Queen Anne

The Politics of Passion

By: Anne Somerset

Narrated by: Hannah Curtis

She ascended the thrones of England, Scotland and Ireland in 1702, at age thirty-seven, Britain’s last Stuart monarch, and five years later united two of her realms, England and Scotland, as a sovereign state, creating the Kingdom of Great Britain. She had a history of personal misfortune, overcoming ill health (she suffered from crippling arthritis; by the time she became Queen she was a virtual invalid) and living through seventeen miscarriages, stillbirths, and premature births in seventeen years. By the end of her comparatively short twelve-year reign, Britain had emerged as a great power; the succession of outstanding victories won by her general, John Churchill, the Duke of Marlborough, had humbled France and laid the foundations for Britain’s future naval and colonial supremacy.

While the Queen’s military was performing dazzling exploits on the continent, her own attention—indeed her realm—rested on a more intimate conflict: the female friendship on which her happiness had for decades depended and which became for her a source of utter torment.

At the core of Anne Somerset’s riveting new biography, published to great acclaim in England (“Definitive”—London Evening Standard; “Wonderfully pacy and absorbing”—Daily Mail), is a portrait of this deeply emotional, complex bond between two very different women: Queen Anne—reserved, stolid, shrewd; and Sarah Churchill, Duchess of Marlborough, wife of the Queen’s great general—beautiful, willful, outspoken, whose acerbic wit was equally matched by her fearsome temper.

Against a fraught background—the revolution that deposed Anne’s father, James II, and brought her to power . . . religious differences (she was born Protestant—her parents’ conversion to Catholicism had grave implications—and she grew up so suspicious of the Roman church that she considered its doctrines “wicked and dangerous”) . . . violently partisan politics (Whigs versus Tories) . . . a war with France that lasted for almost her entire reign . . . the constant threat of foreign invasion and civil war—the much-admired historian, author of Elizabeth I (“Exhilarating”—The Spectator; “Ample, stylish, eloquent”—The Washington Post Book World), tells the extraordinary story of how Sarah goaded and provoked the Queen beyond endurance, and, after the withdrawal of Anne’s favor, how her replacement, Sarah’s cousin, the feline Abigail Masham, became the ubiquitous royal confidante and, so Sarah whispered to growing scandal, the object of the Queen's sexual infatuation.

To write this remarkably rich and passionate biography, Somerset, winner of the Elizabeth Longford Prize for Historical Biography, has made use of royal archives, parliamentary records, personal correspondence and previously unpublished material.

Queen Anne is history on a large scale—a revelation of a centuries-overlooked monarch.

Way too long.

Felt way too long, but the author was incredibly thorough. I certainly learned everything about Anne I need to know.

20% of the book was:
Sarah was mad. Sarah was enraged. Sarah was jealous.

Sarah was, in truth, vindictive & cruel.

Interesting Content hampered by bad narration

This is a good biography of Queen Anne. But Hannah Curtis is not good.

Spoilt by a poorly edited, inadequate narration

The information was well researched and interestingly laid down. The narrator, however, realllly reallllllly let it down. She needs to work on breath control because at times, she established a pattern of 3 words (delivered with a downward inflection implying a full stop) 4 words (full stop) thus leaving sentences hanging.

I realise that a person who mispronounces words is a victim of a language-poor environment. They only know of words by reading, not by hearing. I don't wish to demean such readers, but this particular narrator must have been living under a rock not to know how to pronounce such common words as papal (pronounced by Anne Somerset as (p)apple) or papist (pronounced by Ms Somerset as pap ist ) or Ovid as (oh)vid. There were too many of these to list here... so SHAME on the EDITOR who gave himself a mention at the end.

Part of the storyteller's art is NOT to jolt the reader out of the spell of the world they are creating. Poor breathing causing strangely delivered sentences and mispronunciations do just that. I kept being reminded that I was listening. Mind you. I had quite. A few laughs. But I don't think. This was. The intention of. The Writer.

If the information wasn't so well written I would have returned this book. Persevere if you can. There are stretches where the narrator does relax and read in an adequate manner.

A bit dry

Too focused on political machinations of her close advisors in last chapters. Performance was excellent. Extremely well researched .

terrific history and without revisionist bias

i was concerned taking this title having consumed churchill's marlborough volumes as well as the recent 'the favourite' movie both of which center on queen anne. the concern was that the author and/or reader would impart 2010 societal fashions onto early 1700s life. it does not. the author simply presents the documented history using the correspondence of the principals to tell a fascinating history without inserting a lot of 'analysis.' rare these days and appreciated.