Marcus King has already been through the wringer, but he’s on the come-up. His hotly anticipated third LP, Mood Swings, drops this Friday, April 5, and on this episode of Wong Notes, the earnest, honest 28-year old South Carolinian goes deep on his career with Cory Wong.

The two shredders open by swapping notes on how touring has changed post-pandemic. Costs are way up, but they’re managing to make it work. King reveals to Wong that on his upcoming tour, he’s wrangled a few sizeable, must-have creature comforts into the trailers—tune in to find out what King brings on the road.

King walks us through his custom amp and cabinet setups, detailing why he prefers 10" speakers to 12", how he became friends with Orange Amplifiers founder Cliff Cooper, and the family history that led to his signature Gibson Marcus King 1962 ES-345, complete with sideways vibrola.

He and Wong get down to the nitty-gritty, too. Marcus talks about pressure to conform to certain genre communities, his struggles with self-medicating, and how sometimes, music feels like the only medicine we’ve got on hand.

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Visit Marcus King: https://www.marcuskingofficial.com/

Hit us up: wongnotes@premierguitar.com

Visit Cory: https://www.corywongmusic.com

Visit Premier Guitar: http://premierguitar.com

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Produced by Jason Shadrick and Cory Wong

Additional Editing by Shawn Persinger

Presented by DistroKid

The ascendant roots shredder shares intimate details from his musical upbringing and gets philosophical on the past and future of bluegrass.

Millennial folk philosopher Billy Strings joins this episode of Wong Notes. The Grammy-winning acoustic picker is an open book—nothing is off limits with Billy, from recounting his days selling magic mushrooms in exchange for passing grades in math class, to an emotional drunk-driving revelation that might have saved his life.

Now, Strings can recount war stories of playing with his heroes in the bluegrass scene, and learning important lessons from the greats about respect while onstage. Strings is at the intersection of the old and the new, often stuck between the traditionalists and the new era of American folk music. He says he doesn’t belong to one or the other; his music is more of “a goulash of all the things put together.” Speaking of which, Billy and Cory connect for a brilliant mashup of Cory’s funk stylings and Billy’s bluegrass flatpicking, proving that music really can be a universal language.

Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong

Visit Billy Strings: http://billystrings.com

Hit us up: wongnotes@premierguitar.com

Visit Cory: https://www.corywongmusic.com

Visit Premier Guitar: http://premierguitar.com

Twitter: https://twitter.com/wongnotespod

IG: https://www.instagram.com/wongnotespod

Produced by Jason Shadrick and Cory Wong

Additional Editing by Shawn Persinger

Presented by DistroKid

This time on Wong Notes, Cory is joined by his Vulfpeck and Fearless Flyers copilot Joe Dart. Wong doesn’t waste any time, diving in by asking Dart, by now renowned as a modern bass wizard with flawless fundamentals, how he developed he signature “voice” on the bass. As Dart explains, it came from listening to players who had their own distinct “voice,” who sound like “they’re singing a part within the song,” he says. These “philosophers of the low-end,” like Flea, imprinted the value of total intention and feeling in every note, as if any single one could be your last.

Dart throws it back to his first bass—a Samick—and remembers how it’s ridiculously high action was like weight training for the rest of his career. He still likes his strings suspended up higher than most, which allows his “brute force” slapping. Wong and Dart trade notes on practice regimes, and Dart offers advice for young players: Learn your scales, sure, but most importantly, “play with as many different people as you can.” Plus, Dart breaks down his differing approaches to instrumental and vocal tracks.

Later on, the bandmates ponder the mental trap of the social media comparison game, and wonder at how algorithms impact which music rises to the top of the heap. What does Dart hope to remembered for? With any luck, he’ll have works as iconic as his grandfather’s, Israel Baker, whose violin playing you’ll recognize not just from collabs with Frank Sinatra and Ella Fitzgerald, but some of the most famous film scores and TV show theme songs.

Listen to the full episode here: https://bit.ly/WongNotes

Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong

Visit Joe Dart:

Hit us up: wongnotes@premierguitar.com

Visit Cory: https://www.corywongmusic.com

Visit Premier Guitar: http://premierguitar.com

Twitter: https://twitter.com/wongnotespod

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