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2666
- Narrated by: John Lee, Armando Durán, G. Valmont Thomas, Scott Brick, Grover Gardner
- Length: 39 hrs and 15 mins
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Publisher's summary
National Book Critics Circle, Fiction, 2009
Composed in the last years of Roberto Bolaño’s life, 2666 was greeted across Europe and Latin America as his highest achievement, surpassing even his previous work in its strangeness, beauty, and scope. Its throng of unforgettable characters includes academics and convicts, an American sportswriter, an elusive German novelist, and a teenage student and her widowed, mentally unstable father. Their lives intersect in the urban sprawl of Santa Teresa—a fictional Juárez—on the U.S.-Mexico border, where hundreds of young factory workers, in the novel as in life, have disappeared.
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This winner of the 2008 National Book Critics' Circle Award for Fiction is the master work from "one of the greatest and most influential modern writers" (New York Times Book Review)
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Unemployed at 29, Tess Monaghan is willing to take any freelance job to pay the rent—including a bit of unorthodox snooping for her rowing buddy, Darryl "Rock" Paxton. In a city where someone is murdered almost every day, attorney Michael Abramowitz's death should be just another statistic. But the slain lawyer's notoriety—and his noontime trysts with Rock's fiancée—make the case front page news...and point to Rock as the likely murderer. But trying to prove her friend's innocence could prove costly to Tess.
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I'm on #8 - This series is almost unique
- By connie on 02-19-12
By: Laura Lippman
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Love and Other Ways of Dying
- Essays
- By: Michael Paterniti
- Narrated by: Richard Poe
- Length: 14 hrs and 20 mins
- Unabridged
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In the 17 wide-ranging essays collected for the first time in Love and Other Ways of Dying, he brings his full literary powers to bear, pondering happiness and grief, memory and the redemptive power of human connection. In the remote Ukranian countryside, Paterniti picks apples (and faces mortality) with a real-life giant; in Nanjing, China, he confronts a distraught jumper on a suicide bridge.
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Incredibly intimate voice for humanity
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The Company You Keep
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- Narrated by: Donald Corren, Hillary Huber, Kirby Heyborne, and others
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Set against the rise and fall of the radical antiwar group the Weather Underground, The Company You Keep is a sweeping American saga about sacrifice, the ecstatic righteousness of youth, and the tension between political ideals and family loyalties. When Jason Sinai, one of the last Vietnam-era fugitives still wanted on murder charges for a robbery gone wrong in 1974, encounters a young newspaper reporter in search of a story, he must abandon years of safe underground life for the dangerous life of the road.
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Audiobook of the Year
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The Possessed
- Adventures with Russian Books and the People Who Read Them
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In The Possessed we watch Elif Batuman investigate a possible murder at Tolstoy's ancestral estate. We go with her to Stanford, Switzerland, and St. Petersburg; retrace Pushkin's wanderings in the Caucasus; learn why Old Uzbek has 100 different words for crying; and see an 18th-century ice palace reconstructed on the Neva. Love and the novel, the individual in history, the existential plight of the graduate student: all find their places in The Possessed.
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Dear Russian Literary Diary...
- By Darwin8u on 08-29-17
By: Elif Batuman
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How to Find Your Way in the Dark
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- Narrated by: Michael Crouch
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Twelve-year old Sheldon Horowitz is still recovering from the tragic loss of his mother only a year ago when a suspicious traffic accident steals the life of his father near their home in rural Massachusetts. It is 1938, and Sheldon, who was in the truck, emerges from the crash an orphan hell-bent on revenge. He takes that fire with him to Hartford, where he embarks on a new life under the roof of his buttoned-up Uncle Nate.
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Absolutely wonderful story.
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By: Derek B. Miller
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The Red-Haired Woman
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On the outskirts of a town 30 miles from Istanbul, a master well digger and his young apprentice are hired to find water on a barren plain. As they struggle in the summer heat, excavating without luck meter by meter, the two will develop a filial bond neither has known before - not the poor middle-aged bachelor nor the middle-class boy whose father disappeared after being arrested for politically subversive activities. The pair will come to depend on each other and exchange stories reflecting disparate views of the world.
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Drags On
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The Patriots
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Florence Fein grows up in Brooklyn in the 1930s, in a family that is gaining a foothold in the middle class. At City College she becomes engaged politically with the left-leaning student groups, and eventually, in the midst of the Depression, she takes a job with a trade organization that has a position for her in Moscow. There, she falls in love with another expatriate American and has a son. Soon after, Florence is sent to a work camp and her son to an orphanage.
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Point of View of characters, past and present collide
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The Kindly Ones
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The chilling fictional memoir of Dr. Maximilien Aue, a former Nazi officer who has reinvented himself, many years after the war, as a middle-class family man and factory owner in France. Max is an intellectual steeped in philosophy, literature, and classical music. He is also a cold-blooded assassin and the consummate bureaucrat. Through the eyes of this cultivated yet monstrous man, we experience in disturbingly precise detail the horrors of the Second World War and the Nazi genocide of the Jews.
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Office politics in hell
- By Maine Colonial 🌲 on 04-02-13
By: Jonathan Littell
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Dead Before Dying
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Three men who have nothing in common are found murdered in Cape Town, and the string of vicious killings pushes the city toward panic. Captain Mat Joubert is left scrambling for answers in a case that might be his last chance to prove that his life's slow spiral will not pull him under.
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South African mystery, very good.
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By: Deon Meyer
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Stories
- All-New Tales
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- Narrated by: Anne Bobby, Jonathan Davis, Katherine Kellgren, and others
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The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal.
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Something for Everyone
- By Nicole on 05-24-17
By: Neil Gaiman - author/editor, and others
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What listeners say about 2666
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Carlos Leal
- 07-29-14
Great book, I will listen to it again.
Would you consider the audio edition of 2666 to be better than the print version?
I could not stop listening to this story, it is full of madness and at the end everything clicks. I really enjoyed it.
Any additional comments?
I also purchased the printed version in spanish and read it along. (The book was written in spanish)
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1 person found this helpful
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- Amanda Mercier
- 03-09-24
A really really violent epic
Reading this book was challenging, I had to take a break half way through for over a year. Then I faced it again and finished it. I almost can’t say anything about it otherwise I would spoil it but in the grand scheme of things I guess I sort of liked it
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1 person found this helpful
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Overall
- Nancy Bauer
- 11-06-09
Brilliant
Bola?o's ambition in this book is matched only by the breadth and depth of his achievement: he makes us think as seriously as a human being can about how much, and which, details of our experience matter to us, and ought to matter. (The figure of the detective appears in many guises throughout the book, as does the question of what's worth looking for, and how.) If what *you* look for in a novel is a relentlessly forward-moving plot, then you are likely to find 2666 frustrating and boring. But if you are willing to follow Bola?o blindly (and the question of what it is to have and use eyes is also a motif throughout the narrative), you may find your sense of the world, in both its vertiginous vastness and its banality, transformed.
Each narrator handles one of the five "parts" of the book, and each has a singular reading style. All but the one who does Part III -- a man who seems not to have figured out how to convey the tone of Bola?o's writing -- are wonderful.
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44 people found this helpful
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- Lunada Bay Lady
- 03-03-13
Multiple narrators
Any additional comments?
I didn't notice that Scott Brick was among the five narrators who read this book. After 15 hours of pleasant listening, I was aghast to hear his flat, whiny, preachy, same-same-same voice assault my ears. I will try to get through it because I desperately want to finish the book and cannot read it off the page, but be forewarned if you, like me, avoid anything read by this narrator.
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5 people found this helpful
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- Justin Kern
- 05-25-19
very long, but good, everything ties together
A masterful vast work broken into 5 parts. the 4th part made me physically ill. the last part moved me to tears, for some reason.
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2 people found this helpful
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- Amazon Customer
- 05-15-19
Wow
Incredible storytelling. Payoff is worth the difficulty that comes and stays and then eventually fades.
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- BowedBookshelf
- 10-13-13
This book reminds me of painting modern art..
I hardly know where to begin reviewing this massive opus. But I know I am not alone because most of the people who have read the thing just rate it with stars to indicate how well they liked it and leave it at that. I don’t even think the star rating system works well when considering this novel. 2666 might almost be thought of as fictional nonfiction in that it reads like remembered thought, something like a memoir, though it is broken into “books” and many people are central rather than a single narrator. It crosses several continents, and takes in pieces of people’s lives that we later discover intersect. Or, more precisely perhaps, their paths cross paths, like meteors leaving trace. This is ‘Life’ writ large: the work is so bulky one can barely see from one end of it to another, one loses one’s way. One makes connections but too late or too slowly sometimes and even then what does it matter? What control did we really have? Could we have made a difference, a difference to us or to everyone else? Ach!
The work is comprised of five Books which Ignacio Echevarría, Bolaño’s literary executor, tells us were meant to be published separately. Echevarría decided, however, that the parts were better off coming together because of their linked quality, which is not apparent until Book Five. Bolaño was first a poet but he thought he’d make more money in novels (publishers and writers will no doubt laugh at this, though this author was probably right in his own case) and there were many times during this opus that I thought he’d have done better to stick to poetry. I was not being facetious. He throws in the kitchen sink, gathering like a vacuum factoids and sidelines from people’s lives that don’t really seem to fit or be at all relevant.
However, in the end, if you can get to the end (and again, I am not being facetious—this takes stamina and stomach) there is something here which is difficult to articulate. It is sorrow, it is appetite, it is fullness, it is all, including the bad bits. At the end we can say we’ve seen it all, experienced it all. If you cling to life in old age or sickness with the idea that somehow tomorrow will be better, put that aside for Life is not especially kind. It has good bits but there is plenty of bad, too, and you can’t have one without the other.
Book One begins with academics following the work of an obscure German writer. They admire his style and tout it successfully enough that the man is mentioned in the same breath as The Nobel Prize. They are curious about his life and where he lives and how he writes. The second book, “The Part about Amalfitano” is about a Chilean transplant to Mexico and appears to be Bolaño’s musings about life, death, love, art, sexuality, and reality. He ranges from “this shithole has no future” to “ Poetry is the only thing that isn’t contaminated…only poetry…isn’t shit.” This section may well contain explanations to the rest of the novel—why Bolaño wrote it, how he felt when he began, and what he intended.
Book Three, The Book about Fate, is a linking book, connecting forgotten and overlooked people whose lives, like threads, nevertheless intersect and overlap others in the ball of string that is life, and move us unfathomably in a direction that appears to be no direction at all. We, each of us, could write a section like this about our lives when we stepped off into the unknowingness of the wider world and played an infinitesimal part in events that occur in the future without our knowledge or consent. This book links directly to Book Four, though we don’t understand the link until Book Five.
Book Four, The Part about the Crimes, is one of the most horrific litanies of rape, murder and torture that I have ever heard, for I listened on audio and the narrator’s deadpan voice did not inflect no matter the nature of the material he recited. A spate (how trivial a word to describe a tidal wave of such proportions) of murders of women was taking place across a section of Mexico. By the end I had concluded that one man couldn’t possibly have done this if he worked full-time at killing, so it was a crime that spawned crime, and crime done with similar hatred and method. I looked in the paper copy of the book to see if the deaths were listed, like they sounded on audio (1,2,3…). But no, Bolaño writes in paragraphs: one’s eyes skim the size and shape of the words on the page and the horror is not revealed until it is spoken or read aloud in an endless, truly agonizing Reading of the Names.
In Book Five, we learn of one killer at least. And we see that elusive author from Book One, Archimboldi, again. It finishes with Bolaño writing to his publishers, friends and readers” “And that’s it, friends. I’ve done it all, I’ve lived it all. If I had the strength, I’d cry. I bid you goodbye.” Bolaño died a matter of months after he finished the book. One senses he knew what he was leaving behind, both in terms of life and in terms of legacy. It is a very difficult work, and one doesn’t need it to live. One cannot help but be awed, though, by the workings of one man’s mind, and enriched by his big, binocular vision of this world and its inhabitants.
The Farrar, Strauss & Giroux hardcover edition has a few really nice touches, besides being beautifully printed. The flyleaf has black and white etchings of sea flora, possibly from Animals and Plants of the European Coastal Region. The cover copy has a single sentence of introduction quoted here in full:Three academics on the trail of a reclusive German author; a New York reporter on his first Mexican assignment, a widowed philosopher; a police detective in love with an elusive older woman--these are among the searchers drawn to the border city of Santa Teresa, where over the course of a decade hundreds of women have disappeared."And a single sentence review from a NY Review of Books critic in the place where the author photo usually is: "An often shockingly raunchy and violent tour de force (though the phrase seems hardly adequate to describe the novel's narrative velocity, polyphonic range, inventiveness, and bravery) based in part on the still unsolved murders of hundreds of women in Ciudad Juarez, in the Sonora Desert of Mexico." This is not praise, but has the exhaustive bluntness of belief. The literary world will be divided between those who read and those who did not read this book. This book was recommended to me by Paul Murray, author of Skippy Dies, from an interview he gave to Jill Owens of Powell's on his book tour.
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- Burke F. Hill
- 06-04-22
Huge Sprawling Great
This is an epic story with a loose strucure. There isn't a narrative that starts at the start and leads to a 'conclusion'. Nor is non-chronological passages its only complicating element. At its worst it's chaotic.
The writing is stark and simple and very often beautiful. There is a bit of a 'the whole is greater than the sum of the parts' feeling when you finish, or, at least, there was for me.
Ultimately, I loved the novel. It's a bumpy ride, but the journey is wonderful.
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- David Corrigan
- 03-23-24
Sprawling Beautiful Grotesque
A great, vast novel. I found part about the killings is especially relentless, but at no point did I want to stop listening. I loved The Savage Detectives, too.
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- William
- 01-05-10
The Best Book I Read or Listened to in 2009
This is the best book I read or listened to in 2009. The readers are very good, John Lee especially. Please don't be discouraged by the several negative reviews below. Most of these people gave up pretty early on, and the book is actually divided into five parts, each a short novel of its own.
To be fair to all those people who wrote negative reviews below (or by the time you read this, above) this one: Reading is like running, and there are all kinds of readers--sprinters, joggers, middle- and long-distance types...this book is definitely not a sprint, and it's not a casual jog, either, and you should be told that before you start. But I hope you go this distance anyway.
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