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Brave New World
- Narrated by: Michael York
- Length: 8 hrs
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Publisher's summary
Originally published in 1932, this outstanding work of literature is more crucial and relevant today than ever before.
“One of the most prophetic dystopian works of the 20th century”—Wall Street Journal
Cloning, feel-good drugs, antiaging programs, and total social control through politics, programming, and media—has Aldous Huxley accurately predicted our future? With a storyteller’s genius, he weaves these ethical controversies in a compelling narrative that dawns in the year 632 AF (After Ford, the deity). When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity.
A powerful work of speculative fiction that has enthralled and terrified readers for generations, Brave New World is both a warning to be heeded and thought-provoking yet satisfying entertainment.
Critic reviews
"British actor Michael York's refined and dramatic reading captures both the tone and the spirit of Huxley's masterpiece." (AudioFile)
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Novels, memoirs, short stories, essay compilations, and more continue to shape who we are and how we view the world, no matter what format—physical book, ebook, or audiobook—we use to absorb and enjoy them. Books are pathways into different worlds and different lives, and one can never be truly bored with a good book. Celebrate your literary love with these quotes about books that will inspire you to dive into your next story.
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Siddhartha, the ninth book written by Hermann Hesse, is about a young Indian boy who leaves his home in hopes of finding enlightenment with the wise "Goutama", which in this story is the Buddha. After learning what he can from Goutama, he decides to go off into the busy city and leads a life of greed and lust. When he realizes that the lifestyle is not fulfilling, and he reflects on his life, he goes to a river and contemplates suicide. However, it is here that Siddhartha meets a man who will change his life and help lead him to enlightenment.
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A stunningly beautiful youth and the city of Venice set the stage for Thomas Mann’s introspective examination of erotic love and philosophical wisdom.
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Story
Published in 1922, Fitzgerald's second novel chronicles the relationship of Anthony Patch, Harvard-educated, aspiring aesthete, and his beautiful wife, Gloria, as they await to inherit his grandfather's fortune. A devastating satire of the nouveaux rich and New York's nightlife, of reckless ambition and squandered talent, it is also a shattering portrait of a marriage fueled by alcohol and wasted by wealth. The Beautiful and Damned, Fitzgerald wrote to Zelda in 1930, "was all true."
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i loved it
- By Emily on 01-20-05
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The Voyage Out
- By: Virginia Woolf
- Narrated by: Juliet Stevenson
- Length: 15 hrs and 50 mins
- Unabridged
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The Voyage Out is Virginia Woolf's haunting tale about a naïve young woman's sea voyage from London to a small resort on the South American coast. In symbolic, lyrical, and intoxicating prose, her outward journey begins to mirror her internal voyage into adulthood as she searches for her personal identity, grapples with love, and learns how to face life intellectually and emotionally. Its wit and exquisiteness, and its profound depth and insight into humanity, will capture the imagination of the listener.
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Lovely
- By Edith on 05-24-19
By: Virginia Woolf
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Nausea (New Directions Paperbook)
- By: Jean-Paul Sartre
- Narrated by: Edoardo Ballerini
- Length: 8 hrs and 12 mins
- Unabridged
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Sartre's greatest novel and existentialism's key text, now introduced by James Wood, and read by the inimitable Edoardo Ballerini. Nausea is the story of Antoine Roquentin, a French writer who is horrified at his own existence. In impressionistic, diary form, he ruthlessly catalogs his every feeling and sensation.
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Glad to have existed to enjoy reading this book!
- By mohammed on 08-11-21
By: Jean-Paul Sartre
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Villette
- By: Charlotte Brontë
- Narrated by: Davina Porter
- Length: 22 hrs and 39 mins
- Unabridged
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Hailed as Charlotte Brontë’s “finest novel” by Virginia Woolf, Villette is the timeless semi-autobiographical tale of Lucy Snowe. Left with no family and no money, Lucy goes against her own timid nature and travels to the small city of Villette, France, where she becomes a school teacher in Madame Beck’s school for girls. During her stay, she falls in love—twice—and discovers an independent, inner strength rarely seen in women of her time.
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The Divine Ms. Porter delivers as always
- By peachnmario on 03-17-15
By: Charlotte Brontë
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The Willows
- By: Algernon Blackwood
- Narrated by: Nick Sampson
- Length: 2 hrs and 4 mins
- Unabridged
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Perhaps Blackwood's most celebrated story, The Willows was influenced heavily by his own trips down the Danube River. It tells the story of two campers who pick the wrong place to sleep for the night, a place where another dimension impinges on our own. H.P. Lovecraft considered this the finest supernatural tale in English literature.
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Slowly building dread.
- By Barks Books on 12-19-16
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The Jack London Collection
- The Call of the Wild, White Fang, To Build a Fire
- By: Jack London
- Narrated by: Arthur Rowan
- Length: 12 hrs and 2 mins
- Unabridged
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This Jack London Collection includes three of Jack London's most notable works: The Call of the Wild, White Fang, and To Build a Fire.
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Classics
- By Judy on 01-27-22
By: Jack London
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Island
- By: Aldous Huxley
- Narrated by: Simon Vance
- Length: 11 hrs and 27 mins
- Unabridged
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Story
In his final novel - which he considered his most important - Aldous Huxley transports us to the remote Pacific island of Pala, where an ideal society has flourished for 120 years. Inevitably, this island of bliss attracts the envy and enmity of the surrounding world. A conspiracy is underway to take over Pala, and events are set in motion when an agent of the conspirators, a newspaperman named Faranby, is shipwrecked there. What Faranby doesn't expect is how his time with the people of Pala will revolutionize all his values and - to his amazement - give him hope.
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A great narration for a great book.
- By AndrewL on 09-21-16
By: Aldous Huxley
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The Crime at Black Dudley
- An Albert Campion Mystery
- By: Margery Allingham
- Narrated by: David Thorpe
- Length: 7 hrs and 33 mins
- Unabridged
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When George Abbershaw is invited to Black Dudley Manor for the weekend, he has only one thing on his mind - proposing to Meggie Oliphant. Unfortunately for George, things don't quite go according to plan. A harmless game turns decidedly deadly and suspicions of murder take precedence over matrimony. Trapped in a remote country house with a murderer, George can see no way out. But Albert Campion can.
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I LIKE this narrator quite a lot!!!!
- By Meep on 11-16-13
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Heart of Darkness: A Signature Performance by Kenneth Branagh
- By: Joseph Conrad
- Narrated by: Kenneth Branagh
- Length: 3 hrs and 49 mins
- Unabridged
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A Signature Performance: Kenneth Branagh plays this like a campfire ghost story, told by a haunted, slightly insane Marlow.
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Disgusting Revision
- By Long_Schlong_Silver on 09-27-18
By: Joseph Conrad
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The Third Policeman
- By: Flann O'Brien
- Narrated by: Jim Norton
- Length: 6 hrs and 43 mins
- Unabridged
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Flann O'Brien's most popular and surrealistic novel concerns an imaginary, hellish village police force and a local murder.
Weird, satirical, and very funny, its popularity has suddenly increased with the mention of the novel in the TV series Lost.
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Hell is other people's bicycles.
- By Darwin8u on 03-01-15
By: Flann O'Brien
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1984
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The Doors of Perception
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The critically acclaimed novelist and social critic Aldous Huxley, describes his personal experimentation with the drug mescaline and explores the nature of visionary experience. The title of this classic comes from William Blake's The Marriage of Heaven and Hell: "If the doors of perception were cleansed every thing would appear to man as it is, infinite. For man has closed himself up, till he sees all things through narrow chinks of his cavern."
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loved it
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A great narration for a great book.
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It's 2116, and Bernard Marx and Helmholtz Watson are token rebels in an irretrievably corrupted society where promiscuity is the norm, eugenics a respectable science, and morality turned upside down. There is no poverty, crime or sickness - but no creativity, art or culture either. Human beings are merely docile citizens: divided into castes, brainwashed and controlled by the state and dependent on the drug soma for superficial gratification.
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The critically acclaimed novelist and social critic Aldous Huxley, describes his personal experimentation with the drug mescaline and explores the nature of visionary experience. The title of this classic comes from William Blake's The Marriage of Heaven and Hell: "If the doors of perception were cleansed every thing would appear to man as it is, infinite. For man has closed himself up, till he sees all things through narrow chinks of his cavern."
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loved it
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In this anthology of 26 essays and other writings, Huxley discusses the nature of God, enlightenment, being, good and evil, religion, eternity, and the divine. Huxley consistently examined the spiritual basis of both the individual and human society, always seeking to reach an authentic and clearly defined experience of the divine.
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Brilliant!!!
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The Perennial Philosophy
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With great wit and stunning intellect - drawing on a diverse array of faiths, including Zen Buddhism, Hinduism, Taoism, Christian mysticism, and Islam - Huxley examines the spiritual beliefs of various religious traditions and explains how they are united by a common human yearning to experience the divine. The Perennial Philosophy includes selections from Meister Eckhart, Rumi, and Lao Tzu, as well as the Bhagavad Gita, Tibetan Book of the Dead, Diamond Sutra, and Upanishads, among many others.
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Segments in French
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The Genius and the Goddess
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Thirty years ago, ecstasy and torment took hold of John Rivers, shocking him out of "half-baked imbecility into something more nearly resembling the human form." He had an affair with the wife of his mentor, Henry Maartens - a pathbreaking physicist, winner of the Nobel Prize, and a figure of blinding brilliance - bringing the couple to ruin. Now, on Christmas Eve while a small grandson sleeps upstairs, John Rivers is moved to set the record straight about the great man and the radiant, elemental creature he married, who viewed the renowned genius through undazzled eyes.
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Insufferable
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The Road
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America is a barren landscape of smoldering ashes, devoid of life except for those people still struggling to scratch out some type of existence. Amidst this destruction, a father and his young son walk, always toward the coast, but with no real understanding that circumstances will improve once they arrive. Still, they persevere, and their relationship comes to represent goodness in a world of utter devastation.
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ARE YOU CARRYING THE FIRE?
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Fahrenheit 451
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Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."
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Wish I Hadn't Cliff Noted This in High School
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Set in Italy during World War II, this is the story of the incomparable, malingering bombardier Yossarian, a hero who is furious because thousands of people he has never met are trying to kill him. But his real problem is not the enemy - it is his own army, which keeps increasing the number of missions the men must fly to complete their service. Yet if Yossarian makes any attempt to excuse himself from the perilous missions he's assigned, he'll be in violation of Catch-22.
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Stop randomly adding music
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When Orwell went to England in the 30's to find out how industrial workers lived, he not only observed but shared in their experiences. He stayed in cramped, dreary lodgings and subsisted on the scant, cheerless diet of the poor. He went down into the coal mines and walked crouching, as the miners did, through a one- to three-mile passage too low to stand up in. He watched the back-breaking, dangerous labor of men whose net pay then averaged $575 a year.
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Frederick Davidson's a Great Reader
- By Debali on 01-11-09
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1984 (Czech edition)
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"1984", dnes již klasické dílo antiutopického žánru, je bezesporu jedním z nejpozoruhodnějších románů 20. století a brilantní analýzou totalitních systémů. Britská společnost žije v roce 1984 pod nadvládou všemocné Strany. Hlavní hrdina Winston Smith, zaměstnanec Ministerstva pravdy, roboticky přežívá pod stálým dohledem Velkého bratra. Nepřetržité války a nedostatek základních potravin ještě přispívají k všeobecné duševní prázdnotě a mizérii. Winston Smith se zmůže na jedinou formu odporu: vede si tajný deník.
By: George Orwell
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Crome Yellow
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The renowned author of Brave New World, Aldous Huxley, made his literary debut with the 1921 classic Crome Yellow. Set in post-WWI England, this perennial favorite satirizes the fads and fashions of the time with the tale of a hapless couple who join a colorful mix of British aristocrats attending a party at a rural country estate.
By: Aldous Huxley
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Crome Yellow
- By: Aldous Huxley
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- Unabridged
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One of the greatest prose writers and social commentators of the 20th century, Aldous Huxley here introduces us to a delightfully cynical, comic, and severe group of artists and intellectuals engaged in the most free-thinking and modern kind of talk imaginable. Poetry, occultism, ancestral history, and Italian primitive painting are just a few of the subjects competing for discussion among the amiable cast of eccentrics drawn together at Crome, an intensely English country manor.
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Bloomsbury in a blender, 1922
- By Adeliese Baumann on 01-02-17
By: Aldous Huxley
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Journey to the Center of the Earth: A Signature Performance by Tim Curry
- By: Jules Verne
- Narrated by: Tim Curry
- Length: 8 hrs and 20 mins
- Unabridged
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A Signature Performance: Tim Curry, the source of our inspiration, returns – this time, he captures the quirky enthusiasm of this goofily visionary adventure.
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Feels like Jules Verne
- By Ramon on 03-10-11
By: Jules Verne
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Frankenstein
- By: Mary Shelley
- Narrated by: Dan Stevens
- Length: 8 hrs and 35 mins
- Unabridged
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Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.
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ARE WE ALWAYS TO BE UNHAPPY?
- By Jim "The Impatient" on 01-28-16
By: Mary Shelley
What listeners say about Brave New World
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- SD
- 08-21-19
Michael York should stick to the stage and leave narration to the pros.
Do you like having one of your favourite books of all time ruined by a pompous Brit who thinks he’s performing Shakespeare? Do you love having to constantly turn up the volume so you can hear unnecessarily exaggerated whispering, only to have your eardrums blown when the narrator unexpectedly
switches to shouting at the top of his lungs like a lunatic? Well then, this beautiful story being ruined by the over the top performance of Michael “Head So Far Up His My Ass” York is for you.
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353 people found this helpful
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- Jefferson
- 10-03-11
“Oh, Ford, Ford Ford, I Wish I Had My Soma!”
Brave New World is a bitterly funny and humorously tragic dystopian novel in which Aldous Huxley satirizes modern civilization’s obsession with consumerism, sensual pleasure, popular culture entertainment, mass production, and eugenics. His far future world limits individual freedom in exchange for communal happiness via mass culture arts like “feelies” (movies with sensual immersion), the state-produced feel-good drug soma, sex-hormone gum, popular sports like “obstacle golf,” and the assembly line chemical manipulation of ova and fetuses so as to decant from their bottles babies perfectly suited for their destined castes and jobs, babies who are then mentally conditioned to become satisfied workers and consumers who believe that everyone belongs to everyone. In a way it’s more horrible than the more obviously brutal and violent repression of individuals by totalitarian systems in dystopias like George Orwell’s 1984, because Huxley’s novel implies that people are happy being mindless cogs in the wheels of economic production as long as they get their entertainments and new goods.
Michael York does a great job reading the novel, his voice oozing satire for the long opening tour of the Hatchery and Conditioning Centre, and then modifying in timbre and dialect for the various characters, among them the self-centered brooder Bernard Marx, the budding intellectual poet Helmholtz Howard, the sexy, sensitive, and increasingly confused Lenina Crowne, the spookily understanding Resident World Controller of Western Europe Mustapha Mond, and especially the good-natured, sad, and conflicted Shakespearean quoting “savage” John.
I had never read this classic of dystopian science fiction, so I’m glad to have listened to this excellent audiobook, because it is entertaining and devastating in its depiction of human nature and modern civilization, especially timely in our own brave new Facebook world.
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344 people found this helpful
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- Em
- 04-16-12
Nightmare-Inducing (in a Good Way)
When I first read Brave New World it gave me nightmares. I was hooked. It might be strange to say that a book that gave me bad dreams is a good thing, but I was intrigued that a story could worm its way so powerfully into my psyche. It was really my first encounter with dystopian speculative fiction and I ultimately credit Huxley with sending me on my recent nosedive into YA lit. He probably wouldn’t appreciate this association, or the one I’m about to make, which is that I think this book is one of the most powerful and accessible works of dystopia ever created, and can be seen as a forebear to much of today’s hottest literature.
Sometimes when I’m not sure what I want to listen to next I’ll return to a book that I loved fervently in print and check it out in audio, and that’s what I did with Brave New World. I’m so glad that I did. Michael York is an excellent narrator and he captures the different characters admirably. But what I found most impressive is how he handles dialogue. Brave New World is more than dystopian sci-fi; it’s a novel of ideas and discussion. There’s a lengthy rapid-fire debate that takes place between John the Savage and Mustapha Mond near the end of the book that is generously peppered with obscure Shakespearian references. When reading you can gloss over anything you do not get immediately because you understand the merit of their discussion: is it better to be happy and controlled, or is the freedom to be unhappy the greatest of human liberties? But I found while listening that Michael York carried me along through their debate and the individual Shakespearian references sang clearly. Just as seeing a play acted out on stage is easier than reading it, I really feel that listening to this book was a heightened experience, and an improvement on the print version. Now when I recommend Brave New World to people I suggest they listen to it first.
And I’m going to recommend it again now: There’s a reason this is a classic, and read by most freshman English students. If somehow you’ve missed it, now is the time to pick this one up.
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- Amazon Customer
- 10-21-19
Great Story, Distracting Narration
The narrator's large shifts in volume and multiple British accents detracted from the overall experience.
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110 people found this helpful
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- Sean
- 04-19-09
Stick with it!
After only a few chapters into Brave New World, you will be so shocked and appalled that you may feel inclined to emphatically put it down and disconnect yourself from it for the fear that someone else will overhear the spill of your headphones. I challenge you to keep reading; although it never explains itself in a way that eases our consciences, it categorically forces you to reconsider every quantum of morality and ethics you possess. Once done, you will certainly not agree with the hypothetical future set forth by Aldous Huxley, but you will understand why not, and thus have a far more solid foundation for why you believe what you believe.
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- W Perry Hall
- 03-06-17
Hedonist Nihilism and the Centrifugal Bumblepuppy
"O brave new world, that has such people in it!"
Shakespeare's The Tempest
I was enraptured while reading this remarkable futuristic fable of a society somberly envisioned as one of hedonist nihilism in which humans are all hatched from incubators, graded, sorted, brainwashed and drugged to accept their position in the social order.
In doing a bit of research about the novel after reading it, I found this candescent passage from the late Neil Postman, a social critic and distinguished professor, comparing 1984 with Brave New World:
What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egotism. ... Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy.
N. Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business.
I found this novel quite frightening in the longer view (compared to 1984) considering, as Christopher Hitchens so rightly pointed out, that 1984's "house of horrors" showed its weakness with the downfall of the Soviet Union, whereas Huxley's type of Brave New World "still beckons toward a painless, amusement-sodden, and stress-free consensus," a "true blissed-out and vacant servitude" for which "you need an otherwise sophisticated society where no serious history is taught." C. Hitchens, "Goodbye to All That: Why Americans Are Not Taught History." Harper's Magazine, Nov. 1998.*
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- Kayley
- 12-11-08
still frightening all these years later
i found "brave new world" to be...interesting, interesting in a "make your skin crawl at the reality of how close to home this story hits" kind of way. a disturbing tale, written many years ago, it's tempting to dismiss the possibilites for a future like this as unthinkable, impossible, improbable...an alarmist's view of the future from so far in the past as to be almost laughable. in truth, laughing will be the last thing on the listener's mind. "brave new world" is presented in such a way as to make the listener think long and hard about our own current events and where they could potentially go in the not so distant future. a bit of a stuffy read at times, it may be a bit hard for many to understand due to both the english accent and the multisyllabic words used nearly constantly. find yourself a dictionary and settle in, just don't be surprised at the disturbing bent your dreams may take. use it as an entertaining listen, but be certain to take away the startling glimpses of what could so easily be our own "brave new world" in the not so distant future.
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- Jorge Rodriguez
- 11-01-19
the narrator sucked
it was a hard listen just because the narrator wasn't my favorite person to listen to. the shot was annoying, but maybe that's what they were shooting for.
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- Jim "The Impatient"
- 01-01-16
HE WAS COVERED WITH CONFUSION
WOMEN'S HEAVYWEIGHT WRESTLING
Everyone has heard of this book, while few have read it. All of my reviews are based on entertainment value here and now. This was my second reading of the unabridged version and it is a must for anyone who claims to be a science fiction fan. Written in 1958, the predictions of a possible future are amazing. The main problem in reading it, is that is more of a thesis than a story. I strongly suggest that instead of reading this, spend 95 cents and get the one hour dramatized version. Not long ago I listen to the dramatized version and was very pleased. The shorter version hits all the high points and really gets you thinking. If you go ahead and get this version, it is more enjoyed in shorter bites.
Breast implants
The world Huxley dreams up, has partly come true and other parts might come true. The book is extremely thought provoking. One thinks of Hitler's desire to build a master race. In 1958 monogamy was the norm and women lost their virginity on their wedding night. In 1958 who would have dreamed of the amount of women who would get breast implants, essentially leading to such a large commonality in looks, plus lip plumpness, etc...
In the seventies I liked Michael York as an actor and I believe he makes a great narrator.
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- John
- 10-24-13
Hats Off to Aldous Huxley, Michael York & Audible
Huxley for writing the book, York for reading it and Audible for making books like this available in their Daily Deals. I would never have bought it had it not been on sale—and I would have missed an amazing work of literature as well as a fine audio performance.
Like many people, Brave New World was always one of those books I meant to read. Whenever a new tech marvel hit the scene or a new question of medical ethics made headlines, a news writer somewhere was sure to make an allusion to the title of Aldous Huxley’s masterpiece. But that’s as far as my understanding of the book went: a nebulous sense that it presented a less-than-savory picture of some indefinite, but very possible, future.
But as Mustapha Mond, the World Controller for Western Europe might say, that’s just the tip of the iceberg.
In the interest of full disclosure, you need to know I was born and bred in Detroit. Hence, a good deal of my enjoyment of the book stems from the author’s complete agreement with my own estimate of Henry Ford. Yes, he made America mobile. Yes, that mobility was affordable. But delve into some of the man’s writings, sayings and methods and you understand what Huxley is driving at.
One day Ford was walking through his factory when he noticed a pile of short wooden boards. Upon inquiring about them, he learned they were broken up packing cases that had contained auto parts; they were about to be thrown away. In a flash of ingenuity, he ordered the wood to be used as floorboards for his Model T’s.
It’s a story that appeals to all our recycling instincts (that’s the way we’ve been conditioned, right?) But dig a little deeper. Behind Ford’s idea there lurks a sort of maniacal drive for complete and utter efficiency.
It goes hand in hand with Ford housing his workers in barracks. Yes, they were clean, bright places to live. But they were also places where the workers could be supervised. Drinking was frowned upon for obvious reasons. Dancing was encouraged because Ford had some odd theory about its moral benefits. Random inspections were a normal feature of life.
Then there’s the famous $5 a day wage. Accepted now as a humanitarian measure—so much more, we are told, than what other industrialists were offering the downtrodden proletariat. In actuality, the downtrodden proletariat only got $2.50 an hour—the other $2.50 was held back, to be paid at a later date if the workers’ behavior met Mr. Ford’s exacting standards.
If none of this is giving you the chills, then you may not want to bother with Brave New World.
There’s a photograph of Ford relaxing (if that was possible for him) in his home in Dearborn—incidentally, an architectural monstrosity of conflicting styles. In the background a piece of needlework proclaims: “He who chops his own firewood warms himself twice”. Ok, that’s true as far as it goes. But again there’s that maniacal drive for efficiency, an almost Uber-Puritanical focus on work—a focus that excludes all other considerations.
Ford crystalized that focus with the infamous remark, “History is bunk”. The blowback from those words was so widespread he tried to atone by building Greenfield Village, the open-air museum that is as much a monument to himself and his friend Thomas Edison as homage to the past. Nevertheless, the unguarded remark reveals his true thinking.
In Brave New World, Huxley takes that thinking and follows it out to its extreme, “logical” conclusion. I understand that there’s more underpinning the book than just the wit and wisdom of Henry Ford. For example, I sense a critique of our Declaration of Independence (why did Jefferson include “happiness” among our inalienable rights, rather than keep to the classic Whig triumvirate of life, liberty and property?) It’s a piece of our foundational rhetoric that, taken to its “logical” extreme, can be just as culturally destructive as Ford’s hatred of the past.
So much for the roots of the book. I’ll leave you to draw your own conclusions about how much of what Huxley imagined has actually come to pass.
On top of a masterpiece you also get Michael York’s performance, which is simply extraordinary. And again, big kudos to Audible for making literature like this available at sacrifice prices—and here’s hoping they’ll do it again soon. Many of the blockbusting best sellers that usually make the Daily Deal are, as the Savage would point out if he were here, a far cry from Othello.
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