Eye of the Beholder
Johannes Vermeer, Antoni van Leeuwenhoek, and the Reinvention of Seeing
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Narrated by:
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Tamara Marston
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By:
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Laura Snyder
About this listen
"See for yourself!" was the clarion call of the 1600s. Natural philosophers threw off the yoke of ancient authority, peered at nature with microscopes and telescopes, and ignited the scientific revolution. Artists investigated nature with lenses and created paintings filled with realistic effects of light and shadow. The hub of this optical innovation was the small Dutch city of Delft.
Here Johannes Vermeer's experiments with lenses and a camera obscura taught him how we see under different conditions of light and helped him create the most luminous works of art ever beheld. Meanwhile his neighbor Antoni van Leeuwenhoek's work with microscopes revealed a previously unimagined realm of minuscule creatures. The result was a transformation in both art and science that revolutionized how we see the world today.
©2015 Laura J. Snyder by arrangement with W.W. Norton & Company, Inc. (P)2015 HighBridge, a division of Recorded BooksListeners also enjoyed...
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James Gleick has long been fascinated by the making of science: how ideas order visible appearances, how equations can give meaning to molecular and stellar phenomena, how theories can transform what we see. In Chaos, he chronicled the emergence of a new way of looking at dynamic systems; in Genius, he portrayed the wondrous dimensions of Richard Feymnan's mind.
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BRUTAL
- By Anonymous User on 05-25-05
By: James Gleick
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You Say to Brick
- The Life of Louis Kahn
- By: Wendy Lesser
- Narrated by: Will Damron
- Length: 15 hrs and 8 mins
- Unabridged
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Born to a Jewish family in Estonia in 1901 and brought to America in 1906, the architect Louis Kahn grew up in poverty in Philadelphia; by the time of his death in 1974, he was widely recognized as one of the greatest architects of his era. Yet this enormous reputation was based on only a handful of masterpieces, all built during the last 15 years of his life.
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A book about architect needs pictures
- By Kristin Olson-garewal on 10-15-17
By: Wendy Lesser
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David Lynch
- The Man from Another Place (Icons)
- By: Dennis Lim
- Narrated by: Jeff Cummings
- Length: 6 hrs and 45 mins
- Unabridged
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At once a pop culture icon, cult figure, and film industry outsider, master filmmaker David Lynch and his work defy easy definition. Dredged from his subconscious mind, Lynch's work is primed to act on our own subconscious, combining heightened, contradictory emotions into something familiar but inscrutable. No less than his art, Lynch's life also evades simple categorization, encompassing pursuits as a musician, painter, photographer, carpenter, entrepreneur, and vocal proponent of Transcendental Meditation.
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Essential listening for Lunch fans
- By Anonymous User on 08-14-18
By: Dennis Lim
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The Oldest Enigma of Humanity
- By: Bertrand David, Jean-Jacques Lefrere
- Narrated by: Jason Culp
- Length: 3 hrs and 12 mins
- Unabridged
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Thirty thousand years ago our prehistoric ancestors painted perfect images of animals on walls of tortuous caves, most often without any light. How was this possible? Scholars and archaeologists have for centuries pored over these works of art, speculating and hoping to come away with the key to the mystery. David and Lefrre give us a new understanding of an art lost in time, revealing what had until recently remained unexplainable - the oldest enigma in humanity has been solved.
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Amazing conclusion that will change your views
- By D on 05-13-15
By: Bertrand David, and others
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The Map That Changed the World
- William Smith and the Birth of Modern Geology
- By: Simon Winchester
- Narrated by: Simon Winchester
- Length: 9 hrs and 59 mins
- Unabridged
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Performance
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Story
In 1793 William Smith, a canal digger, made a startling discovery that was to turn the fledgling science of the history of the earth - and a central plank of established Christian religion - on its head. He noticed that the rocks he was excavating were arranged in layers; more important, he could see quite clearly that the fossils found in one layer were very different from those found in another. And out of that realization came an epiphany.
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Who knew rocks could be so deceptive?
- By Jody R. Nathan on 11-09-04
By: Simon Winchester
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The Age of Wonder
- How the Romantic Generation Discovered the Beauty and Terror of Science
- By: Richard Holmes
- Narrated by: Gildart Jackson
- Length: 21 hrs and 26 mins
- Unabridged
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Overall
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Performance
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Story
When young Joseph Banks stepped onto a Tahitian beach in 1769, he hoped to discover Paradise. Inspired by the scientific ferment sweeping through Britain, the botanist had sailed with Captain Cook in search of new worlds. Other voyages of discovery—astronomical, chemical, poetical, philosophical—swiftly follow in Richard Holmes's thrilling evocation of the second scientific revolution.
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Misleading title
- By Diane on 08-04-11
By: Richard Holmes
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What the Ermine Saw
- The Extraordinary Journey of Leonardo da Vinci's Most Mysterious Portrait
- By: Eden Collinsworth
- Narrated by: Cassandra Campbell
- Length: 5 hrs and 45 mins
- Unabridged
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Overall
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Performance
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Story
Five hundred and thirty years ago, a young woman sat before a Grecian-nosed artist known as Leonardo da Vinci. Her name was Cecilia Gallerani, and she was the young mistress of Ludovico Sforza, duke of Milan. Sforza was a brutal and clever man who was mindful that Leonardo’s genius would not only capture Cecilia’s beguiling beauty but also reflect the grandeur of his title. But when the portrait was finished, Leonardo’s brush strokes had conveyed something deeper by revealing the essence of Cecilia’s soul.
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So Many Names
- By Sue Solomon on 12-13-22
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So Much Longing in So Little Space
- The Art of Edvard Munch
- By: Karl Ove Knausgaard
- Narrated by: Matthew Waterson
- Length: 5 hrs and 52 mins
- Unabridged
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Overall
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Performance
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Story
In So Much Longing in So Little Space, Karl Ove Knausgaard sets out to understand the enduring and awesome power of Edvard Munch's work by training his gaze on the landscapes that inspired Munch and speaking firsthand with other contemporary artists, including Anselm Kiefer, for whom Munch's legacy looms large. Bringing together art history, biography, and memoir, Knausgaard tells a passionate, freewheeling, and pensive story about not just one of history's most significant painters, but the very meaning of choosing the artist's life, as he himself has done.
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not just for Munch fans
- By Anonymous User on 08-19-24
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At Home
- A Short History of Private Life
- By: Bill Bryson
- Narrated by: Bill Bryson
- Length: 16 hrs and 33 mins
- Unabridged
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Overall
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Performance
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Story
Bill Bryson and his family live in a Victorian parsonage in a part of England where nothing of any great significance has happened since the Romans decamped. Yet one day, he began to consider how very little he knew about the ordinary things of life as he found it in that comfortable home. To remedy this, he formed the idea of journeying about his house from room to room to “write a history of the world without leaving home.”
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Bryson does it again
- By Anonymous User on 10-15-10
By: Bill Bryson
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The Glass Universe
- How the Ladies of the Harvard Observatory Took the Measure of the Stars
- By: Dava Sobel
- Narrated by: Cassandra Campbell
- Length: 12 hrs and 43 mins
- Unabridged
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Overall
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Performance
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Story
Number-one New York Times best-selling author Dava Sobel returns with the captivating, little-known true story of a group of women whose remarkable contributions to the burgeoning field of astronomy forever changed our understanding of the stars and our place in the universe.
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But the seeing, which was everything, was better
- By Cynthia on 01-07-17
By: Dava Sobel
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Starlight Detectives
- How Astronomers, Inventors, and Eccentrics Discovered the Modern Universe
- By: Alan Hirshfeld
- Narrated by: Joe Barrett
- Length: 13 hrs and 4 mins
- Unabridged
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Overall
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Performance
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Story
In 1929, Edwin Hubble announced the greatest discovery in the history of astronomy since Galileo first turned a telescope to the heavens. The galaxies, previously believed to float serenely in the void, are in fact hurtling apart at an incredible speed: the universe is expanding. This stunning discovery was the culmination of a decades-long arc of scientific and technical advancement.
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Experience the discovery of most of the universe.
- By Anonymous User on 05-26-15
By: Alan Hirshfeld
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Michelangelo and the Pope's Ceiling
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In 1508, despite strong advice to the contrary, the powerful Pope Julius II commissioned Michelangelo Buonarroti to paint the ceiling of the newly restored Sistine Chapel in Rome. During the four extraordinary years that Michelangelo spent laboring over the ceiling, power politics and personal rivalries swirled around him. He battled ill health, financial and family difficulties, inadequate knowledge of the art of fresco, and the Pope's impatience - a history that is more compelling than most novels.
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History brought to life!
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The Bookseller of Florence
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The Renaissance in Florence conjures images of beautiful frescoes and elegant buildings - the dazzling handiwork of the city's skilled artists and architects. But equally important for the centuries to follow were geniuses of a different sort: Florence's manuscript hunters, scribes, scholars, and booksellers, who blew the dust off a thousand years of history and, through the discovery and diffusion of ancient knowledge, imagined a new and enlightened world.
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Great book, Horrible narrator
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Botticelli's Secret
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Some 500 years ago, Sandro Botticelli, a painter of humble origin, created work of unearthly beauty. An intimate associate of Florence’s unofficial rulers, the Medici, he was commissioned by a member of their family to execute a near-impossible project: to illustrate all 100 cantos of The Divine Comedy by the city’s greatest poet, Dante Alighieri. A powerful encounter between poet and artist, sacred and secular, earthly and evanescent, these drawings produced a wealth of stunning images but were never finished.
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Great story
- By Anonymous User on 12-09-22
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So Much Longing in So Little Space
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In So Much Longing in So Little Space, Karl Ove Knausgaard sets out to understand the enduring and awesome power of Edvard Munch's work by training his gaze on the landscapes that inspired Munch and speaking firsthand with other contemporary artists, including Anselm Kiefer, for whom Munch's legacy looms large. Bringing together art history, biography, and memoir, Knausgaard tells a passionate, freewheeling, and pensive story about not just one of history's most significant painters, but the very meaning of choosing the artist's life, as he himself has done.
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not just for Munch fans
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Reductionism in Art and Brain Science
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Are art and science separated by an unbridgeable divide? Can they find common ground? In this book, neuroscientist Eric R. Kandel, whose remarkable scientific career and deep interest in art give him a unique perspective, demonstrates how science can inform the way we experience a work of art and seek to understand its meaning. Kandel illustrates how reductionism - the distillation of larger scientific or aesthetic concepts into smaller, more tractable components - has been used by scientists and artists alike to pursue their respective truths.
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Nothing new or original
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Denis Diderot is often associated with the decades-long battle to bring the world's first comprehensive Encyclopedie into existence. But his most daring writing took place in the shadows. Thrown into prison for his atheism in 1749, Diderot decided to reserve his best books for posterity - for us, in fact. In the astonishing cache of unpublished writings left behind after his death, Diderot challenged virtually all of his century's accepted truths, from the sanctity of monarchy, to the racial justification of the slave trade, to the norms of human sexuality.
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In 1508, despite strong advice to the contrary, the powerful Pope Julius II commissioned Michelangelo Buonarroti to paint the ceiling of the newly restored Sistine Chapel in Rome. During the four extraordinary years that Michelangelo spent laboring over the ceiling, power politics and personal rivalries swirled around him. He battled ill health, financial and family difficulties, inadequate knowledge of the art of fresco, and the Pope's impatience - a history that is more compelling than most novels.
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By: Ross King
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- Narrated by: James Cameron Stewart
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The Renaissance in Florence conjures images of beautiful frescoes and elegant buildings - the dazzling handiwork of the city's skilled artists and architects. But equally important for the centuries to follow were geniuses of a different sort: Florence's manuscript hunters, scribes, scholars, and booksellers, who blew the dust off a thousand years of history and, through the discovery and diffusion of ancient knowledge, imagined a new and enlightened world.
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Great book, Horrible narrator
- By Sergio Remon on 07-01-21
By: Ross King
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Botticelli's Secret
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- By: Joseph Luzzi
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Some 500 years ago, Sandro Botticelli, a painter of humble origin, created work of unearthly beauty. An intimate associate of Florence’s unofficial rulers, the Medici, he was commissioned by a member of their family to execute a near-impossible project: to illustrate all 100 cantos of The Divine Comedy by the city’s greatest poet, Dante Alighieri. A powerful encounter between poet and artist, sacred and secular, earthly and evanescent, these drawings produced a wealth of stunning images but were never finished.
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Striving for beauty, art also reveals what is broken. It presents us with the tremendous struggles and longings common to the human experience. And it says a lot about our Creator too. Great works of art can speak to the soul in a unique way. Rembrandt Is in the Wind is an invitation to discover some of the world's most celebrated artists and works and how each of them illuminates something about God, people, and the purpose of life. Part art history, part biblical study, part philosophy, and part analysis of the human experience, this book is nonetheless all story.
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Saints and spies, pirates and philosophers, artists and intellectuals: They all crisscrossed the grey North Sea in the so-called "dark ages", the years between the fall of the Roman Empire and the beginning of Europe's mastery over the oceans. Now the critically acclaimed Michael Pye reveals the cultural transformation sparked by those men and women: the ideas, technology, science, law, and moral codes that helped create our modern world.
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Super enjoyable
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Van Gogh
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Working with the full cooperation of the Van Gogh Museum in Amsterdam, Steven Naifeh and Gregory White Smith have accessed a wealth of previously untapped materials. While drawing liberally from the artist's famously eloquent letters, they have also delved into hundreds of unpublished family correspondences, illuminating with poignancy the wanderings of Van Gogh's troubled, restless soul. Naifeh and Smith bring a crucial understanding to the larger-than-life mythology of this great artist.
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Empathy for a True Artist
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Twenty thousand years ago, women were making and wearing the first clothing created from spun fibers. In fact, right up to the Industrial Revolution the fiber arts were an enormous economic force, belonging primarily to women. Despite the great toil required in making cloth and clothing, most books on ancient history and economics have no information on them. Much of this gap results from the extreme perishability of what women produced, but it seems clear that until now descriptions of prehistoric and early historic cultures have omitted virtually half the picture.
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Modern begins on a specific day—March 22, 1905—at a specific place: the Salon des Indépendants in Paris, where works of art we recognize as modern were first exhibited. Philip Hook illuminates how this new art came to be—and how truly shocking it was. We witness movement upon movement that burst forth in dizzying succession: Fauvism, Expressionism, Primitivism, Symbolism, Cubism, Futurism, and Abstract. His vivid accounts breathe new life into the work and times of nearly two hundred artists, and whose collective genius was understood and appreciated by few at the time.
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We have all seen, whether live, in photographs or on postcards, some of Claude Monet's legendary water lily paintings. They are in museums all over the world and are among the most beloved works of art of the past century. Yet, ironically, these soothing images were created amid terrible personal turmoil and sadness.
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What listeners say about Eye of the Beholder
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Anonymous User
- 08-26-23
Beautifully written and well researched
I already know quite a lot about the subject so was thrilled to learn so much that I didn’t know before reading.
Just as the subject matter blends humanist and scientific study so is the story told with an ideal mix of historic precision and emotional exploration
The performance is also great.
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- Acteon
- 11-14-19
Terrific book
I found this a bracing, stimulating listen. While I can understand some of the complaints of other listeners (too drawn out, too many details), I do not share them. While not every detail in a book of history is necessarily exciting in itself, yet it is the wealth of details upon which the book ultimately rests. A good book of this sort builds up a context that illuminates many things, and it fills up this context with details that bring us in touch with its reality.
This book represents serious research and an original perspective, and so may not be entirely to the taste of listeners who do not start out with some knowledge of the 17th century and prefer a faster flowing narrative. But to me it is worth two credits. It is itself a microscope of sorts that gave me a better look into the 17th century. I came away exhilarated and treasuring every page..
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3 people found this helpful
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- My Thoughts
- 10-14-15
interesting but repetitive
Interesting and informative with an intriguing view into the era yet not particularly engaging and often repetitive.
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1 person found this helpful
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- Anonymous User
- 08-22-23
Eye opening
Very unusual perspective on history of science and art. Combining the two subjects together makes this book a spectacular and fascinating read, just as a painter with a microbiologist elusive friendship is. The historical period they lived in looks like a rainbow of beautiful colors, all shimmering in a different light - depending on the angle of a sight. Curious discoveries are waiting for a listener at each new chapter. Beautifully written and well performed.
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- CR42
- 03-03-17
Historical knowledge
Historical knowledge put together in an entertaining manner to provide interesting story. I wanted to gather more information. Amazing 17th century inventions.
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1 person found this helpful
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- Anonymous User
- 01-01-22
Audible Narration
My audio (Audible Narration) starts on the first word in the paragraph, while the 'highlighted' words... start on the chapter heading/title. Therefore they are always out out sync, which after awhile causes a headache. How can I sync them up? Can I turn off the highlighting altogether? Otherwise... love the book.
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- Memi
- 04-12-17
Historical book about the evolution of optics through the eyes of two geniuses
I came to this book through my love of Vermeer, hoping to learn more about this genius. I got to know Van Leeuwenhoek through the process. However as I'm not an optics fan. I found the book to be very technically detailed and..a bit boring. The amount of physicists, philosophers and others mentioned was a bit too much. All in all a good book. Just not for the layperson art lover
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5 people found this helpful
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- Anonymous User
- 10-28-18
Unique perspective, but needs to be tightened up
For Vermeer fans, this book offers a sort of mini-biography, including lots of little everyday details as the cost of bread, the magnitude of his debts, the typical price of his paintings, etc. For those (like me) who knew nothing about van Leuwenhoek, it give a lot of insight into a man who, though less enigmatic than Vermeer and whose life is far better documented, is fully as intriguing and interesting a character. There are no breakthrough revelations about Vermeer, but one gets a very rich picture of what his life may have been like.
But the book drags on, it goes too far afield in chasing down details. I found myself skipping forwards repeatedly, and not feeling like I had missed anything. Would have been far better at 2/3 its current size. The narrator does very well, and to her credit tells us when she is on a footnote and when the note has ended, something other narrators are (incredibly) unable/unwilling to do. She keeps sounding interested in the subject, even when I've lost interest.
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