The King at the Edge of the World

A Novel

By: Arthur Phillips

Narrated by: Euan Morton

Queen Elizabeth’s spymasters recruit an unlikely agent—the only Muslim in England—for an impossible mission in a mesmerizing novel from “one of the best writers in America” (The Washington Post)

“Evokes flashes of Hilary Mantel, John le Carré and Graham Greene, but the wry, tricky plot that drives it is pure Arthur Phillips.”—The Wall Street Journal

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW AND THE WASHINGTON POST

The year is 1601. Queen Elizabeth I is dying, childless. Her nervous kingdom has no heir. It is a capital crime even to think that Elizabeth will ever die. Potential successors secretly maneuver to be in position when the inevitable occurs. The leading candidate is King James VI of Scotland, but there is a problem.

The queen’s spymasters—hardened veterans of a long war on terror and religious extremism—fear that James is not what he appears. He has every reason to claim to be a Protestant, but if he secretly shares his family’s Catholicism, then forty years of religious war will have been for nothing, and a bloodbath will ensue. With time running out, London confronts a seemingly impossible question: What does James truly believe?

It falls to Geoffrey Belloc, a secret warrior from the hottest days of England’s religious battles, to devise a test to discover the true nature of King James’s soul. Belloc enlists Mahmoud Ezzedine, a Muslim physician left behind by the last diplomatic visit from the Ottoman Empire, as his undercover agent. The perfect man for the job, Ezzedine is the ultimate outsider, stranded on this cold, wet, and primitive island. He will do almost anything to return home to his wife and son.

Arthur Phillips returns with a unique and thrilling novel that will leave readers questioning the nature of truth at every turn.

Critic reviews

“A rich, old-fashioned spy thriller set in Elizabethan England . . . Its plot is an intricate set of intersecting mechanisms and locks and keys, which, when they finally all fall into place, provide the reader with the gawping satisfaction of having been well and truly fooled . . . Sentence by sentence, the book blends the leanness of a taut thriller with the marbled fatness of Elizabethan prose.”—The New York Times Book Review

“Darkly entertaining . . . Phillips writes with such breadth, intelligence and wit . . . The novel is brilliant—textured, witty and Shakespeare-deep with palace intrigue, lust, conspiracy, xenophobia and Iago-level villainy.”—Minneapolis Star Tribune

“Arthur Phillips fans will recognize—and new readers will thrill to—the immersive mix of erudition, brio, and heart in The King at the Edge of the World. Phillips is an original—and in top form.”—Jennifer Egan

“Terrifically engaging . . . [a] rich historical novel.”—The Washington Post

“A rare combination of literary finesse and quick-paced plot—and another triumph from the versatile Phillips. . . . One is reminded of Hilary Mantel's magisterial Wolf Hall but perhaps more pointedly of Graham Greene's novels.”—Kirkus Reviews (starred review)

“Highly recommended . . . truly original . . . The indefatigably imaginative Phillips . . . offers historical fiction with aching contemporary overtones.”—Library Journal (starred review)

“[An] inventively multilayered novel . . . evoked in exquisite language full of subtle shadings. . . . Readers will flock to the latest from esteemed bestseller Phillips, whose signature literary prowess and nimble imagination remain ascendant.”—Booklist

“Phillips masterfully renders the period and packs the narrative with surprising twists. This clever, serpentine novel recalls the historical dramas of Hilary Mantel and the thrillers of John le Carré, and will reverberate in readers’ minds.”—Publishers Weekly

Exceptional narration and a unique story

This was the listen I'm always hoping for, but don't often get - the sort of magical, transporting tale for a rainy day. The narrator was perfect - voicing each character so clearly you could tell them apart without the written indicators of who was speaking, and really capturing the emotion and connection between them. His voice was also utterly pleasant AND engaging for the entirety of the book - no small feat.

The story was also compelling, told from multiple perspectives, each with a depth and clarity that really resonates. Particularly refreshing was the main character - beautifully written without a hint of the false exoticism and inherent otherness that so often gets baked into characters from non- European backgrounds, and quite effectively challenging saviorist and Eurocentrist historical narratives. It really captured what it feels like to be on the other side of such views, and firmly asserts the oft- overlooked perspective of what an outsider might think of one of the great European empires at home.

The ending was a bit of a let down for me, but I won't spoil it with discussion. Overall, I loved this book. Will definitely be reading/listening to more by this author, others by this narrator, and enjoying re-listens for years to come.

Really smart...

... and fun. The subject of the possible Catholic beliefs of the soon to ascend Protestant England's throne, James the 6 thand 1st told from an utterly fresh perspective.
I am a devotee of both non fiction and historical fiction beginning with Henry Tudor through James 1st reign.
This book draws on facts and creates excellent fiction. Well
done, Mr. Phillips!

What a trip!

A wonderful story of plots and counter-plots, questions of the highest stakes, uncertain loyalties, and a good man thrown into the middle of it all. It's smart, playful, and lots of fun. It's also one of the best narrative performances I've ever heard.

An excellent historical spy thriller

The characters were all flesh and blood people. no cardboard or shallow personages all bound together in an enthralling plot.

Decent historical fiction, but …

This was an entertaining story, imaginative, though the only developed character was the main character, the physician Mahmoud Ezzedine. And there is something not quite credible about him, either (as another reviewer pointed out): he is quite aghast about the Catholic-Protestant butchery, but how could he not be aware of the sectarian conflict in Islam that began pretty much right after Mohammed’s death? Or were Muslims under Murad III (it was a Sunni empire) shielded from knowledge of their own history (and the existence of other Muslim sects)? Some explanation of this matter needed to be worked in. Perhaps the author was “tongue-in-cheek” when Ezzedine suggested that no such conflict exists where he comes from. Though, perhaps there was none under the Ottomans (who knows what would have happened if someone did not conform to Sunni Islam).