African Mythology Fiction

Zélie Adebola remembers when the soil of Orïsha hummed with magic. Burners ignited flames, Tiders beckoned waves, and Zélie’s Reaper mother summoned forth souls. But everything changed the night magic disappeared. Under the orders of a ruthless king, maji were killed, leaving Zélie without a mother and her people without hope. Now Zélie has one chance to bring back magic and strike against the monarchy. With the help of a rogue princess, Zélie must outwit and outrun the crown prince, who is hell-bent on eradicating magic for good.

The sky is not the limit. From an alley in New York to an interstellar wormhole, the path to the future looks different for everyone. These cosmic short stories from some of today’s most influential Black authors reveal a universe of possibilities.

Corinne LaMer defeated the wicked jumbie Severine months ago, but things haven't exactly gone back to normal in her Caribbean island home. Everyone knows Corinne is half-jumbie, and many of her neighbors treat her with mistrust. When local children begin to go missing, snatched from the beach and vanishing into wells, suspicious eyes turn to Corinne. To rescue the missing children and clear her own name, Corinne goes deep into the ocean to find Mama D'Leau, the dangerous jumbie who rules the sea.

After battling the impossible, Zélie and Amari have finally succeeded in bringing magic back to the land of Orïsha. But the ritual was more powerful than they could’ve imagined, reigniting the powers of not only the maji, but of nobles with magic ancestry, too. Now, Zélie struggles to unite the maji in an Orïsha where the enemy is just as powerful as they are. But when the monarchy and military unite to keep control of Orïsha, Zélie must fight to secure Amari's right to the throne and protect the new maji from the monarchy's wrath.

From the author of the phenomenally successful, New York Times best-selling No. 1 Ladies' Detective Agency mystery series, comes this spellbinding collection of African folktales from Zimbabwe and Botswana.

African folktales come in many different types. Some are myths explaining the origins of things, while others are tales of heroes with supernatural abilities. Animal stories are many and varied, and they usually involve some kind of trickster who uses his wiles to get out of sticky situations and sometimes into them. There are also cautionary tales explaining why it is important to behave well and treat others with respect, while other stories have a style and shape similar to that of a fairy tale.

Salo’s queen has finally accepted his desire to be a mystic despite taboos concerning men’s use of magic. But her acceptance is not support; it is strategy. Under a disguise of the queen’s making, Salo enters Jungle City as a pilgrim to the Red Temple, only to find a magical barrier barring his entrance. Left at the mercy of the warring political factions that run the city, Salo faces a series of obstacles wrought by an unseen hand, knowing he cannot return home without completing his pilgrimage. But Isa, King of the Saire clan, has her own plans for Salo.

The world is changing. Poison desert eats good farmland. Once-sweet water turns foul. The wind blows sand and sadness across the Empire. To get caught in a storm is death. To live and do nothing is death. There is magic in the world, but good conjure is hard to find. Djola, righthand man and spymaster of the lord of the Arkhysian Empire, is desperately trying to save his adopted homeland, even in exile.

The modern history of Africa was, until very recently, written on behalf of the indigenous races by the white man, who had forcefully entered the continent during a particularly hubristic and dynamic phase of European history. The embrace of Christianity and Islam, even today, is not necessarily to the exclusion of ancestral spirits, nor the essentials of witchcraft and sorcery. The precarious security of albino people in east and central Africa, whose body parts are sought after in traditional “medicine,” is testimony to the fact that these superstitions are alive and well.

When Zélie seized the royal palace that fateful night, she thought her battles had come to an end. The monarchy had finally fallen. The maji had risen again. Zélie never expected to find herself locked in a cage and trapped on a foreign ship. Now warriors with iron skulls traffic her and her people across the seas, far from their homeland. Then everything changes when Zélie meets King Baldyr, her true captor and the man who has ravaged entire civilizations to find her.

Issaka has returned home to Timbouctou and a devastating al-Qaeda raid. His only hope for survival is Faro, a stunning, blue-beaded supernatural entity who rises free from the flames of her imprisoning book as it burns. Compelled to follow Faro, Issaka is opening his eyes to their shared history and the ancestral wisdom of his own past.

Every Tongue Got to Confess is an extensive volume of African American folklore that Zora Neale Hurston collected on her travels through the Gulf States in the late 1920s. The bittersweet and often hilarious tale, which range from longer narratives about God, the Devil, white folk, and mistaken identity to witty one-liners, reveal attitudes about faith, love, family, slavery, race, and community.

Remember that moment when you first encountered a character who seemed to be written just for you? That feeling of belonging remains with readers the rest of their lives - but not everyone regularly sees themselves on the pages of a book. In this timely anthology, Glory Edim brings together original essays by some of our best black women writers to shine a light on how important it is that we all - regardless of gender, race, religion, or ability - have the opportunity to find ourselves in literature.

Men do not become mystics. They become warriors. But eighteen-year-old Salo has never been good at conforming to his tribe’s expectations. For as long as he can remember, he has loved books and magic in a culture where such things are considered unmanly. Despite it being sacrilege, Salo has worked on a magical device in secret that will awaken his latent magical powers. And when his village is attacked by a cruel enchantress, Salo knows that it is time to take action.

Gathering a wide range of traditional African myths, this compelling new collection offers tales of heroes battling mighty serpents and monstrous birds, brutal family conflict and vengeance and desperate migrations across vast and alien lands. From impassioned descriptions of animal-creators to dramatic stories of communities forced to flee monstrous crocodiles, all the narratives found here concern origins - whether of the universe, peoples or families.

The African people hide secret treasures of wisdom and spiritual insights. In this guide, you will become more familiar with some of the most common gods and goddesses in African tribal worship. Moreover, you will listen to some interesting stories that were told from one generation to the next. Some of these myths may inspire you, others might confuse you, but in a general sense, it is useful and fascinating to learn more about them.

Salo is dead—and the world he left behind is at war. In the midst of their grief, Salo’s closest clan members begin to experience strange phenomena: visions visit one, while seizures plague another. The clan’s new mystic divines that an arcane signal from the far west is calling, so they set out toward the desert—and encounter a caravan of travelers following the same mysterious call.

Treasure and her mother lost everything when Treasure’s father died. Haggling for scraps in the market, Treasure meets a man who promises to change their fortunes, but his feet are hovering just a few inches above the ground. He’s a spirit, and he says he can bring Treasure’s beloved father back to life if she’ll do one terrible thing for him first.

Bobby Norfolk plays a prominent role in African-American storytelling. But when he recently visited Africa, he went as a humble student, hoping to glean new insights, to immerse himself in a living oral tradition. He went as a pilgrim to the cities, villages, and jungles of Africa. Yet he was caught completely by surprise when, during a visit to an obscure African village, he was invited to a community-wide afternoon break at which elders told traditional Anansi stories and everyone else listened intently.

The Africans have a long history, although not everything has been preserved in writing. And many folklore stories have been passed on through generations. The African tribes vary as much as the colors of the rainbow. It is for these reasons, and entertainment as well, that this book has been put together. It entails several mythological tales that refer to African gods, creatures, and entities. Some of these have morals. Others are symbolic of one thing or another.