Cozy Historical Women Sleuth

Two people have been targeted. Shots have been fired. Who stands to inherit? Who has the most to lose? Evangeline "Evie" Parker, Countess of Woodridge, thinks it's nothing but an accident, but then an attempt is made on her host's life. Suddenly, all the guests attending the Duke of Hetherington's house party think they are being targeted. Who will be next? Evie and her new chauffeur form an unlikely alliance to discover as much as they can before the killer can get it right.

The daughter of a baronet and minor heiress, Rosalind Thorne was nearly ruined after her father abandoned the family. To survive in the only world she knew, she began to manage the affairs of some of London society's most influential women, who rely on her wit and discretion. So when artistocratic wastrel Jasper Aimesworth is found dead in London's most exclusive ballroom, Almack's, Rosalind must use her skills and connections to uncover the killer.

Frances and her husband, George, have two points of interest in Paris. One is an impromptu holiday to visit the Paris Exposition. The other is personal. George’s Aunt Julia has requested her nephew’s help in looking into the suspicious death of renowned artist Paul Ducasse. Though Julia is not entirely forthcoming about her reasons, she is clearly a woman mourning a lost love. At the exposition, swarming with tourists, tragedy casts a pall on the festivities. A footbridge collapses. Julia is among the casualties. However, she was not just another fateful victim.

Frances Wynn, the American-born Countess of Harleigh, enjoys more freedom as a widow than she did as a wife. After an obligatory year spent mourning her philandering husband, Reggie, she puts aside her drab black gowns, leaving the countryside and her money-grubbing in-laws behind. With her young daughter in tow, Frances rents a home in Belgravia and prepares to welcome her sister, Lily, arriving from New York - for her first London season.

It is every mama's dearest wish that her daughter marries well. But how to ensure that a seemingly earnest suitor is not merely a fortune hunter? Rosalind is involved in just such a case, discreetly investigating a client's prospective son-in-law, when she is drawn into another predicament shockingly close to home.

London’s bright young things are partying, Soho’s nightlife is buzzing, and Augusta Peel is hiding in her basement. She has a reason to hide there: it’s home to her Bloomsbury workshop where she repairs old, neglected books. After a busy time during the war, all Augusta wants is peace and quiet. But events take a turn when Augusta agrees to chaperone nineteen-year-old Harriet Jones on a date. Failing to get her home on time, she ends up in a riotous nightclub. She can’t imagine the evening getting much worse when the police raid it. But then the murder happens.

Evie, the Countess of Woodridge, is hosting a house party to celebrate the end of summer. Some of the guests include a famous actress trying to revive her career, a theater critic renowned for his biting reviews, a newspaper owner in need of a scandal, and more than a few guests with motives for murder. Evie could not have hoped for a livelier group of guests to amuse her granny, Toodles, who has finally arrived for a visit and is eager for some entertainment. However, Evie gets more than she bargained for when one of the guests dies right before their eyes.

Sharing lodging in the sleepy English village of Walmsley Parva has eased some of the financial strain on the two old school chums, but money is still tight in these years following the Great War. So when the local vicar - and pigeon-racing club president - approaches them with a private inquiry opportunity, the ladies accept. There's been a spot of bother: The treasurer has absconded with the club's funds and several prized birds. But when they visit the man's loft, they find their elusive quarry lying in white feathers and a pool of crimson blood - the only witnesses cooing mournfully.

This adventure transports Amelia Peabody and her husband Emerson to Amarna, the rustic desert site where the two archaeologists first met, beginning the 13-year association that would take them from mayhem to murder in the Egyptian outback.

It's 1974 and Ellison Russell's life revolves around her daughter and her art. She's long since stopped caring about her cheating husband, Henry, and the women with whom he entertains himself. That is, until she becomes a suspect in Madeline Harper's death. The murder forces Ellison to confront her husband's proclivities and his crimes - kinky sex, petty cruelties, and blackmail. As the body count approaches par on the seventh hole, Ellison knows she has to catch a killer.

Trust is a delicate thing, and no one knows that better than Rosalind Thorne. Lady Melbourne has entrusted her with recovering a packet of highly sensitive private letters stolen from her desk. The contents of these letters hold great interest for the famous poet Lord Byron, who had carried on a notorious public affair with Lady Melbourne's daughter-in-law, the inconveniently unstable Lady Caroline Lamb. Rosalind is to take up residence in Melbourne House, posing as Lady Melbourne's confidential secretary. There, she must discover the thief and regain possession of the letters.

Another day, another dead woman in Ellison Russell's study. Only this one claimed to be Mrs. Anarchy Jones. As Ellison juggles mothers, daughter, unhappy wives, and near-miss murder attempts, one thing is clear - someone will go to any lengths to hide the truth. Can Ellison and Anarchy catch a killer before the body count rises? Or will Ellison be the next corpse in the study?

1793, England. After a not-so-relaxing holiday in Tunbridge Wells, Lady Ottilia and Lord Francis Fanshawe have returned to their home with a young orphaned girl, Pertesia "Pretty" Brockhurst. After losing both her parents in tragic circumstances, Pretty had been abandoned by the rest of her family and the childless Fanshawes have delighted in having her around. But when her estranged grandfather turns up on their doorstep, Ottilia is worried she will lose the child she is growing so close to.

Thomas Mundy checks in to London's Wrexley Hotel, but he never checks out. The maid finds him on the floor of his room, bludgeoned to death by his own walking stick. Inspector Witherspoon is soon on the case and learns Mundy was an unlikely victim for such a violent crime. But Mrs. Jeffries and the household staff uncover that Mundy was less an amiable businessman and more a duplicitous con man with enemies on both sides of the Atlantic. Now Witherspoon and his staff must determine who on their lengthy list of suspects had the motive to put Mundy in the red.

Christopher Gilhaney isn't a popular man, and he proves why once again when he insults every guest at Abigail Chase's Guy Fawkes Night dinner party. When Gilhaney is shot dead under the cover of the night's fireworks, his murder is deemed a robbery gone wrong. But when the case hasn't been solved six weeks later, Inspector Witherspoon is called upon to find the killer - and quickly!

An invitation from a hotel owner to stay at his new seaside hotel provides Evie, Countess of Woodridge, with the perfect opportunity to fulfill her maid's dream of vacationing by the seaside. However, the prospect of spending an entire week strolling along the pier makes Evie realize she is no longer cut out for a life of leisure. Clearly, she is missing the exhilaration she experienced during the last few murder cases she had become involved in. When a young woman dies right outside their hotel, Evie finds the perfect opportunity to distract herself.

Emma's job is to take note of the real players off the field—Newport's well-bred elite. But the fashionable façade is breached when a woman demands to speak to the wife of Senator George Wetmore—until she is escorted off the grounds by the police. The next morning, police detective Jesse Whyte asks Emma to meet him at the Wetmores's Bellevue Avenue home, Chateau-sur-Mer, where the senator's wife, Edith, has mysteriously asked to see her. Upon entering the mansion, Emma is confronted with a crime scene.

Sir George Braxton was found lying face down in a frozen fountain with the back of his skull bashed to bits. The case is complicated by a distinct lack of holiday cheer in the victim's three argumentative middle-aged daughters and their sullen house guests. Even the cranky cat hates everyone. To top it all off, the home secretary has called in Inspector Witherspoon over the heads of some touchy local lads, making matters stickier than a plum pudding. Only the help of his housekeeper, Mrs. Jeffries, will give the poor inspector any chance of sleeping on Christmas Eve....

Sarah Brandt is shattered when she learns that a woman has inquired at Hope’s Daughters Mission for Catherine, the abandoned child she has taken as her daughter. The woman claims she was Catherine’s nursemaid, now acting on behalf of the girl’s mother to reunite them. Unwilling to simply hand Catherine over to a complete stranger, Sarah asks Malloy to investigate. But when he goes to interview the woman at her tenement in Chelsea, he finds she has been murdered. Though her death leaves Sarah’s claim to Catherine unchallenged, her sense of justice compels her to work with Malloy to find the killer.

Mirabelle Daws traveled all the way from Australia to Sheridan Square to visit her sister - only to die in the middle of a locked garden. All the residents of Sheridan Square have a key to the garden - but no one seemed to know that Mirabelle was planning to arrive. So the question facing Mrs. Jeffries is: Who wanted to make sure that Mirabelle's visit was very, very short-lived?