Reading Lolita in Tehran
A Memoir in Books
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Narrated by:
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Azar Nafisi
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By:
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Azar Nafisi
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Critic reviews
“Anyone who has ever belonged to a book group must read this book. Azar Nafisi takes us into the vivid lives of eight women who must meet in secret to explore the forbidden fiction of the West. It is at once a celebration of the power of the novel and a cry of outrage at the reality in which these women are trapped. The ayatollahs don’ t know it, but Nafisi is one of the heroes of the Islamic Republic.”—Geraldine Brooks, author of Nine Parts of Desire
“I was enthralled and moved by Azar Nafisi’s account of how she defied, and helped others to defy, radical Islam’s war against women. Her memoir contains important and properly complex reflections about the ravages of theocracy, about thoughtfulness, and about the ordeals of freedom—as well as a stirring account of the pleasures and deepening of consciousness that result from an encounter with great literature and with an inspired teacher.”—Susan Sontag
“When I first saw Azar Nafisi teach, she was standing in a university classroom in Tehran, holding a bunch of red fake poppies in one hand and a bouquet of daffodils in the other, and asking, What is kitsch? Now, mesmerizingly, she reveals the shimmering worlds she created in those classrooms, inside a revolution that was an apogee of kitsch and cruelty. Here, people think for themselves because James and Fitzgerald and Nabokov sing out against authoritarianism and repression. You will be taken inside a culture, and on a journey, that you will never forget.”—Jacki Lyden, National Public Radio, author of Daughter of the Queen of Sheba
“A memoir about teaching Western literature in revolutionary Iran, with profound and fascinating insights into both. A masterpiece.”—Bernard Lewis, author of What Went Wrong?
“I was enthralled and moved by Azar Nafisi’s account of how she defied, and helped others to defy, radical Islam’s war against women. Her memoir contains important and properly complex reflections about the ravages of theocracy, about thoughtfulness, and about the ordeals of freedom—as well as a stirring account of the pleasures and deepening of consciousness that result from an encounter with great literature and with an inspired teacher.”—Susan Sontag
“When I first saw Azar Nafisi teach, she was standing in a university classroom in Tehran, holding a bunch of red fake poppies in one hand and a bouquet of daffodils in the other, and asking, What is kitsch? Now, mesmerizingly, she reveals the shimmering worlds she created in those classrooms, inside a revolution that was an apogee of kitsch and cruelty. Here, people think for themselves because James and Fitzgerald and Nabokov sing out against authoritarianism and repression. You will be taken inside a culture, and on a journey, that you will never forget.”—Jacki Lyden, National Public Radio, author of Daughter of the Queen of Sheba
“A memoir about teaching Western literature in revolutionary Iran, with profound and fascinating insights into both. A masterpiece.”—Bernard Lewis, author of What Went Wrong?
Featured Article: The top 100 memoirs of all time
Featured Article: The top 100 memoirs of all time
All genres considered, the memoir is among the most difficult and complex for a writer to pull off. After all, giving voice to your own lived experience and recounting deeply painful or uncomfortable memories in a way that still engages and entertains is a remarkable feat. These autobiographies, often narrated by the authors themselves, shine with raw, unfiltered emotion sure to resonate with any listener. But don't just take our word for it—queue up any one of these listens, and you'll hear exactly what we mean.
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I enjoyed the author’s accent and vocal quality, but she tends to say things without emotion. It made listening a little bit frustrating (and occasionally confusing). She doesn’t vary her delivery very much — she was reading in a flat voice and then said, “she said vehemently.” No vehemence. No fervor. It’s bad enough that I think it negatively affected the whole experience. I really wanted to love the book! When I realized I could listen to the book at 1.25x speed, the experience really improved.
Another issue: I don’t necessarily care about every one of the novels they’re reading. If you’re not a MAJOR classic author fan, it has some dull moments. Perhaps if I’d read every novel the author references I would have enjoyed it more? It was interesting to hear people react to the books from their point of view and try to apply their morals to the novel.
The women in the book study group are interesting, but the author doesn’t flesh them out enough for you. She’s too busy ruminating. It’s more navel-gazing than I was really prepared for — she has whole passages where she’s questioning whether or not her memory is really what happened or if she’s tainting it. And while I understand she wanted to work through that... it’s boring. Yes, memory isn’t a stack of DVDs you can sort through and push play on to relive. They’re fluid. You impart your own bias. This is not a history book, and since she fills page after page with her own opinions in almost a dairy-like writing style anyway, what does it really matter? I wanted an interesting story about women living in Tehran, forming community and escaping through books... and it’s there, but it’s muddy.
Speed it up
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Excellent book
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I read for fun and entertainment so it may be just not my cup of tea .
Very Literary
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Authors narration. Context. Insightful. Epiphany of truth
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