Speer
Hitler's Architect
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Narrated by:
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Michael Page
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By:
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Martin Kitchen
A new biography of Albert Speer, Adolf Hitler's chief architect and trusted confidant, reveals the subject's deeper involvement in Nazi atrocities.
In his best-selling autobiography, Albert Speer, Minister of Armaments and chief architect of Nazi Germany, repeatedly insisted he knew nothing of the genocidal crimes of Hitler's Third Reich. In this revealing new biography, author Martin Kitchen disputes Speer's lifelong assertions of ignorance and innocence, portraying a far darker figure who was deeply implicated in the appalling crimes committed by the regime he served so well.
Kitchen reconstructs Speer's life with what we now know, including information from valuable new sources that have come to light only in recent years, challenging the portrait presented by earlier biographers and by Speer himself of a cultured technocrat devoted to his country while completely uninvolved in Nazi politics and crimes.
The result is the first truly serious accounting of the man, his beliefs, and his actions during one of the darkest epochs in modern history, not only countering Speer's claims of non-culpability but also disputing the commonly held misconception that it was his unique genius alone that kept the German military armed and fighting long after its defeat was inevitable.
©2015 Yale University (P)2018 TantorListeners also enjoyed...
Critic reviews
"A devastating portrait of an empty, narcissistic, and compulsively ambitious personality." (Wall Street Journal)
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excellent insight into an evil soul
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Excellent disposition on the career and disgraceful rehabilitation of a war criminal.
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Excellent analysis
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A Gem for History Buffs
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I do have a few critiques, which are more about style and structure than content. The book is very repetitive. Kitchen delivers identical assessments of Speer’s role and character over and over again, and he also uses repetitive word choice when is comes to construct sentences, such as “discussed… at discussions.” The book is organized topically within a broader chronological framework, so it’s sometimes difficult to tell what happened when, since the same historical ground keeps getting covered from a different perspective. These are all criticisms of Kitchen’s skill as a writer, however, and not a historian, so they don’t matter that much in the end.
Mythbusting the “Good Nazi”
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