Low Profile with Markly Morrison By cover art

Low Profile with Markly Morrison

By: Markly Morrison
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  • Summary

  • Low Profile blends music and oral history interviews with the folks who have given us important music and have somehow evaded the spotlight. Markly Morrison is an audio journalist and independent musician in the exotic city of Olympia, Washington, where the program airs Fridays at 4pm on KAOS 89.3 FM and in podcast form via the Ruinous Media network. Dive deeper into the episodes at http://www.lowprofilepodcast.com
    Copyright 2023 Markly Morrison
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Episodes
  • 81. Mayo Thompson

    81. Mayo Thompson
    Apr 17 2024
    Mayo Thompson is the founding member of The Red Krayola, an experimental rock group that has existed in various formations since 1966. He’s collaborated with The Raincoats, Pere Ubu, and the Fall as a record producer, is an active visual artist, and has recently published his second novel, “After Math,” a sequel to 2020’s “Art, Mystery” (both available via Drag City Publishing). Mayo joins Low Profile to discuss the unconventional processes of several Red Krayola albums, his lone solo album “Corky’s Debt to His Father” and its recent live embodiment, his experience as a writer, a long-standing collaborative relationship with the conceptual collective known as Art and Language, and working with others including Lora Logic, featured on the previous episode. The interview is conducted by a panel featuring returning cohosts Dylan Shearer and Jack Habegger teaming up with Markly to tackle this heavyweight guest. The unedited interview is available for supporters at patreon.com/lowprofile in this episode: The Red Krayola “People Get Ready, The Train’s Not Coming” (00:02) The Red Crayola “Hurricane Fighter Plane” (08:30) The Red Crayola “Freeform Freakout no. 3” (15:05) The Red Crayola “Transparent Radiation” (16:32) Mayo Thompson “The Lesson” (18:25) The Red Crayola “Coconut Hotel” (25:03) The Red Krayola with Art and Language “Ergastulum” (34:02) Mayo Thompson and the Corky’s Debt Band (live) “Worried Worried” (35:53) The Red Krayola with Art and Language “The Milkmaid” (39:13) The Red Krayola “If S Is” (45:57) The Red Krayola “Bad Medicine” (51:43) The Red Krayola “Breakout” (55:12) Low Profile is supported by you on Patreon and also receives in-kind support from these independent Olympia businesses: Schwart’z Deli, San Francisco Street Bakery, Old School Pizzeria, Rainy Day Records and Scherler Easy Premium Shitty American Lager from Three Magnets Brewing Company. Instagram: @lowpropodcast Facebook Community: Low Profile Listener Hub Support this show: patreon.com/lowprofile Illustration by Jack Habegger Scherler Sundays (live episode tapings + free concerts) is happening again in Olympia for Summer 2024, visit scherlerbeer.com for updates!
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    57 mins
  • Questionable Music at KAOS (Patreon snippet)

    Questionable Music at KAOS (Patreon snippet)
    Apr 1 2024
    Markly brings his weekly pub trivia game "Questionable Music" to the radio in this exciting segment from the new two-hour Patreon release featuring Markly Morrison and Jack Habegger being interviewed by KAOS station manager DJ Jonny H. Full show available at patreon.com/lowprofile Play Questionable Music in-person at Three Magnets Brewing Company in Olympia, WA, Monday nights at 6:30.
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    11 mins
  • High Llamas

    High Llamas
    Mar 22 2024
    Friend of the show Sean O’Hagan returns to the Low Profile to discuss “Hey Panda,” the first release from The High Llamas in eight years. When we last spoke in 2021, he had dropped the High Llamas moniker and forged a new path under his given name, embracing more contemporary influences. In the years since, he’s recruited Llamas new and old to reroute the course of the band he’s led since the early ‘90s, and invited exciting guest performers to come along for the ride. “Hey Panda” is out on March 29th from Drag City Records. Today Sean explains the process that led to this album, collaborating with Bonnie Prince Billy and Fryars, recent production and arrangement work with other artists, and a bit of the contemporary music he’s been getting into lately.
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    21 mins
Music
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