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1Q84
- Narrated by: Allison Hiroto, Marc Vietor, Mark Boyett
- Length: 46 hrs and 45 mins
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Publisher's summary
Earphones Award Winner (AudioFile Magazine)
The year is 1984 and the city is Tokyo.
A young woman named Aomame follows a taxi driver's enigmatic suggestion and begins to notice puzzling discrepancies in the world around her. She has entered, she realizes, a parallel existence, which she calls 1Q84 - "Q" is for "question mark". A world that bears a question.
Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled.
As Aomame's and Tengo's narratives converge over the course of this single year, we learn of the profound and tangled connections that bind them ever closer: a beautiful, dyslexic teenage girl with a unique vision; a mysterious religious cult that instigated a shoot-out with the metropolitan police; a reclusive, wealthy dowager who runs a shelter for abused women; a hideously ugly private investigator; a mild-mannered yet ruthlessly efficient bodyguard; and a peculiarly insistent television-fee collector.
A love story, a mystery, a fantasy, a novel of self-discovery, a dystopia to rival George Orwell's, 1Q84 is Haruki Murakami's most ambitious undertaking yet: an instant best seller in his native Japan, and a tremendous feat of imagination from one of our most revered contemporary writers.
BONUS AUDIO: Audible interviews the translators of 1Q84, Jay Rubin and Philip Gabriel.
Critic reviews
"This imaginative, lengthy novel satisfies as a mystery, fantasy, and humorous coming-of-age tale—all blended with the vagaries of love and loss in a dystopia mired in strange cults and mathematical/musical dreamscapes. One surmises that it's no accident that the book's enigmatic title relates to George Orwell's 1984." (AudioFile)
“Profound . . . A multilayered narrative of loyalty and loss . . . A fully articulated vision of a not-quite-nightmare world . . . A big sprawling novel [that] achieves what is perhaps the primary function of literature: to reimagine, to reframe, the world . . . At the center of [1Q84’s] reality . . . is the question of love, of how we find it and how we hold it, and the small fragile connections that sustain us, even (or especially) despite the odds . . . This is a major development in Murakami’s writing . . . A vision, and an act of the imagination.” (David L. Ulin, Los Angeles Times)
“1Q84 is one of those books that disappear in your hands, pulling you into its mysteries with such speed and skill that you don’t even notice as the hours tick by and the mountain of pages quietly shrinks . . . I finished 1Q84 one fall evening, and when I set it down, baffled and in awe, I couldn’t help looking out the window to see if just the usual moon hung there or if a second orb had somehow joined it. It turned out that this magical novel did not actually alter reality. Even so, its enigmatic glow makes the world seem a little strange long after you turn the last page. Grade: A.” (Rob Brunner, Entertainment Weekly)
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When a house explodes in a quiet Oxford suburb and a young girl disappears in the aftermath, Sarah Tucker becomes obsessed with finding her. Accustomed to dull chores in a childless household and hosting her husband’s wearisome business clients for dinner, Sarah suddenly finds herself questioning everything she thought she knew, as her investigation reveals that people long believed dead are still among the living, while the living are fast joining the dead.
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A bit of a slog....
- By rhl60 on 01-26-24
By: Mick Herron
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A Dangerous Road
- Smokey Dalton, Book 1
- By: Kris Nelscott
- Narrated by: Mirron Willis
- Length: 11 hrs and 7 mins
- Unabridged
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Private Investigator Smokey Dalton works for Memphis, Tennessee’s black community. He has almost no interaction with the white hierarchy, even though they exist only blocks away. So he’s surprised the day a white woman walks into his Beale Street office. Laura Hathaway has sought him out because he’s a beneficiary in her mother’s will, and Laura wants to know why. So does Smokey. He’s never heard of the Hathaways, but his search will take him on a journey that will change everything he’s ever known.
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Interesting Slice of US History...but Ponderous
- By Rancher on 12-18-13
By: Kris Nelscott
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How to Find Your Way in the Dark
- The Sheldon Horowitz Series, Book 1
- By: Derek B. Miller
- Narrated by: Michael Crouch
- Length: 12 hrs and 23 mins
- Unabridged
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Twelve-year old Sheldon Horowitz is still recovering from the tragic loss of his mother only a year ago when a suspicious traffic accident steals the life of his father near their home in rural Massachusetts. It is 1938, and Sheldon, who was in the truck, emerges from the crash an orphan hell-bent on revenge. He takes that fire with him to Hartford, where he embarks on a new life under the roof of his buttoned-up Uncle Nate.
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Absolutely wonderful story.
- By George Thomas on 12-11-21
By: Derek B. Miller
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Give Me the Child
- By: Mel McGrath
- Narrated by: Adjoa Andoh
- Length: 9 hrs and 51 mins
- Unabridged
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Dr Cat Lupo aches for another child despite the psychosis which marked her first pregnancy. So when Ruby Winter, a small girl in need of help, arrives in the middle of the night, it seems like fate. But as the events behind Ruby's arrival emerge - her mother's death, her connection to Cat - Cat questions whether her decision to help Ruby has put her own daughter at risk.
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Give Me the Child will give you a heck of a read!
- By Cassandra on 08-04-17
By: Mel McGrath
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Nightfall
- A Jack Nightingale Supernatural Thriller
- By: Stephen Leather
- Narrated by: Paul Thornley
- Length: 11 hrs and 47 mins
- Unabridged
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“You’re going to hell, Jack Nightingale”: They are words that ended his police career. Now Jack’s a struggling private detective – and the chilling words come back to haunt him. Nightingale’s life is turned upside down the day that he inherits a mansion from a man who claims to be his father. It comes with a warning that Nightingale’s soul was sold at birth and a devil will come to claim it on his 33rd birthday – just three weeks away.
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Kept my attention
- By Deziderata on 08-12-10
By: Stephen Leather
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Murphy's Boy
- By: Torey Hayden
- Narrated by: Loretta Rawlins
- Length: 12 hrs
- Unabridged
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His name was Kevin but his keepers called him Zoo Boy. He didn't talk. He hid under tables and surrounded himself with a cage of chairs. He hadn't been out of the building in the four years since he'd come in. He was afraid of water and wouldn't take a shower. He was afraid to be naked, to change his clothes. He was nearly 16. Desperate to see change in the boy, the staff of Kevin's adolescent treatment center hired Hayden. As Hayden read to him and encouraged him to read, crawling down into his cage of chairs with him, Kevin talked.
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want to meet Kevin
- By Cherish on 10-14-15
By: Torey Hayden
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The Unit
- By: Ninni Holmqvist
- Narrated by: Suzanne Toren
- Length: 8 hrs and 46 mins
- Unabridged
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When Dorrit Wegner turned fifty, the government transferred her to a state-of-the-art facility where she can live out her days in comfort. Her apartment is furnished to her tastes, her meals expertly served, and all at the very reasonable non-negotiable price of one cardiopulmonary system. Once an outsider without family, derided by a society bent on productivity, Dorrit finds within The Unit the company of kindred spirits and a dignity conferred by 'use' in medical tests.
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Makes you think
- By Sylvia on 01-30-11
By: Ninni Holmqvist
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Death at La Fenice
- Commissario Brunetti Mysteries, Book 1
- By: Donna Leon
- Narrated by: David Colacci
- Length: 9 hrs and 33 mins
- Unabridged
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During intermission at the famed La Fenice opera house in Venice, Italy, a notoriously difficult and widely disliked German conductor is poisoned—and suspects abound. Guido Brunetti, a native Venetian, sets out to unravel the mystery behind the high-profile murder. To do so, he calls on his knowledge of Venice, its culture, and its dirty politics. Along the way, he finds the crime may have roots going back decades—and that revenge, corruption, and even Italian cuisine may play a role.
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Hercule Poirot in Venice...!!!
- By Emil Grancagnolo on 10-09-22
By: Donna Leon
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The Road Home
- By: Ford Michael Thomas Ford
- Narrated by: Blake Somerset
- Length: 9 hrs and 5 mins
- Unabridged
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Story
When a car accident leaves photographer Burke Crenshaw in need of temporary full-time care, he finds himself back in the one place no forty-year-old chooses to be--his childhood bedroom. There, in the Vermont home where he grew up, Burke begins the long process of recuperation, and watches as his widowed father finds happiness in a new relationship that's a constant reminder of everything Burke wants and lacks. Exploring local history, Burke discovers an intriguing series of letters from a Civil War soldier to his fianc.
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No need to check your scepticism at the door!
- By Orlando on 08-23-13
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Dreams Underfoot
- The Newford Collection
- By: Charles de Lint
- Narrated by: Kate Reading
- Length: 15 hrs and 49 mins
- Unabridged
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Welcome to Newford: to the music clubs, the waterfront, and the alleyways where ancient myths and magic spill into the modern world. Gemmins live in abandoned cars and skells traverse the tunnels below, while mermaids swim in the gray harbor waters and fill the cold night with their song. Come meet Jilly, painting wonders in the rough city streets; and Geordie, playing fiddle while he dreams of a ghost; and the Angel of Grasso Street gathering the fey and the wild and the poor and the lost.
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Too Much Urban Fantasy Wears Thin
- By Jefferson on 06-15-13
By: Charles de Lint
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The Lost Ones
- A Novel
- By: Sheena Kamal
- Narrated by: Bahni Turpin
- Length: 10 hrs and 20 mins
- Unabridged
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Story
It begins with a phone call that Nora Watts has dreaded for 15 years - since the day she gave her newborn daughter up for adoption. Bonnie has vanished. The police consider her a chronic runaway and aren't looking, leaving her desperate adoptive parents to reach out to her birth mother as a last hope. A biracial product of the foster system, transient, homeless, scarred by a past filled with pain and violence, Nora knows intimately what happens to vulnerable girls on the streets.
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Would make a great movie!
- By Shay on 08-27-17
By: Sheena Kamal
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The Wrong Sister
- By: T. E. Woods
- Narrated by: Angela Dawe
- Length: 8 hrs and 47 mins
- Unabridged
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Story
From behind the wheel of her car, Tess Kincaid glimpses a woman walking down a Madison, Wisconsin, street. They've never met, but Tess sees the same features every time she looks in the mirror. Tess introduces herself and discovers that she and her doppelganger, Mimi, have more than appearance in common. They even share the same birthday. Mimi - confident and outgoing where Tess is understated and shy - is convinced they're twins, separated shortly after birth. When a body is discovered in a local marsh, Tess is entangled in a search for the truth....
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Nothing like anything T E Woods has written B4!!!
- By shelley on 03-01-18
By: T. E. Woods
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Bright Lights, Big City
- By: Jay McInerney
- Narrated by: Daniel Passer
- Length: 5 hrs and 11 mins
- Unabridged
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The tragicomedy of a young man in New York City, a writer, never named, who works as a fact-checker for a prestigious magazine. He struggles with the reality of his mother's death, alienation, and the seductive pull of drugs and a vibrant nightlife.
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Curiously, mundanely real
- By Amber on 01-07-12
By: Jay McInerney
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Open Your Eyes
- By: Paula Daly
- Narrated by: Emma Fenney
- Length: 9 hrs and 10 mins
- Unabridged
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Story
Jane Campbell avoids confrontation at all costs. Given the choice, she'll always let her husband, Leon, a best-selling thriller author, fight their battles. She'd prefer to focus on the good things in life: precious days with her two young children, a steady and loving marriage, their mischievously playful cat Bonita, and her fulfilling job as a creative-writing teacher. In Jane's eyes, life is altogether sweeter than any individual bump in the road. But when Leon suffers a brutal attack, Jane has to finally face reality.
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Finally a book that held my interest
- By PollyAnna2 on 10-13-18
By: Paula Daly
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Sorry, but I didn't like the narrator.
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Wonderful book, flawed narration.
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Human Wonder and the End of my Patience.
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The City and Its Uncertain Walls
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From the bestselling author of Norwegian Wood and Hard-Boiled Wonderland and the End of the World comes a love story, a quest, an ode to books and to the libraries that house them, and a parable for our peculiar times.
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Colorless Tsukuru Tazaki and his Years of Pilgrimage
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The new novel - a book that sold more than a million copies the first week it went on sale in Japan - from the internationally acclaimed author, his first since IQ84. Here he gives us the remarkable story of Tsukuru Tazaki, a young man haunted by a great loss; of dreams and nightmares that have unintended consequences for the world around us; and of a journey into the past that is necessary to mend the present. It is a story of love, friendship, and heartbreak for the ages.
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Great book ruined by the narration
- By David on 08-14-14
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What's better than Murakami? More Murakami
- By Dr. Curmudgeon on 04-11-14
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Sorry, but I didn't like the narrator.
- By Kelly McCarty on 10-30-15
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Human Wonder and the End of my Patience.
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From the bestselling author of Norwegian Wood and Hard-Boiled Wonderland and the End of the World comes a love story, a quest, an ode to books and to the libraries that house them, and a parable for our peculiar times.
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Colorless Tsukuru Tazaki and his Years of Pilgrimage
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- By: Haruki Murakami, Philip Gabriel - translator
- Narrated by: Bruce Locke
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The new novel - a book that sold more than a million copies the first week it went on sale in Japan - from the internationally acclaimed author, his first since IQ84. Here he gives us the remarkable story of Tsukuru Tazaki, a young man haunted by a great loss; of dreams and nightmares that have unintended consequences for the world around us; and of a journey into the past that is necessary to mend the present. It is a story of love, friendship, and heartbreak for the ages.
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Great book ruined by the narration
- By David on 08-14-14
By: Haruki Murakami, and others
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After Dark
- By: Haruki Murakami
- Narrated by: Janet Song
- Length: 5 hrs and 44 mins
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Here is a short, sleek novel of encounters, set in Tokyo during the witching hours between midnight and dawn, and every bit as gripping as Haruki Murakami's masterworks The Wind-Up Bird Chronicle and Kafka on the Shore. At its center are two sisters: Eri, a fashion model slumbering her way into oblivion, and Mari, a young student soon led from solitary reading at an anonymous Denny's toward people whose lives are radically different from her own.
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Six hour short story
- By Devo on 05-21-07
By: Haruki Murakami
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Killing Commendatore
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In Killing Commendatore, a 30-something portrait painter in Tokyo is abandoned by his wife and finds himself holed up in the mountain home of a famous artist, Tomohiko Amada. When he discovers a previously unseen painting in the attic, he unintentionally opens a circle of mysterious circumstances. To close it, he must complete a journey that involves a mysterious ringing bell, a two-foot-high physical manifestation of an Idea, a dapper businessman who lives across the valley, a precocious 13-year-old girl, a Nazi assassination attempt during World War II in Vienna.
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A Masterpiece and A Good Novel To Start
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Girl in Landscape
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At the age of 13, Pella Marsh emigrates with her family to the Planet of the Archbuilders. These enigmatic aborigines have names like Lonely Dumptruck and Hiding Kneel, and a civilization that baffles and frightens their human visitors. As the spikily independent Pella becomes an uneasy envoy between two species, Girl in Landscape deftly interweaves themes of exploration and otherness, loss, and sexual awakening.
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Wonderful novel, horrendous audio book
- By Grant Hayslip on 03-13-18
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1Q84, Buch 1 & 2
- By: Haruki Murakami
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- Unabridged
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Aomame ist knapp 30, Geschäftsfrau und auf dem Weg zu einem wichtigen Termin. Zu Beginn von Haruki Murakamis Roman 1Q84 sitzt sie in einem Taxi auf der Tokioter Stadtautobahn im Stau. Im Radio läuft eine Sinfonie, die ihr merkwürdiger Weise bekannt vorkommt, und merkwürdig ist auch der Rat, den der nicht minder merkwürdige Taxifahrer ihr mit auf den Weg gibt: Um nicht zu spät zu kommen, solle sie doch einfach aussteigen und verbotenerweise über eine Wendeltreppe die Hochstraße verlassen. Aomame folgt dem Rat - und findet sich plötzlich in einem Paralleluniversum wieder, in dem sie brutale Männer mordet und in dem zwei Monde am Himmel stehen. Aus 1984 ist das Jahr 1Q84 geworden.
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Disappointed
- By Petelll on 06-11-16
By: Haruki Murakami
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Sputnik Sweetheart
- By: Haruki Murakami
- Narrated by: Adam Sims
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- Unabridged
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Story
K is madly in love with his best friend, Sumire, but her devotion to a writerly life precludes her from any personal commitments. At least, that is, until she meets an older woman to whom she finds herself irresistibly drawn. When Sumire disappears from an island off the coast of Greece, K is solicited to join the search party—and finds himself drawn back into her world and beset by ominous visions. Subtle and haunting, Sputnik Sweetheart is a profound meditation on human longing.
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Satellites of Love
- By Darwin8u on 05-28-15
By: Haruki Murakami
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The Elephant Vanishes
- Stories
- By: Haruki Murakami, Alfred Birnbaum - translator, Jay Rubin - translator
- Narrated by: Teresa Gallagher, John Chancer, Walter Lewis, and others
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- Unabridged
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Story
With the same deadpan mania and genius for dislocation that he brought to his internationally acclaimed novels A Wild Sheep Chase and Hard-Boiled Wonderland and the End of the World, Haruki Murakami makes this collection of stories a determined assault on the normal. A man sees his favorite elephant vanish into thin air; a newlywed couple suffers attacks of hunger that drive them to hold up a McDonald's in the middle of the night; and a young woman discovers that she has become irresistible to a little green monster who burrows up through her backyard.
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dull
- By Shelli Rodgers on 01-06-19
By: Haruki Murakami, and others
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South of the Border, West of the Sun
- A Novel
- By: Haruki Murakami, Philip Gabriel - translator
- Narrated by: Eric Loren
- Length: 6 hrs and 33 mins
- Unabridged
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Story
Born in 1951 in an affluent Tokyo suburb, Hajime - beginning in Japanese - has arrived at middle age wanting for almost nothing. The postwar years have brought him a fine marriage, two daughters, and an enviable career as the proprietor of two jazz clubs. Yet a nagging sense of inauthenticity about his success threatens Hajime's happiness. And a boyhood memory of a wise, lonely girl named Shimamoto clouds his heart.
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A River of Unmindfulness
- By Darwin8u on 10-12-13
By: Haruki Murakami, and others
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Men Without Women
- Stories
- By: Haruki Murakami, Philip Gabriel - translator, Ted Goossen - translator
- Narrated by: Kirby Heyborne
- Length: 7 hrs and 18 mins
- Unabridged
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Overall
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Performance
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Across seven tales, Haruki Murakami brings his powers of observation to bear on the lives of men who, in their own ways, find themselves alone. Here are lovesick doctors, students, ex-boyfriends, actors, bartenders, and even Kafka’s Gregor Samsa, brought together to tell stories that speak to us all. In Men Without Women, Murakami has crafted another contemporary classic, marked by the same wry humor and pathos that have defined his entire body of work.
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That's how we become Men Without Women
- By Darwin8u on 07-27-17
By: Haruki Murakami, and others
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Blind Willow, Sleeping Woman
- By: Haruki Murakami
- Narrated by: Patrick Lawlor, Ellen Archer
- Length: 12 hrs and 39 mins
- Unabridged
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The 24 stories that make up Blind Willow, Sleeping Woman generously express the incomparable Haruki Murakami’s mastery of the form. Here are animated crows, a criminal monkey, and an ice man, as well as the dreams that shape us and the things for which we might wish. From the surreal to the mundane, these stories exhibit Murakami’s ability to transform the full range of human experience in ways that are instructive, surprising, and entertaining.
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Fantastic, just like how all Murakami books are
- By MM on 05-05-15
By: Haruki Murakami
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Reamde
- By: Neal Stephenson
- Narrated by: Malcolm Hillgartner
- Length: 38 hrs and 29 mins
- Unabridged
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The #1 New York Times bestselling author of Anathem, Neal Stephenson is continually rocking the literary world with his brazen and brilliant fictional creations - whether he’s reimagining the past (The Baroque Cycle), inventing the future (Snow Crash), or both (Cryptonomicon).
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Not perfect, but worth a listen.
- By ShySusan on 10-01-11
By: Neal Stephenson
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IQ84
- By: Mike Dickenson
- Narrated by: Mike Dickenson
- Length: 10 hrs and 15 mins
- Unabridged
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An unknown terrorist has released a biological weapon onto the American public. Anyone with an IQ over 84 is in danger - people's heads are exploding - the country is on lockdown. Everything is about to change forever. Luckily, some people are still alive. Like the president of the United States. And Congress. And millions of idiots determined to figure out why their heads aren't blowing up. Which brings us to David Dingle.
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Politically Correct Satire
- By norman on 04-05-18
By: Mike Dickenson
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1Q84―BOOK1〈4月-6月〉前編
- By: 村上 春樹
- Narrated by: 杏, 柄本 時生
- Length: 10 hrs and 41 mins
- Unabridged
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ひょっとしたら、と彼女は思う、世界は本当に終わりかけているのかもしれない。
By: 村上 春樹
What listeners say about 1Q84
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall
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- Robert
- 04-04-12
Nicely written, perfectly narrated
Great story, wonderfully written, perfectly narrated. This was my first excursion into the world of Haruki Murakami and what a trip it was. Almost 1000 pages / 50 hours it was not short but that was good. The tension of the story builds throughout till nearly the end and it does not get boring anywhere along the way.
I’m a hopeless romantic and sucker for a good love story but had I known this was that, I possibly would have avoided it. I find so few really good stories of that genre. This one, however, was good. The romantic connection between the two protagonists is one from across time and space; we care about these characters and the tension builds and our hope that their reunion will eventually come about.
The story is a bit of a complex, suspenseful, fantasy that is very simply written. In fact, its simplicity was one of its best attributes and what draws the reader/listener in. There were elements of the story that sometimes seemed silly (the little people) but were easily dismissed by all the positives. The author seemed to have an obsession with female breasts and not only as a plot device. There was a fair amount of sex particularly in the beginning and some really, seemingly, strange sex at that. For one who is seldom shocked by anything, I thought, “holy s#!t, batman, where the hell is THIS going?” This was way beyond kink.
Was this a great book? I think for many it was. I don’t read a lot of modern, best-selling, fiction. I don’t usually find reading that particular ilk very rewarding. This, however, was a great read and well worth the temporal investment. All of the characters and plot were fully developed. The narration was impeccable. In fact, it seemed like the book was written in such a way and with a mind that it would be narrated and listened to as well as read.
I do not believe this is a book for everyone. While I would be hard-pressed to classify those for whom I would not recommend it, the sexual aspects are pretty much over the top.
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- Jonelle
- 06-18-12
Oddly Mesmerizing
What did you like about this audiobook?
I wouldn't listen to this again as it is very long. However, 1Q84 is an oddly mesmerizing tale of two people who find themselves in a parallel world where things are slightly askew.
Set in Japan, the book was imaginative and I found that I was fully immersed in the interesting world and Japanese culture that Murakami created.
While the book could have been shorter and left me with a lot of unanswered questions, I find that I'm still thinking about it even a week later.
Narrated by three people, at first I found the female voice a little irritating; but I came to think that she was ideal for the character.
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11 people found this helpful
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- Scott
- 11-13-11
Very Original and keeps you seated
A Great listen, narration is really good especially Almomi (sp)! The story is very good, probably one of the most original books I have listened to in a long while. Worth the credit for sure!
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- Mariel
- 04-17-12
Haruki books are so special, this one is the same.
If you could sum up 1Q84 in three words, what would they be?
Complex, enchanting, and fresh.
Who was your favorite character and why?
I think my favorite character was Tengo, he had wonderful morals which I think is great!
Which character – as performed by the narrators – was your favorite?
I think my favorite was Aomame.
Did you have an extreme reaction to this book? Did it make you laugh or cry?
Yes, I did, it made me cry and laugh and I was worried alot as well.
Any additional comments?
Listen to this audio book, you will not be disappointed.
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- Syd Young
- 04-12-12
1Q+ Q + Q = ????
Would you consider the audio edition of 1Q84 to be better than the print version?
Yes, the audio edition is marvelously read.
Would you recommend 1Q84 to your friends? Why or why not?
No, not to many. Unlike 1984, which is a bad good book, this book is a good bad book. Also unlike 1984, it is a fantasy that is brain candy without much point. There is no question that Murakami is an artist (unlike Orwell, who was so passionate about an idea that his terminology survives despite his lack of style). For example, take this description of the heroine's frown:
"Whenever something caused her to frown or grimace, however, her features underwent dramatic changes. The muscles of her face tightened, pulling in several directions at once and emphasizing the lack of symmetry in the overall structure. Deep wrinkles formed in her skin, her eyes suddenly drew inward, her nose and mouth became violently distorted, her jaw twisted to the side, and her lips curled back, exposing Aomame's large white teeth. Instantly, she became a wholly different person, as if a cord had broken, dropping the mask that normally covered her face. The shocking transformation terrified anyone who saw it, so she was careful never to frown in the presence of a stranger. She would contort her face only when she was alone or when she was threatening a man who displeased her."
Now, that is a frown that tells you loads about the heroine, who means business, even though her name means green bean. And while some people have no patience for that kind of description, the rest of us love it, which is why Murakami is a best selling author in Japan.What fascinates me with this book is the constant Western references -- typical Asian books do not have this, so it is interesting that a Japanese author who was so heavily influenced by the West is such a big seller in Japan. I even think the ending draws largely from a famous children's book. Throughout the book I kept wondering how much of the Western feel was from the translation, verses from the author, so I loved that the audio version includes translator interviews.
Frankly, I liked the book. But the US publisher made two HUGE mistakes. First, I hated the graphic love scenes. Was it because I was listening to the book that it felt like erotica? If I had been reading, I would have just thumbed through to get back to the story, except that it eventually became a part of the story. That aspect almost ruined the book for me -- I almost quit -- so I warn you not to "read" the book if graphic sex scenes bother you in the least. The US publishers should have diluted this, with the author's permission of course, which they may or may not have been able to get. In that case, they should have given some kind of warning us about it -- it's pretty easy to say a book is a "sexy fantasy" in the summary. I am not the least frumpy about this sort of thing and have never complained about it before, just give me an idea it's in there, please.
The second mistake was that this book should have been published in series, instead of all together, just like it was in Japan. The thickness of the book turns off even the most ardent reader and makes it hard to digest the story. I know that would be more costly to the public, but in this case publishing in a series would have probably helped its reception.
So, that leaves the "Little People" verses "Big Brother" [1984]. Murakami really could have done something with that brilliant idea. What an imagination to come up with something that truly does contrast so well with Big Brother! Current days have more to do with Little People than the true year 1984 did -- with the internet I believe we are in a "Little People" age. But even in 1984 there were little people cults that were controlling, so it still could have worked. But he doesn't really develop the idea, so don't expect it, even though the book occasionally evokes 1984, making you expect some kind of dystopian diatribe. In the end, it's just a big little fantasy that has an enticing heroine and hero, who have a problem that needs solving, in a world of two moons that the little people control.
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- Danny Goldstein
- 02-07-12
40+ hours of listening
All in all it's a long story that goes nowhere. But while doing so, it keeps you busy listening. I liked to writing. Everything was described extra, extra well. While listening, you feel that you not only learn how to cook what the characters made for dinner but also, what it tasted like.
If you have to paint the walls and ceiling to a whole house, or a coast-to-coast drive back 'n forth, this would be a great book to listen to on the way.
All in all, I enjoyed the book, thou it left a lot of unanswered questions…. But, having said that, maybe, that is what Japanese literature is like?!?
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- Bill
- 03-08-13
it's a tome
starts slow, gets really interesting and creative, and ends too simplistically. It's a HUGE time investment, but I was determined to finish the thing.
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- JC
- 07-06-12
Genius!
I did not know what to expect from this monster book, as I just dove in without any background! It is an amazing feat of fiction, and the performances by the various artists are amazing!
I love exploring new authors and this is my first experience with Haruki Murakami--could not be more impressed!
The sci-fi overtures are limited, as this book is more about human beings and what drives them. The older I get, the more I can relate to many of these complex human themes.
Do not doubt the value of this purchase for a second! Excellent Book!
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- Dan
- 08-20-12
Not what you might be expecting
If you are looking for a quick paced story, an ingenious magical world or even a good action/adventure that will keep you flipping pages, you need to look elsewhere. This book is a psuedo literary book, meaning that it offers almost none of the traits of modern best sellers with the exception of one item --there is lots of sexual activity with all of the details spelled out.
The book is intentionally slow paced. As you proceed through chapter after chapter of thinly vielled social commentary, the mental/emotional architecture of the two primary characters are revealed. There is little action in the book, but if you like to walk through psycological character development in a literary style (in most chapters), i.e., you have the patiences for it, then you will not be disappointed in the content. Otherwise, you will run out of patience.
The book is a little inconsistent or I would have much higher praise for it. At times, the flow is much like a much lessor work in the style and content of the writing, and the logic falls apart. While its clear the author goes to painful lengths to create realism, at times the twists in the plot seems a bit to convient to be realistic. But then there are times when the writing is exquisite, nearing the style of literary greats that are so often mentioned in the book. I found the language in some passages artfully descriptive and enjoyable, even masterful.
Again, many listeners/readers will loose interest in the book because the pace can be torturously slow. But if you stay focused eventually you will wade through the all of the social commentary and psycological incubation and then you will begin to see something extraordinary beginning to emerge.
As mentioned above, the author has included every twist and turn of the characters sexual activity in great detail. It will seem overdone to many readers. Others may find that it is actually a vital part of understanding the behavior of the characters and the course their actions take as the plot unfolds. Frankly, it all seems a bit uber Freudian regardless of how you measure and access its literary role in the story. One is led to concluded that either the author felt it was necessary to hold the attention of a modern reader (as they pace through an otherwise largely dry intellectual/psycological analysis) i.e., the author thinks we are all obsessed with graphic sex in a 50 shades sort of way, or the author has some interesting interpretaions of his own with respect to how deep psycological issues are manifest in sexual behavior. This aspect of the writing reminds me of Lev Grossman a bit, except that Grossman is much more charming.
Some have referred to the book as belonging to the scify/fantasy genre, but that is very misleading. True, what some refer to as "magical realism" is present in the story, it seem almost hidden under the heavy clouds of psycological development.
Some would say the tale is a complex romance, and while the essencial elements are there, its very understated through out most of the book.
I think the listeners who are comforable with the dryness of complex literary works probably will at least find the story and characters mildly fasinating, and at time the writing well worth the time. At other times, they will be tempted to set it down and wait for it to rippen a bit more like a piece of fruit picked a bit early (if only that worked with books).
Other listeners will through in the towel after a few chapters unless they find the descriptons of the sexual scenes tasty enough to keep them flipping pages. Nah-- most adults will probably not even find the sex that titalating because of the matter of fact descriptions.
Clearly, the author is brilliant and has deeply considered great writing and the human experience, and that comes through in his character development. He does not shy away from exploring some of the darker aspects of the human experience.
A quick note on the performance. While the actors (male and female) are interesting to listen to, they both seem to interpret the charcters and project the voice inflections much different than what seems intuitive to me. They are both a bit flat at times, especially the male voice. I picture Tango as a bit more dimentional and certainly with a broader emotional range than what comes through in the actor's interpretation in many chapters.
Best wishes and peaceful listening.
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- Autumn
- 05-13-12
Imaginative, somehow mixed with literary Realism
I... have struggled for about 5 minutes trying to figure out how to start a review for this book. From a purely imaginative point of view, this is a really nice story. And the narration is pretty good. The translation holds steady, even though two different translators worked on the 3 sub-books that comprise the story.
But... I have no idea what 1984 has to do with any of this. It could have been set in any year at all, provided some contextual details were altered. The tie into 1984's name adds nothing to this story. I don't even really know what the book is about, having finished it. First and foremost, I suppose it's just a love story from the characters' childhoods, told through some distorted reality. I loved the insane pieces of the 1Q84 world, but they lead nowhere. As if to reinforce this point, the last we hear of 1Q84 is the same old events happening all over again, while the characters return home and the story ends.
The author, even withstanding translation, has a superb talent with similes. Some of them get a little fluffy, but most are so accurate at making you feel the correct way about a subject that you really do see something from the character's perspective. It's a building appreciation that makes the characters worthy of your sympathy.
However, a lot of effort seems to have gone into making the story just go on and on for the sake of having just one more "close one". I think I was pretty tolerant and willing to go along with it, but there were some points near the end where I was unsure what the author was trying to accomplish anymore. Again, I'm really open minded and willing, but I just don't know what the point was before it was clear the author just decided to wrap things up.
In the end, this story doesn't make me want to look into the author's other works. I'm just as neutral about them before as I am now. It was an interesting experience. I guess I just wanted some more substance to the larger story. The storyline was practical enough, just not backed by any undeniably clear purpose. In that way, this story has more roots in Realism as a genre, providing that the story actually takes place in a fantasy-enhanced setting. There is romance and danger, but the larger story is traditional and unwavering in its goal to shadow the characters and have you witness their extreme caution, before it finally just unites them and sends them off into a sunrise.
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