Brecht once called him. But in fact, his fiction is lively, humane, sometimes hilarious. In these fresh renderings of his best short work, award-winning translator Damion Searls casts new light on this underappreciated aspect of Mann's genius.

Esta es la historia de Hans Castorp, un joven y modesto ingeniero que llega a un sanatorio ubicado en los Alpes suizos para visitar a su primo. La estancia que preveía corta se dilata en el tiempo y acaba formando parte de esta nueva forma de vida en la que se relativiza el transcurso del tiempo. Sentado en el balcón del sanatorio y envuelto en una manta, Hans reflexiona acerca de la vida, la muerte y el amor. El resultado es una de las grandes obras maestras de la literatura universal.

First published in 1900, when Thomas Mann was 25, Buddenbrooks is a minutely imagined chronicle of four generations of a North German mercantile family - a work so true to life that it scandalized the author’s former neighbours in his native Lübeck.

Publicada en 1901, Los Buddenbrook narra la decadencia de una familia burguesa alemana a lo largo del siglo XIX. En un gran fresco que va desde 1835, cuando aún se recordaban las guerras napoleónicas, hasta 1877, poco antes de la fundación del Imperio Alemán, Mann no solo captura un descenso social, sino también las fuerzas históricas que trastocaron la existencia decimonónica y alumbraron las incertidumbres de los tiempos modernos. Basada en su propia novela familiar, la historia anuncia además temas esenciales de su obra posterior.

The Thomas Mann Collection includes unabridged recordings of Thomas Mann's 3 greatest works of fiction in one audiobook.

Published on the eve of World War I, a decade after Buddenbrooks had established Thomas Mann as a literary celebrity, Death in Venice tells the story of Gustave von Aschenbach, a successful but aging writer who follows his wanderlust to Venice in search of spiritual fulfillment that instead leads to his erotic doom.

The story of four generations of a wealthy bourgeois family in northern Germany facing the advent of modernity; in an uncertain new world, the family’s bonds and traditions begin to disintegrate. As Mann charts the Buddenbrooks’ decline from prosperity to bankruptcy, from moral and psychic soundness to sickly piety, artistic decadence, and madness, he ushers the listener into a world of stunning vitality, pieced together from births and funerals, weddings and divorces, recipes, gossip, and earthy humor.

Joachim Neugroschel’s brilliant new translation lets you enjoy the work of Nobel-Laureate Thomas Mann as never before. By using creative, contemporary language, Neugroschel reinterprets Mann for modern English-speaking readers. The author’s superb literary craftsmanship, his psychological insight, and the deeply erotic content of his work shine forth in this definitive English-language version of some of his most celebrated short works. This collection features the world masterpiece Death in Venice....

In this dizzyingly rich novel of ideas, Mann uses a sanatorium in the Swiss Alps, a community devoted exclusively to sickness, as a microcosm for Europe, which in the years before 1914 was already exhibiting the first symptoms of its own terminal irrationality.

Schönheit, Liebe, Kunst und Tod. In Venedig steigert sich der alternde Schriftsteller Gustav von Aschenbach in eine Liebe zum schönen Jungen Tadzio...

Ein kurzer Besuch in einem Davoser Sanatorium wird für den jungen Ingenieur Hans Castorp zu einem siebenjährigen Aufenthalt, der Kurort wird zur Bühne für die europäische Befindlichkeit vor dem Ersten Weltkrieg. Fern von der erdrückenden Realität drehen sich die Gespräche unter den Patienten um Politik, Philosophie, Liebe, Krankheit und Tod. Im Juli 1913 begonnen, während des Krieges durch essayistische Arbeiten unterbrochen, konnte der Roman 1924 abgeschlossen und veröffentlicht werden.

Nella Germania devastata alla fine della Seconda guerra mondiale, il professor Serenus Zeitblom scrive la biografia dell'amico d'infanzia Adrian Leverkühn, un geniale musicista che in cambio dell'anima ha ottenuto dal diavolo ventiquattro anni di furore creativo. Reinterpretando in chiave moderna il mito di Faust, Thomas Mann narra una vicenda che per molti aspetti sembra anticipare il destino della Germania, travolta dalla follia hitleriana e dalla distruzione.

"La montagna incantata è un fedele, complesso, esauriente ritratto della civiltà occidentale dei primi decenni del Novecento e, nella sua incantata fusione di prosa e poesia, di vastità scientifica e di arte raffinata, è il libro, forse, più grandioso che sia stato scritto nella prima metà del secolo."

In der Lebensgeschichte Adrian Leverkühns – der fiktiven Romanbiographie eines Komponisten, der sich dem Teufel verschreibt – fasst Thomas Mann alle Entwicklungsstufen der alten Faust-Sage zusammen und verknüpft sie mit den politischen Ereignissen seiner Zeit. Der zeitliche Rahmen umgrenzt die Jahre von 1884 bis 1945, seine eigene Epoche. Er selbst nannte den "Doktor Faustus" "ein Lebensbuch von fast sträflicher Schonungslosigkeit, eine sonderbare Art von übertragener Autobiographie, ein Werk, das mich mehr gekostet und tiefer an mir gezehrt hat, als jedes frühere".