Universal Horror

Kell is one of the last Travelers - magicians with a rare, coveted ability to travel between parallel universes. As such, he can choose where he lands. There's Grey London, dirty and boring, without any magic, ruled by a mad King George. Then there's Red London, where life and magic are revered, and the Maresh Dynasty presides over a flourishing empire. There's White London, ruled by whoever has murdered their way to the throne. And once upon a time, there was Black London...but no one speaks of that now.

In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.

Their names are immortal: Dracula, Frankenstein's Monster, The Mummy. Now, together for the first time, we hear these three classic monsters battling each other for their very existences. When Van Helsing gets reports of vampire attacks in Turin, he discovers that there is more going on their than he realizes. Soon he is not only after a vampire, but also a mummy hell-bent on resurrecting its lost queen. But the resurrection spell raises more than just a pharaoh of old; it brings life back to an old, familiar foe: Count Dracula.

The FORGOTTEN HORRORS series of film-commentary books taps author Michael H. Price's backlog of monographs, magazine columns and articles, and film-festival curatorial notes for a whopping 360-page anthology of materials long out-of-print. Centerpieces include surveys of Val Lewton's acclaimed chillers of the 1940s, of Universal Pictures' less noticeable chillers and offbeat oddities, and of Western movies indebted to the great frontier painters. The book also veers away at strategic points from the more rigidly defined horror movies to consider a wealth of art-museum topics, of comic-book ...

On April 22, 1948, noted horror film star Lon Chaney, Jr. (THE WOLF MAN) tries to commit suicide. While his life hangs in the balance, his wife, attorney, and agent attempt damage control. But the question remains: why would one of the more successful actors in Hollywood history--aged only 42--try to take his own life? Author and lifelong Chaney fan Bill Fleck believes he has the answer. CHANEY'S BABY tells this heartbreaking story.

Jeremy works at the Video Hut in Nevada, Iowa. It's a small town in the center of the state - the first a in Nevada pronounced ay. This is the late 1990s, and even if the Hollywood Video in Ames poses an existential threat to Video Hut, there are still regular customers, a rush in the late afternoon. It's good enough for Jeremy: It's a job, quiet and predictable, and it gets him out of the house, where he lives with his dad and where they both try to avoid missing Mom, who died six years ago in a car wreck.

When a sheriff and his deputies discover half-eaten farm animals, a headless teenage girl, and the sudden disappearance of a 10-year-old boy who then mysteriously reappears happy, healthy, and with no memory of his ordeal, dangerous secrets are about to unfold.

En esta serie de "Relatos Famosos y Leyes Universales", les presentamos El Gato Negro, publicada por primera vez en 1843 y escrita por el famoso autor americano Edgar Alan Poe.

Teenage Russell Sooner has finally discovered he's a werewolf, and he's pissed. Charlton Daniels is back in town looking for the wolf who bit him and wants revenge. Jewel Porter's use of Black Magic could wipe New Berwick off Illinois' map. So, what can go wrong in light of a defiant witch and two pissed off werewolves? EVERYTHING!