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三右衛門の罪
- Narrado por: 斉藤 範子
- Duración: 28 m
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Resumen del Editor
才気にあふれ、世話好きな性格は周りの人々を惹きつけ、たくさん悩みながらもよく笑い、よくしゃべる人だったそうです。
そんな芥川は、東京帝国大学に入学した翌年、高校の同級だった久米正雄らと共に第三次「新思潮」を創刊し、小説や翻訳を発表しました。
次いで第四次「新思潮」を創刊の際に掲載した『鼻』が夏目漱石に認められ、文壇に登ることとなりました。
その後新聞社に入社し、記者としてではなく専業作家として意欲的に執筆活動を続けました。
芥川は、漱石や森鴎外から文体や表現の影響を受けたり、キリシタンもの、江戸を舞台にしたものなど題材に応じて文体を変えたりと、意識的な小説の書き方をしていました。
また、鈴木三重吉により創刊された児童雑誌「赤い鳥」には、初となる童話作品『蜘蛛の糸』を発表、その後も同雑誌を中心に童話作品を相次いで発表し、幅広く作品を世に残しています。
文政四年の師走である。加賀の宰相治修の家来に知行六百石の馬廻り役を勤める細井三右衛門と云う侍は相役衣笠太兵衛の次男数馬と云う若者を打ち果した。それも果し合いをしたのではない。ある夜の戌の上刻頃、数馬は南の馬場の下に、謡の会から帰って来る三右衛門を闇打ちに打ち果そうとし、反って三右衛門に斬り伏せられたのである。
この始末を聞いた治修は三右衛門を目通りへ召すように命じた。命じたのは必ずしも偶然ではない。第一に治修は聡明の主である。聡明の主だけに何ごとによらず、家来任せということをしない。みずからある判断を下し、みずからその実行を命じないうちは心を安んじないと云う風である。治修はある時二人の鷹匠にそれぞれみずから賞罰を与えた。これは治修の事を処する面目の一端を語っているから、大略を下に抜き書して見よう……
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