Scandinavian Authors

Mikael Blomkvist is trying to reach Lisbeth Salander—the fierce, unstoppable girl with the dragon tattoo. He needs her help unraveling the identity of a man who died with Blomkvist's phone number in his pocket—a man who does not exist in any official records and whose garbled last words hinted at knowledge that would be dangerous to important people. But Lisbeth has disappeared. She's sold her apartment in Stockholm. She's gone dark. She's told no one where she is. And no one is aware that at long last she's got her primal enemy, her twin sister, Camilla, squarely in her sights.

Bill Olsson, recently widowed, is desperate to provide for his daughter, Sally. Struggling to pay rent, he welcomes a lodger into their home: Karla, a law student and aspiring judge, who works as a housekeeper to make ends meet. Her clients are the Rytters, an incredibly wealthy couple who hide behind closed doors. The wife is ill and hasn’t left the house in months. The husband is controlling and obsessive. Is he just a worried husband, concerned for his wife’s health? Or is there something more sinister at play?

Winter's chill has descended on Stockholm as police arrive at the scene of a shocking murder. An unidentified woman lies beheaded in a posh suburban home - a brutal crime made all the more disturbing by its uncanny resemblance to an unsolved killing 10 years earlier. But this time there's a suspect: the charismatic and controversial chain-store CEO Jesper Orre, who owns the home but is nowhere to be found.

A young nun is sent by the Vatican to investigate allegations of misconduct at a Catholic school in Iceland. During her time there, on a gray winter’s day, a young student at the school watches the school’s headmaster, Father August Franz, fall to his death from the church tower. Two decades later, the child - now a grown man, haunted by the past - calls the nun back to the scene of the crime.

Two young women are missing, their only connection a party they both attended, hosted by a notorious real-estate magnate. When one of the women is found murdered, the police discover an unusual signature left by the killer, giving them reason to suspect he will strike again. And exposing him calls for a detective like no other. But the legendary Harry Hole is gone—fired from the force, drinking himself to oblivion in Los Angeles. It seems that nothing can entice him back to Oslo. Until the woman who saved Harry's life is put in grave danger.

Una wants nothing more than to teach, but she has been unable to secure steady employment in Reykjavík. Her savings are depleted, her love life is nonexistent, and she cannot face another winter staring at the four walls of her shabby apartment. Celebrating Christmas and ringing in 1986 in the remote fishing hamlet of Skálar seems like a small price to pay for a chance to earn some teaching credentials and get her life back on track.

Scandinavia is the epitome of cool: We fill our homes with Nordic furniture; we envy their humane social welfare system and their healthy outdoor lifestyle; we glut ourselves on their crime fiction. Even their strangely attractive melancholia seems to express a stoic, commonsensical acceptance of life's vicissitudes. But how valid is this outsider's view of Scandinavia, and how accurate is our picture of life in Scandinavia today?

A psychopath is terrorizing Copenhagen. His calling card is a “chestnut man” - a handmade doll made of matchsticks and two chestnuts - which he leaves at each bloody crime scene. Examining the dolls, forensics makes a shocking discovery - a fingerprint belonging to a young girl, a government minister’s daughter who had been kidnapped and murdered a year ago. A tragic coincidence - or something more twisted? To save innocent lives, a pair of detectives must put aside their differences to piece together the Chestnut Man’s gruesome clues.

Faye has loved Jack since they were students at business school. Jack, the perpetual golden boy, grew up wealthy, unlike Faye, who has worked hard to bury a dark past. When Jack needed help launching a new company, Faye left school to support him, waitressing by day and working as his strategist by night. When the business took off, Faye stayed home and cared for their daughter.

When the oil and gas ran out, civilization collapsed. Now, centuries later, mankind is once again beginning to discover the secrets of the past...starting with clockwork.

Asle is an aging painter and widower who lives alone on the west coast of Norway. His only friends are his neighbor, Åsleik, a traditional fisherman-farmer, and Beyer, a gallerist who lives in the city. There, in Bjørgvin, lives another Asle, also a painter but lonely and consumed by alcohol. Asle and Asle are doppelgängers-two versions of the same person, two versions of the same life. Written in melodious and hypnotic "slow prose,"

When a young woman is discovered brutally murdered in her own apartment, with an intricate pattern of lines carved into her face, Copenhagen police detectives Jeppe Korner and Anette Werner are assigned to the case. They very quickly establish a link between the victim, Julie Stender, and her complex landlady, Esther de Laurenti. Esther also turns out to be a budding novelist - and when Julie turns up as a murder victim in the still-unfinished mystery she's writing, the link between fiction and real life grows more urgent.

In this slim memoir, Theodor Kallifatides explores the interplay of meaningful living and meaningful work, and the timeless question of how to reconcile oneself to aging. But he also comments on worrying trends in contemporary Europe - from religious intolerance and prejudice against immigrants to housing crises and gentrification - and his sadness at the battered state of his beloved Greece. Kallifatides offers an eloquent, thought-provoking meditation on the writing life, and an author’s place in a changing world.

Even when the climate crisis escalates beyond our worst nightmares and people become refugees, the world keeps turning and life carries on as usual: teenaged love stories, marital collapses, identity crises and revolts against hopeless parents continue to play out. Through four inter-connected perspectives, Jens Liljestrand chronicles how the struggles of ordinary people go on even as the world as we know it is coming to an end.