The Hard Crowd
Essays 2000-2020
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Narrated by:
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Rachel Kushner
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By:
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Rachel Kushner
“The Hard Crowd is wild, wide-ranging, and unsparingly intelligent throughout.” —Taylor Antrim, Vogue
From a writer celebrated for her “chops, ambition, and killer instinct” (John Powers, Fresh Air), a career-spanning collection of spectacular essays about politics and culture.
Rachel Kushner has established herself as “the most vital and interesting American novelist working today” (The Millions) and as a master of the essay form. In The Hard Crowd, she gathers a selection of her writing from over the course of the last twenty years that addresses the most pressing political, artistic, and cultural issues of our times—and illuminates the themes and real-life experiences that inform her fiction.
In nineteen razor-sharp essays, The Hard Crowd spans literary journalism, memoir, cultural criticism, and writing about art and literature, including pieces on Jeff Koons, Denis Johnson, and Marguerite Duras. Kushner takes us on a journey through a Palestinian refugee camp, an illegal motorcycle race down the Baja Peninsula, 1970s wildcat strikes in Fiat factories, her love of classic cars, and her young life in the music scene of her hometown, San Francisco. The closing, eponymous essay is her manifesto on nostalgia, doom, and writing.
These pieces, new and old, are electric, vivid, and wry, and they provide an opportunity to witness the evolution and range of one of our most dazzling and fearless writers. “Kushner writes with startling detail, imagination, and gallows humor,” said Leah Greenblatt in Entertainment Weekly, and, from Paula McLain in the Wall Street Journal: “The authority and precision of Kushner’s writing is impressive, but it’s the gorgeous ferocity that will stick with me.”
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Critic reviews
"Rachel Kushner narrates these essays precisely and warmly. Her voice, assured and practiced, moves the text along. An admired novelist, she's a fine storyteller who uses pace well. She gives life to the many real-life characters—artists, writers, activists, daredevils—who fill this audiobook."
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Rachel Kushner is an astonishingly good stylist, and that’s as true here as it is in her novels. The prose is flat, even, objective, and precise—most journalistic. But there is always a sense of burning love and strongly held conviction holding up the carefully controlled even tone.
The highlights for me were Not With The Band and The Hard Crowd. I love places because I love Place, and these essays are in competition mostly with Dubliners for the best short-form evocation of Place and Time. In this case the San Francisco of the 80s and 90s.
I’m glad she became a novelist, but she would have been an incredible critic or journalist had she chosen.
Incandescent
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Excellent
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