Something Coming Through
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Narrated by:
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Rosie Jones
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By:
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Paul McAuley
The Jackaroo have given humanity fifteen worlds and the means to reach them. They're a chance to start over, but they're also littered with ruins and artifacts left by the Jackaroo's previous clients.
Miracles that could reverse the damage caused by war, climate change, and rising sea levels. Nightmares that could forever alter humanity - or even destroy it.
Chloe Millar works in London, mapping changes caused by imported scraps of alien technology. When she stumbles across a pair of orphaned kids possessed by an ancient ghost, she must decide whether to help them or to hand them over to the authorities. Authorities who believe that their visions point towards a new kind of danger.
And on one of the Jackaroo's gift-worlds, the murder of a man who has just arrived from Earth leads policeman Vic Gayle to a war between rival gangs over possession of a remote excavation site.
Something is coming through. Something linked to the visions of Chloe's orphans, and Vic Gayle's murder investigation. Something that will challenge the limits of the Jackaroo's benevolence ...
(p) 2016 Orion Publishing Group©2015 Paul McAuley
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Critic reviews
Something Coming Through is as tight and relentlessly paced as an Elmore Leonard thriller, and full of McAuley's customary sharp eye for dialogue and action. What's really impressive, though, is that it achieves a seamless fusion of the day-after-tomorrow SF novel - it's as interested in gritty Earthbound near-futurism as William Gibson or Lauren Beukes - with the cosmological themes of McAuley's galaxy-spanning space operas. It's the freshest take on first contact and interstellar exploration in many years, and almost feels like the seed for an entire new subgenre
Highly recommend everybody buy Something Coming Through because it is great
McAuley's latest is smart, it's challenging, and as an exploration of the social consequences of sudden science fictional change, it's very impressive indeed
The action, slow to get going, builds to a dramatic climax of chases and shoot-outs. Crime-tinged SF at its canniest.
What really lifts the book out of the ordinary though, is the Jackaroo...The Jackaroo are an enduring mystery that will get readers back for the next instalment.
It's difficult to find fault with this book - there are a strong cast of characters, enigmatic aliens, a well-woven crime plot and an interesting focus
It's instantly gripping and Paul goes a long way to slowly ease new readers into his strange and wonderful Jackaroo... I already know that "Something Coming Through" will be one of my favourite books of the year. It finds McAuley at the top of his powers - mind-bending, inspiring and very very exciting
Full of exciting plot twists and an intriguing mix of human and non-human chracters, this murder mystery set up in a dystopian is future history at its very best
Packed with ideas, fantastic world-building and enigmas, and combining elements of first contact, alien artifacts, a touch of dystopia and good old fashioned conspiracy, murder and greed. It's a great combination, all handled with a terrific mix of intelligence and accessibility
a compelling and realistically imagined piece of speculative fiction anchored be weighty contemporary concerns
McAuley writes intelligent hardcore SF, and this should win him countless new readers
Something Coming Through is science fiction at it's peak, its modern, clever, involving. It's got more ideas than a science fair and more mystery than Miss Marple. Wrap that all up in an original first contact story with some enigmatic aliens, even stranger ancient technology and some great characters and you have one hell of a book
brilliantly splits the difference between James A. Corey's frenetic science fiction and the more considered catastrophes of McAuley's own Quiet War novels. It's fun; it's fascinating; it's fantastic
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A police procedural set in a strange future
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Before we get to any of that, McAuley's book tracks two connected investigations, one on Earth, the other on Mangala, with an assorted cast of criminal stereotypes [all seemingly from the East End] and taciturn cops, each with an interest in getting their hands on alien tech. I'm not a fan of detective fiction so this may well not have been a good choice, but the really frustrating part of the story is how so much time is spent on characters talking to each other about things that have already happened. The exotic future stuff fades away for long stretches of the story as the two investigations, one happening just head of the other, plod their way through some pretty boring stretches of narrative, things livened up with the occasional gun fight, or the promise of a revelation.
Happily, the book picks up in the last third and the action shifts into the present and the two threads of narrative meet up. The last part on Mangala, with its odd fauna and evocatively described landscapes, is the stuff I signed up for. When the story gets going, it's great, until then, your enjoyment will depend on how much you like British cop dramas. That said, I am going on to the next book in the series, Into Everywhere...
By the way, Rosie Jones is a good narrator with a firm understanding of regional and national accents, and the 'British' take on telling the story works well. On the downside, Jones has a thing for acting the lines of dialogue making some of the male characters sound more comical than they'd seem on the page. Also, and this is a personal thing, Jones also likes to ACT the narration - the non character prose that's telling the story. For me, I'd prefer that delivery to be delivered perfectly straight, and then give the emphasis to the character voices. A small quibble to an otherwise enjoyable performance.
When the story gets going, it's great...
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Top notch
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