The Alienist
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Narrated by:
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Edward Herrmann
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By:
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Caleb Carr
A new breed of evil in Old New York
New York, 1986: Lower Manhattan's underworld is ruled by a new generation of cold-blooded criminals...Police Commissioner Theodore Roosevelt battles widespread corruption within the department's ranks...and a shockingly brutal murder sets off an investigation that could change crime-fighting forever.
In the middle of a wintry March night, New York Times reporter John Moore is summoned to the East River by his friend Dr. Laszlo Kreizler, a brilliant pioneer in the new and much-maligned discipline of psychology, the emerging study of society's "alienated" mentally ill. There they view the horribly mutilated body of a young boy, a prostitute from one of Manhattan's infamous brothels. Supervised by Commissioner Roosevelt, the newsman and his "alienist" mentor embark on a revolutionary attempt to identify the killer by assembling his psychological profile -- a dangerous quest that takes them into the tortured past and twisted mind of a murderer who has killed before...and will kill again before the hunt is over.
As rich in vivid period ambience as Ragtime and Time and Again, and as relentlessly suspenseful as Red Dragon or The Silence of the Lambs, The Alienist will take you to a New York that no longer exists -- to confront an evil of timeless savagery.©1994 Caleb Carr, All Rights Reserved; (P)1994 Simon & Schuster Inc., All Rights Reserved; Audioworks is an Imprint of Simon & Schuster Audio Division, Simon & Schuster Inc.
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Abridged! NO!! /cry
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Would you listen to The Alienist again? Why?
No. A good enough story, but not sufficient for a second listen.Who was your favorite character and why?
Obviously the heroine.What about Edward Herrmann’s performance did you like?
Yes, well doneWas this a book you wanted to listen to all in one sitting?
noGood as far as it went
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If you LIKE Freud theories of childhood, poop and sex then you may very well find the ideas of a police investigation team using them to be interest and exciting. The murders are grim, dark and of children.
The main "police" characters are flat, having each a single attribute of virtue and nothing else to define them.
The Reporter - Bravery - though it look more like fool heartiness
The Female Admin - Knowledge of Children - not that she has any
The Good Doctor - Intelligent - or more correctly the ability to connect the others ideas into a chain
Edward Herrmann does a good job, giving each of the characters there own voice and feel but is fighting an uphill battle with 1 D plot and little better characters. Truely if you want a thrill there MUST be something less girt, grim and with a storyline.
Death and Decay inhabit more then the murders
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Moved quick thriller
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Great Story, Excellent Narration!
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