One for the Blackbird, One for the Crow Audiobook By Olivia Hawker cover art

One for the Blackbird, One for the Crow

A Novel

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One for the Blackbird, One for the Crow

By: Olivia Hawker
Narrated by: Jackie Zebrowski
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From the bestselling author of The Ragged Edge of Night comes a powerful and poetic novel of survival and sacrifice on the American frontier.

Wyoming, 1876. For as long as they have lived on the frontier, the Bemis and Webber families have relied on each other. With no other settlers for miles, it is a matter of survival. But when Ernest Bemis finds his wife, Cora, in a compromising situation with their neighbor, he doesn’t think of survival. In one impulsive moment, a man is dead, Ernest is off to prison, and the women left behind are divided by rage and remorse.

Losing her husband to Cora’s indiscretion is another hardship for stoic Nettie Mae. But as a brutal Wyoming winter bears down, Cora and Nettie Mae have no choice but to come together as one family—to share the duties of working the land and raising their children. There’s Nettie Mae’s son, Clyde—no longer a boy, but not yet a man—who must navigate the road to adulthood without a father to guide him, and Cora’s daughter, Beulah, who is as wild and untamable as her prairie home.

Bound by the uncommon threads in their lives and the challenges that lie ahead, Cora and Nettie Mae begin to forge an unexpected sisterhood. But when a love blossoms between Clyde and Beulah, bonds are once again tested, and these two resilient women must finally decide whether they can learn to trust each other—or else risk losing everything they hold dear.

© 2019 by Olivia Hawker. ℗ 2019 Brilliance Publishing, Inc., all rights reserved.

Family Life Genre Fiction Historical Fiction Literary Fiction Small Town & Rural Women's Fiction
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Critic reviews

“Enchanting…A skillful storyteller, Hawker serves up seemingly endless pages with vivid Wyoming descriptions…A suspenseful female-survivor story, about hardship on the frontier.” —Authorlink

“Set in 1876 Wyoming, One for the Blackbird, One for the Crow is a deftly crafted historical novel that fully captures hardscrabble life on the American frontier. An absorbing read from first page to last, and highly recommended.” —Midwest Book Review

Beautiful Writing • Strong Characters • Vivid Descriptions • Compelling Story • Engaging Voice Quality

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This book had beautiful prose. The descriptions of outdoors and nature, the sky, starlit or sunrise/sunset, used gorgeous words. Human nature was also succinctly described and showed a rare depth of understanding.
I am a fast reader, and I couldn't absorb the prose written in late-1800's vernacular, so I listened to much of the book. The narrator did a fine job reading until she got to the dialogue. Her voices for Beaulah and Clyde were very good. The voice of Nettie Mae was way too strident, making the character less likable. When reading Nettie Mae's thoughts and dialogue I had some empathy for her. Listening to the narrators depiction of her, she seemed less dimensional-- just a bitter, hateful woman. The voice of Cora made me cringe! It was horrible, vapid, falsetto fake. I swear my teeth hurt every time I heard the narrator recite Cora's dialogue!
The book was extremely slow reading. I was invested in the story so I stuck with it despite having spurts of irritation. I spent a lot of time looking up words that aren't used much today. This gave the book a feeling of authenticity, which I appreciate. I love reading stories set in the era presented in this book. I feel cheated by historical inaccuracies. Particularly when the characters have mindsets that people did not hold back then, or when they use tools that weren't yet invented at that time, or the fashions are off. I'm no expert on that time period though I do research situations and things that feel "off" in historical novels. I did no such research for this novel.
Overall, aside from the horrid narration on Cora's dialogue, the issues I had with the book are a direct result of some of the book's best qualities. I liked the metaphysical bent of the main character, and I liked the way the characters all became more self aware and showed personal growth from the story's beginning to the end. I have a stronger realization of how difficult life was back then, particularly for those who lived in The wilderness.
The author is obviously very talented! Still, the book is not an easy read or listen. It's very dense. If you like historical fiction that is accurate and poetic, I think you will like this book better than I did.

Mixed review

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The varied descriptive words encapsulated me. I felt the prairie winds, and I smelled the earth. It was as though I was in each characters head experiencing their moments. I highly recommend this book as a get away from our busy life to remember there used to be a lot more physical work to do. We do not have it so bad.

Loved the snippet of time

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The characters do a lot of groaning on about plans we all know won't happen. Much of how these characters react and act is deeply predictable to the point where I was speaking out lines before the narrator got to them. The voice done for Nettie Mae is outright awful, like when a man tries to do a woman's voice, but the opposite, it's so jarring. The voice for Cora equally so. Nettie mae's was too seep and too gruff, cora's WAY too high and too meak. I didn't feel invested in any of the emotion these characters ended up having for one another by the end, I felt there wasn't much development in that before everyone fell in love and became friends. The constantly changing POV of the narrator started getting obnoxious, especially when it came to repeating parts of the story under someone elses voice, Buellah being the only one that narrates in first person to the reader outside of thoughts to herself. I really feel that this entire book could have benefited from another pass or two of editing. The descriptions of nature were beautiful. But she started getting repetitive. At some points she descrobes things with two or three different analogies. I don't get why Clydes hair and Buellahs hair are both not brown and not blonde, and indescribable, but the horse is yellow. Later Buellahs hair is sparrow colored. The dialogue and terminology wasn't 1800s enough for me, she refers to calico fabric half a dozen times. She doesn't specify what she means by this, and calico they way I think she meant it is not what calico meant to American settlers in the 1800s. She says some other things that made me question whether that word or phrase would be used then, I was slightly disappointed that the title didn't tie things up in the end, it's just a throw away line in the middle of the book, I suppose the reader is meant to surmise any further meaning there is there, but it's speculation for me, I wouldve rathered the author bring the whole thing full circle for me. The ending was boring. It was enough to keep me listening, but in the end, I've sat with it a couple days, and I just feel lit could have been improved greatly with a couple more editing passes.

predictable

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I enjoyed the story somewhat. There were parts that were slow and predictable. Overall it was ok.

Review

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Have you ever really thought what it was like to leave every body and everything you knew, travel for months in a wagon and settle on raw land you knew nothing about nor have nearby towns or friends?
Many of our great grandparents immigrated the West this way. Had their babies in the wilderness under brutal conditions and buried many of them. Imagine the back breaking work to carve a suitable small sod or wood home in the middle of nowhere without adequate tools and some to help?
This story takes you to this time when infórmate turns in events make children adults and adults who are acting like children remember what is really important. Along the way even the reader will take heed of the lessons and admire what these hard working pioneers went through to make the landscape of today.

Poignant, Heart wrenching at times with so many Life Lessons we can use today!

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