Recorded at the Battle of Ideas festival 2023 on Saturday 28 October at Church House, London.

ORIGINAL INTRODUCTION

The worlds of art and entertainment are wrestling with, and reeling from, the opportunities and challenges posed by ‘generative’ AI – tools that can generate seemingly unique, bespoke creations in response to ‘prompts’ submitted in plain language. Such technology is now having a dramatic impact on almost every profession or art form that involves static or moving images, written or spoken words, sound, music or programming code.

Everything from the fantastical to the photorealistic is affected. AI can generate convincing ‘photos’ of people who have never actually existed, and can create ‘deepfakes’ so good that public figures – whether living or long deceased – can now be ‘filmed’ saying and doing completely invented things. Indeed, a key concern behind this year’s high-profile Hollywood strikes is actors fearing that they will be imitated and replaced by AI creations – losing control of their likenesses not just during their lifetimes, but also after their deaths.

Otherworldly images are no less affected by AI. Polish illustrator Greg Rutkowski – who has made a career out of depicting dragons and fantastical battles – recently found himself demoted (or promoted, depending on one’s perspective) from popular artist to one of the world’s most popular AI prompts, beating Michelangelo and Picasso. The internet is now swamped with AI recreations of Rutkowski’s once distinctive style, while the artist’s own livelihood – and recognition for work that is genuinely his – are in jeopardy.

There are many such examples, spanning different forms of creativity. Some are trying to take a stand against these trends, but solidarity between professions is wanting. Major publishers, including Bloomsbury Books, have recently issued apologies, when it was discovered that they were using AI-generated art on their book covers. Some soundtrack composers – who were already complaining about being reduced to poorly paid, interchangeable and uncredited ‘ghost composers’ in the content-hungry age of streaming – now fear being replaced by machines altogether.

Some creators insist that their consent should have been sought before their work was included in the vast datasets on which AI has been trained. Some are seeking the removal of their work from such datasets even now, although the path from machine learning to AI creations is so intricate that this may be the practical equivalent of trying to unbake a cake. Others, by contrast, revel in the new creative possibilities arising from AI, and approach the technology as an enormous and exciting artistic toolkit.

Who will prevail? And what will be the consequences?

SPEAKERS Dr JJ Charlesworth art critic; editor, ArtReview

Vivek Haria composer, London Symphony Orchestra, Birmingham Contemporary Music Group and Piatti Quartet; writer on art, technology and culture

Rosie Kay dancer; choreographer; CEO and artistic director, K2CO LTD; founder, Freedom in the Arts

Dr Hamish Todd mathematician; videogame programmer; creator, Virus, the Beauty of the Beast

CHAIR Sandy Starr deputy director, Progress Educational Trust; author, AI: Separating Man from Machine

Recorded at the Battle of Ideas festival 2023 on Saturday 28 October at Church House, London.

ORIGINAL INTRODUCTION

The self-image of Western societies as cosmopolitan, liberal and tolerant has collapsed of late, with a darker view taking hold of people as extreme, hate-filled and hurtful. For example, in the wake of the Hamas attacks on Israel, anti-Semitism – ‘the oldest hatred’ – has come forcefully into public view. Accordingly, controlling ‘hate speech’ has become a major focus for critics and campaigners, as well as legislators and regulators. They proceed in the belief that, as one Guardian commentator put it: ‘Words of hate create an ethos of hate, an atmosphere of hate, a political, social Petri dish of hate. Eventually, spoken words become deeds.’

Campaigners say escalating incidences of hate justify interventions. The most recent published date show 155,841 offences recorded in the year to March – up 26 per cent from the previous year – with hate crimes against transgender people seeing the biggest increase, jumping by 56 per cent since last year. Meanwhile, in the past five years, the number of recorded non-crime hate incidents (NCHI) has grown to 120,000.

Critics say the nebulous definition and subjective interpretation of hate, which is largely in the eye of the victim or reporter, is trivialising such ‘crimes’. But is there more to this issue than definitional disarray? Some say the problem is being inflated by ‘fishing’ exercises. The Citizen’s Advice Bureau, for example, says ‘it is always best’ to ‘act early’ and report incidents even if ‘unsure whether the incident is a criminal offence… or serious enough to be reported’. Meanwhile, Police Scotland has promised to set up a new unit to tackle ‘hate crimes’ such as misgendering and denying men access to ladies’ toilets.

Some say that what is labelled ‘hate speech’ is increasingly being weaponised to silence opponents and narrow viewpoint diversity. Groups such as Stop Funding Hate aim to persuade advertisers to pull support from broadcasters and publications on the grounds that views aired spread hate and division. More broadly, fuelled by identity politics, competing groups too often accuse other identities of hate and bigotry – demonising those we disagree with is a tactic used across the political spectrum. On one side, people are labeled hateful TERFs, gammon, alt-right or xenophobic, while the other side are hate-driven snowflakes, misogynists, Remoaners, pinko commies and cry-bullies.

What are the prospects of making political exchange less toxic and productive, if labelling those we disagree with as hate-mongers continues to escalate? How should defenders of freedom best make the case for free speech over hate speech? How should we understand what counts as hate speech, and how do we account for its rise to become central to how Western societies are organising their legal systems and public life?

SPEAKERS Kate Harris co-founder and trustee, LGB Alliance; formerly Brighton Women’s Centre and Brighton Women’s Aid

Eve Kay executive producer unscripted; International Emmy winner; Realscreen and Critics Choice Award winner; Creative Arts Emmy winner

Winston Marshall musician; writer; podcast host, Marshall Matters; founding member, Mumford & Sons

Faisal Saeed Al Mutar founder and president, Ideas Beyond Borders

Martin Wright director, Positive News; formerly editor-in-chief, Green Futures; former director, Forum for the Future

CHAIR Alastair Donald co-convenor, Battle of Ideas festival; convenor, Living Freedom; author, Letter on Liberty: The Scottish Question

Recorded at the Battle of Ideas festival 2023 on Sunday 29 October at Church House, London.

ORIGINAL INTRODUCTION

Most people acknowledge that there is an issue with Britain’s borders. The question is: who or what is to blame? For many, the European Convention on Human Rights (ECHR), and its courts in Strasbourg, has become the focus – either as the bulwark against anti-refugee sentiment, or the block on democratic process. With deportations being halted on the grounds of ‘human rights’, one’s view on membership of the ECHR has become shorthand for where you stand on the issue of refugees, asylum seekers and illegal migrants.

Rows over the ECHR have been brewing for some time. In 2000, the Human Rights Act made the Convention an integral part of domestic law, that individuals could enforce in British courts. Since then, many, particularly on the Right, have questioned the wisdom of what they increasingly refer to as Labour’s Human Rights Act. In recent years, the Conservative Party has been committed to reforming human rights by replacing the HRA with a British Bill of Rights. But no such legislation is forthcoming – and many have pointed out that, as long as Britain remains signed-up to the ECHR, a British Bill of Rights would be superfluous. Much like the European Union, the ECHR seems to have split the Tories. Some MPs hope to cut ties completely – nearly 70 Tory MPs, many from Red Wall seats, backed quitting the ECHR in a vote on a Private Member’s Bill last year. Others – like Tom Tugendhat’s Tory Reform Group – remain concerned about what a Brexit-style exit might do to the UK’s international reputation.

In the aftermath of the Second World War the European Convention on Human Rights was seen as a protection against the tyranny and oppression that some European nations had recently endured. Nowadays, those who support it stress the importance of human rights as setting a minimum standard which democracies should guarantee. Is the problem therefore simply one of European judicial overreach, or is it essentially about the very notion of ‘human rights’ themselves? Are human rights and democratic, collective action doomed to forever be at loggerheads? With courts in Strasbourg and London ruling to impede government plans to stop small boats crossing the Channel, are human rights making popular government impossible? Or is the ECHR being scapegoated for inadequacies in our own backyard?

SPEAKERS Steven Barrett barrister, Radcliffe Chambers; writer on law, Spectator

Jamie Burton founder and chair, Just Fair; barrister (KC), Doughty Street Chambers; author Three Times Failed: why we need enforceable socio-economic rights

Luke Gittos criminal lawyer; author, Human Rights – Illusory Freedom; director, Freedom Law Clinic

John Oxley writer, New Statesman, Spectator,and UnHerd; consultant; barrister

Angelica Walker-Werth writer, editor and programmes manager, Objective Standard Institute

CHAIR Jon Holbrook barrister; writer, spiked, Critic, Conservative Woman