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The Letterboxd Show

By: Letterboxd
  • Summary

  • Podcasts about movies from the makers of Letterboxd, the social network for film lovers. Hosted by Gemma and Slim and Mitchell and Mia and Brian. Transcripts available.
    Letterboxd
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Episodes
  • Weekend Watchlist: Summer 2024 Preview Extravaganza
    May 3 2024

    The podcast hosts of summer a back! This time around ⁠⁠⁠⁠⁠⁠Slim⁠⁠, Mia, and Mitchell discuss the upcoming SUMMER slate of movies and why you might need to add them to your own watchlists including MaXXXine, Kinds of Kindness, Furiousa: A Mad Max Saga, and Longlegs just to name a few*.* They also look ahead outside the most popular movies and shuffle their watchlists just like old times.

    ⁠⁠⁠⁠Weekend Watchlist – Updated Weekly list⁠⁠⁠⁠ > movies mentioned in this episode.

    Chapters:

    • Opening credits + The Fall Guy (00:00:00)
    • Summer 2024 preview Top 10 through 3 (00:05:43)
    • Summer 2024 preview Top 3 (00:30:55)
    • Our summer watchlists (00:39:02)
    • Watchlists shuffles (00:49:15)

    Credits: Recorded in Philadelphia PA, Newark DE and Los Angeles CA. Edited by Slim. Theme music: ‘⁠IZON’ by Trent Walton. Production manager: Sophie Shin. The Letterboxd Show is a TAPEDECK production.

    Lists & Links: David on Tombstone; Tripp on La Belle Noiseuse; Mason on Critters

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    57 mins
  • Best in Show Season 2 Finale: Letterboxd Goes to the Oscars
    Mar 15 2024

    For our grand finale, the Best in Show crew heads to the 96th Academy Awards! Brian, who had a golden ticket to the ceremony itself, recaps how it felt for his eyes to see Al Pacino announce, “My eyes see Oppenheimer!”, while Gemma and Mia recount their hectic day on the red carpet and evening in the press room—plus dancing with the Anatomy of a Fall lawyers at the afterparty. Finally, we invite our London correspondent/Best in Show newsletter extraordinaire George Fenwick to reflect on the awards season as a whole, and to submit his winning pick for the inaugural Bradley Moze (and Otis) Awards, named for our beloved cats who kept us grounded over the past few months. Chapters:

    • Opening credits (00:00:00)
    • Oscars experience (00:02:57)
    • The show itself (00:11:14)
    • George Fenwick interview (40:15)
    • Bradley Moze & Otis Awards (00:53:32)
    • Closing credits (00:59:40)

    Credits: Recorded in Los Angeles, London and Auckland. Edited by Slim, production manager Sophie Shin, editorial producer Brian Formo. Theme: ‘Hyperlight’ by Letterboxd member Trent Walton (AKA Echo Wolf). Artwork by Danny Haas. Best in Show is a TAPEDECK production. Title courtesy of Christopher Guest.

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    1 hr and 11 mins
  • Best in Show: Oscars Honchos, Dune Power and Sleater-Kinney
    Mar 8 2024

    This week, Gemma chats with Academy President Janet Yang and CEO Bill Kramer about the importance of the Oscars to the global film community, plus its engaging impact on theater-going in a constantly changing industry. Also, Mia and Brian debrief about the Dune: Part Two hype (Space melodrama! More worms! All hail Denis Villeneuve!) and its entry into the Letterboxd Top 250 at a miraculous number six. For the grand finale, riot grrrl rockers Sleater-Kinney make a special appearance, with Carrie Brownstein recounting her brief appearance in Todd Haynes’ Carol. Chapters:

    • Opening credits (00:00:00)
    • News (00:01:28)
    • Bill Kramer & Janet Yang interview (00:22:37)
    • Winner Winner Chicken Run Dinner (00:43:39)
    • Sleater-Kinney interview (00:48:00)
    • Closing credits (00:59:40)

    Credits: Recorded in Los Angeles. Edited by Slim, production manager Sophie Shin, editorial producer Brian Formo. Theme: ‘Hyperlight’ by Letterboxd member Trent Walton (AKA Echo Wolf). Artwork by Danny Haas. Best in Show is a TAPEDECK production. Title courtesy of Christopher Guest.

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    59 mins

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