Novedades

While Western accounts of North American history traditionally start with European colonization, Indigenous histories of North America—or Turtle Island—stretch back millennia. Drawing on comparative analysis, firsthand Indigenous accounts, extensive historical writings, and his own experience, Omaha Tribal member, Cherokee citizen, and teacher Taylor Keen presents a comprehensive re-imagining of the ancient and more recent history of this continent’s oldest cultures.

Unshackle your authentic self from the expectations and stereotypes of American culture through the six pillars of living free as a Black woman. Tamara Winfrey Harris harnesses her knowledge as a two-time author and storyteller of the Black femme experience and nationally known expert on the intersections of race and gender to deliver a sharp feminist analysis that is illustrated by real-life stories and examples plucked from popular culture and intimate Black woman-to-Black woman truth-telling.

For as long as queer women have existed, they’ve created gathering grounds where they can be themselves. From the intimate darkness of the lesbian bar to the sweaty camaraderie of the softball field, these spaces aren’t a luxury—they’re a necessity for queer women defining their identities. In A Place of Our Own, journalist June Thomas invites listeners into six iconic lesbian spaces over the course of the last sixty years, including the rural commune, the sex toy boutique, the vacation spot, and the feminist bookstore.

If there is an enemy in the War on Drugs, it is people of color. That is the lesson of forty years of cultural production in the United States. Popular culture, from Scarface and Miami Vice to Narcos and Better Call Saul, has continually positioned Latinos as an alien people who threaten the US body politic with drugs. Jason Ruiz explores the creation and endurance of this trope, its effects on Latin Americans and Latinx people, and its role in the cultural politics of the War on Drugs.

Wonderfully narrated by Karen Chilton, Afrofuturism is an engaging, hip, and accessible primer to the music, literature, and art of Afrofuturism. Author Ytasha Womack introduces listeners to the burgeoning community of artists creating Afrofuturist works.

As Beauty Director of the Telegraph Group, a member of the British Beauty Council’s Advisory Board and a British South-Asian herself, Sonia Haria is perfectly placed to debunk the myths and explain the truths of South-Asian beauty. Covering everything from a deep-dive into kohl, skin pigmentation and practical pantry recipes including face masks; to the relevance of Ayurveda, the mind-body connection and even the influence of Bollywood, this book is packed full of practical information and advice that will ensure our beauty becomes an effortless part of everyday life.

From one of Australia's leading Indigenous journalists comes a collection of fierce and powerful essays proving why the media need to believe Black witnesses and showcasing ways that journalism can be used to hold the powerful to account and make the world a more equitable place. Black Witness is the essential collection of First Nations journalism that we need right now – and always have.

Disability and Political Representation explores how disabled people experience the various stages and aspects of the representation process, drawing upon extensive empirical research and a variety of qualitative and quantitative data. It discusses why increasing the number of disabled politicians matters, not only as a matter of justice and equality but also to better represent the issues and interests of importance to disabled people.

In San Francisco, 1960, James Baldwin spoke to John Cheever about what he saw as a 'failure of the masculine sensibility'. Strange Relations examines how Baldwin came to this assessment and what may be amiss in our understanding of masculinity. Building on Walt Whitman's philosophy of the love between men, the book considers the work and lives of Tennessee Williams, Carson McCullers, Cheever and Baldwin. All four writers wrestled in their art, as well as in their sexual and platonic relationships, with the expectations of masculinity, the pull of queer life and the tensions between the two.

In this deeply personal book, Baldwin reflects on the experiences that shaped him as a writer and activist: from his childhood in Harlem to the deaths of Martin Luther King and Malcolm X. Exploring the visceral reality of life in the American South as well as Baldwin’s impressions of London, Paris and Hamburg, No Name in the Street grapples with the failed promises of global liberation movements in fearless, candid prose.