The Cutting Edge Japan Business Show Podcast Por Dr. Greg Story arte de portada

The Cutting Edge Japan Business Show

The Cutting Edge Japan Business Show

De: Dr. Greg Story
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For succeeding in business in Japan you need to know how to lead, sell and persuade. This is what we cover in the show. No matter what the issue you will get hints, information, experience and insights into securing the necessary solutions required. Everything in the show is based on real world perspectives, with a strong emphasis on offering practical steps you can take to succeed.copyright 2022 Economía Gestión Gestión y Liderazgo
Episodios
  • 385 Big Venue, Big Results: Practical Techniques for Large Crowds

    385 Big Venue, Big Results: Practical Techniques for Large Crowds
    Feb 8 2026
    Presenting to a very large audience demands a different approach because distance changes what people can see, hear, and feel. The core problem is not your content — it is visibility and connection at scale. When the venue grows, you shrink. The solution is to deliberately "big up" your delivery so the people seated at the far extremes still experience your presence and message. What changes when you move from a normal room to a large venue? Large venues create the tyranny of distance. Because the back rows sit so far away, the speaker looks "quite small" from those seats, which means subtle gestures and normal stage behaviour lose impact. Therefore you must scale up what you do on stage so you do not look like "a peanut" to people at the far extremes. When you accept that the room makes you smaller, you stop relying on nuance and start designing for the cheap seats at the back. Mini-summary: Because distance reduces your visibility, you must deliberately enlarge your delivery so your message still lands. How do you diagnose what the back row experiences? Arrive early and sit in the most far flung locations: the last row at the back or the rear seats on an elevated tier. Because you see the stage from the hardest viewpoint, you learn how small a speaker looks from there and you adjust accordingly. This is a practical, reality-based check: instead of guessing, you confirm what the audience will actually see. Then you can design your presence for the far extremes, not only for those close to the stage. Mini-summary: Because you cannot improve what you have not observed, sit in the back and design for what you see. How do you avoid stage-edge mistakes in big venues? Big venues often have a defined space between the front row and the stage, sometimes with an orchestra pit. Because you will stand very close to the apron to be more easily seen, you must know where "far enough forward" is before you begin. The risk increases once you start scanning for faces high up on the back tiers, because your eyes go up and you stop looking down where you are walking. Curved stages make it easier to forget the edge is not straight. Therefore, check the front of the stage beforehand so you can move with confidence and stay safe. Mini-summary: Because large stages include hidden hazards, you must inspect the front edge early and set your safe boundary. What microphone choice and gesture size works best at scale? Use a pin microphone so your hands stay free for gestures. Because you are effectively "a peanut" to the people in the cheap seats at the back, your gestures must become much larger than anything you have used before. Therefore, use double-handed gestures to fill up more of the stage with your presence. When you use open palms to signal trust, spread your hands far wider than the boundaries of your body. When you indicate something "high", raise your hand as high above your head as possible so it has impact. Mini-summary: Because the audience sits far away, you need free hands and much larger gestures for visibility. How do you use audience participation to create energy in a massive room? Ask the audience to raise their hands for a common experience, but do not overdo it. Because many people do the same thing at the same time, crowd dynamics and crowd psychology kick in: the room becomes "infected" with energy and agreement. This shared movement also feeds back into you on stage, giving you a serious energy lift. When a big audience leans in, the connection feels electric, so use that surge to reinforce your message and build momentum. Mini-summary: Because synchronised audience action amplifies energy, a simple show of hands can lift the entire room. How do you project ki, voice, and eye contact to the back wall? Marshal your ki or chi for the task and mentally push your energy to the very back wall of the hall. Because you are miked up, you do not need to yell; yelling will distort the sound. Instead, direct your voice strength to the last rows without forcing volume. Then use your eyes to reach the whole space. Break the audience into a baseball diamond: left, centre, right field, plus inner and outer field. Work those six sectors by picking out individuals and looking straight at their faces. Even if they are blurry outlines to you, people around them will feel seen because they believe you are looking at them. Mini-summary: Because a large hall demands deliberate reach, project energy and voice to the back while distributing eye contact by sectors. How should you move on a big stage without distracting people? Avoid nervous wandering, where a speaker goes up and down continuously and distracts from the key message. Because constant movement draws attention to itself, it pulls focus away from what you are saying. Instead, use controlled movement with purpose. Walk slowly to the extreme left edge, stop, settle, and speak to that side. Return to centre, stop, settle, and speak. Then move to the right and ...
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    12 m
  • 384 Japan's Ageing Workforce: Why "Recruit and Retain" Must Include Seniors

    384 Japan's Ageing Workforce: Why "Recruit and Retain" Must Include Seniors
    Feb 1 2026
    What problem is Japan actually facing with its ageing population? Japan is ageing rapidly, and most of the attention goes to welfare, health, and pension systems. The less-discussed problem is what to do with the "young" oldies—people reaching 60, the retirement age, while still having decades of life ahead of them. Because many are healthy, active, relatively digital, and well-connected, therefore they do not fit the old model of "retire and disappear". They also believe the government pension system will break down under the weight of their cohort's numbers, therefore they do not feel confident about having enough money to last their lifespan. The result is straightforward: they want to keep working, and many can. Mini-summary: Japan's challenge is not only an ageing society, but an ageing workforce that still wants, and needs, to work. Why is "recruit and retain" becoming harder for Japanese companies? Japan's working population aged 15–64 is projected to decline from 73.7 million in 2024 to 44.2 million by 2060, a 40% drop. Because there are not enough younger workers to match corporate demand, therefore the usual hiring playbook fails. At the same time, because the population itself is getting older, therefore the share of experienced people who could keep working increases. This creates a talent paradox: companies are short of people, but they are also pushing capable workers toward retirement. If companies keep treating 60 as an exit point, they will intensify their own labour shortage. Mini-summary: A shrinking 15–64 population means the talent pipeline tightens, and the "retire at 60" habit becomes a business risk. Why is immigration not the main solution being pursued? The script is clear that bringing in foreigners is not considered an option to make up the difference. The Takaishi Cabinet has stated it will never adopt an open immigration policy to solve the labour shortage and will set "strict boundaries". Because immigration is now a big and contentious political topic, therefore the trade-offs feel even sharper. Japan values social harmony highly, and the idea of tolerating large numbers of foreigners with different languages, ethics, morals, social values, and ideas is described as unattractive. Whatever the merits of immigration, the practical point for company leaders is this: they cannot build their workforce plans around it. Mini-summary: If immigration is politically constrained, then the labour shortage must be solved with domestic talent and productivity. What role does the trainee system play, and why is it limited? At lower skill levels, the so-called trainee system has functioned as disguised immigration, bringing in cheap workers from Asia for factory-level work. Because trainees can be repatriated easily, therefore the system has flexibility. However, the system is also attacked for exploitation, and the Labour Standards Inspection Office in 2016 found 70.6% of workplaces hiring foreign trainees were violating labour laws. The government tweaked the system to reduce some of the worst aspects, but trainees remain a temporary approach. They must go home after three years or obtain a work visa. So even where foreign labour exists, it is not a stable, long-term pipeline. Mini-summary: The trainee system can provide short-term labour, but it is temporary and controversial, so it cannot anchor long-term workforce strategy. How are companies handling people who would normally retire at 60? The script points to a common corporate approach: salary drops to half once a person gets to 60, even if they keep working. Because this is a fixed-cost adjustment strategy, therefore it may feel convenient for companies in the short term. But as the bite of not having enough skilled staff becomes more powerful, that thinking must change. If companies need capability, networks, and experience, then a blunt pay-cut model can weaken motivation and reduce the chance that seniors stay engaged and productive. Mini-summary: A standard pay cut at 60 may control costs, but it can undermine retention and productivity when skilled labour is scarce. How is technology being used to avoid the immigration option? Japan is planning to get around the immigration option with technology: Big Data, Artificial Intelligence, robotics, online services, and automation. Retail banking is given as a conservative example. Tokyo Mitsubishi UFJ Bank saw branch visitors drop by 40% from 2007 to 2017, and 10,000 positions were eliminated over a ten-year period. Because customers moved to mobile devices and PCs, therefore service consumption moved online. This shift changes workforce needs: fewer roles tied to physical branches, and more roles that fit a digital service model. Technology is not only replacing tasks; it is reshaping the job mix. Mini-summary: Technology reduces reliance on physical labour by moving service delivery online and automating tasks, especially in conservative sectors like banking. What is the ...
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    12 m
  • 383 Screen-Based Strong Messaging: How to Sound Credible on Remote Calls

    383 Screen-Based Strong Messaging: How to Sound Credible on Remote Calls
    Jan 18 2026
    What makes screen-based messaging harder than in-person presenting? Most people already struggle to get their message across in a room, and the screen makes that challenge harder. Because remote delivery removes many of the natural cues we rely on in person, a mediocre presenter can quickly become a shambles on camera. The danger is that people imagine the medium excuses weak messaging or amateur delivery, but it does not. If you have a message to deliver, you need to do better than normal, not worse. The screen also pushes you into a close-up. The audience sees your face more than your slides, so every distraction competes with your message. That means you must treat remote presenting as a serious stage, not a casual call. Mini-summary: Remote calls amplify weaknesses. Treat screen-based delivery as a higher standard, not a lower one. How do logistics and wardrobe choices build credibility on camera? Start with logistics, because your setup becomes part of your credibility. Dress for success and avoid appearing on camera in pyjamas, casual novelty shirts, or anything that signals you did not prepare. Choose full business battle attire and lean toward power colours rather than pastels, because strong, professional visuals support your authority. Avoid narrow stripes, because video technology can struggle to render stripes cleanly, and that visual distortion distracts the audience. When you look professional, you make it easier for people to trust your message. A business suit can look more powerful on screen than business casual, even if casual is typical in the office. Mini-summary: Your clothes and setup communicate before you speak. Professional, camera-safe choices strengthen message credibility. Which simple equipment upgrades stop remote calls from looking and sounding sloppy? Use tools that reduce friction. A mouse lets you move quickly and accurately compared with a trackpad, so you can manage slides and on-screen actions smoothly. If your laptop or home computer camera is not strong enough, use a dedicated webcam so the audience sees you clearly. Audio often causes the biggest problems on remote calls. If your home internet connection is not robust, your sound can break up and undermine your authority. Headphones with a microphone attachment make communication clearer and easier for others to follow. Also record sessions when the technology allows it, because reviewing your own delivery helps you spot habits you cannot notice in the moment. Mini-summary: Upgrade the basics: mouse, webcam, and headset microphone. Clear audio and a clean image remove distractions from your message. How do you fix eye contact and avoid "nostril focus" on video calls? Eye contact matters on screen, yet many people create "nostril focus" because the laptop camera shoots up the speaker's nose. This angle distracts the audience and pulls attention away from what you say. The screen adds another problem: the camera sits above the screen, so you tend to talk to the screen rather than to the camera lens. Train yourself to speak to the camera lens and treat the screen like notes you glance at. Raise the laptop so the camera sits at eye level, which immediately improves the angle and your perceived confidence. Mini-summary: Look into the camera lens, not the screen. Raise the camera to eye level to eliminate distracting angles. What lighting and background choices make your message easier to absorb? Make lighting a priority. If the room looks gloomy, the audience must work harder to read your face, and that weakens engagement. Add lights focused on you so you become the clear centrepiece. Control backlighting: close curtains behind you if outdoor light is too strong, because a bright background can make you hard to see. Do what you can to control the background so it does not compete with your message. If bandwidth allows, use a virtual background to prevent your home environment from becoming the focus. If you cannot, remove distracting items or reduce background lighting so attention stays on you. Mini-summary: Light your face clearly and control backlighting. Simplify or darken the background so your message wins the competition for attention. How do smiling and facial expression change how you sound on screen? People feel tense and uncertain in an unpredictable business world, and your face can reveal those worries without you noticing. On camera, that matters even more because the audience sees you in a large close-up. Smile deliberately, even if your smile is not perfect, because smiling signals confidence and friendliness. A simple reminder can help: place a note above the camera that says "SMILE" so you remember during the call. When you smile, you look relaxed and in control, which helps the audience trust you. Frowning, tightening facial muscles, or creasing your eyes sends the opposite signal and undermines credibility. Mini-summary: Your face communicates your confidence before your words land. Smile on camera...
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    12 m
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