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DAVIDBOWIE: ALBUMTOALBUM

By: ALBUMTOALBUM
  • Summary

  • Each David Bowie album is unique. Some are universally lionised, some regarded as merely legendary, some, pretentious codswallop. But we all have our favourites. In this series of podcasts, I meet up with writers, musicians, critics and assorted woodland folk, to explore their choice of album in rambling roundelays of free-form facting, anorak-grade geekery, pompous pontification, impassioned argument and highly-contentious chat. I like to think these podcasts exercise the minds of some of the world’s (well, at least the bit I am in) most eminent Bowiebores, my lugubrious interrogations spurring them to wax lyrical and entertainingly - just for you. I hope you enjoy listening to them. Presented and produced by Arsalan Mohammad Music by http://bensound.com
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Episodes
  • S4 Ep7: Earl Slick on Station to Station
    Jan 28 2024
    Back in 1974, Earl Slick was a 22-year old jobbing session guitarist fast developing a reputation for his supple, searing style and versatility in all idioms. Hired by Bowie to join his Diamond Dogs tour, Slick then had to suddenly pivot from apocalypto-rock to sleek Philly soul at a moment's notice - but acquitted himself so well, he was invited to play on tracks destined for Young Americans before forming the core band, alongside Carlos Alomar, Dennis Davis, George Murray and Roy Bittan to cut the extraordinary Station to Station, in LA, during October 1975.

    Bringing his charismatic flair to the sessions, Slick rose each time to Bowie's demands for an esoteric sonic palette, turning in one bravura performance after another despite, by his own admission, almost matching Bowie's ridiculous drug consumption levels at the time. Although his boss's directions could be at times gnomic - Bowie instructed him on one occasion to simply play a Chuck Berry riff repeatedly throughout a track - the pair sparked off each other, forging a deep bond. Despite a contretemps between Bowie's management and Slick at the end of the sessions, Earl returned to the Bowie band in 1983 for Serious Moonlight and then again during the early 2000s, when he became again, a key member of the group, up to The Next Day. 

    Today, Station to Station stands out as one of Bowie's finest records, the pivot from Young Americans' funk and soul to the electronic abstractions and experimental textures which would emerge fully with Low. Despite the frenzied sessions, the album's six tracks are each mini-masterpieces.

    In this episode, the first of two devoted to the album, we take a leisurely stroll down memory lane and begin with Earl's reminiscences of pre-Beatles America, his first audition for Bowie and Visconti, bafflement at the Philly soul era, meeting and forgetting (and then meeting again) John Lennon, and the intense sessions that made up the first side of Station to Station.

    Thanks to Earl, Oliver and of course the regal Tank for all their time and help in assembling this episode and as ever, please do let me know what you think of our chat and share this podcast far and wide!

    Follow Earl Slick on Instagram and Facebook
    Intro/Outro music by Leah Kardos

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    57 mins
  • S4 Ep6: Leah Kardos on The Next Day Part 4
    Dec 31 2023
    In this episode we analyse The Next Day Extra, November 2013's accompanying min-album chock-full of tasty treats, rambunctious remixes and some songs that inexplicably never made it onto the album proper. Never mind. Now they get their moment in the sun and thanks to Leah Kardos's encyclopaedic knowledge of all things late-era Bowie, a fascinating conversation ensues in which we gallop across this collection and appreciate anew the understated and undersung treasures that await within.

    Thanks again to Leah for all her time and insights and for making this conversation so enjoyable and illuminating. You can find out more about her work here and follow her here on Twittex.

    The opening and closing music on this and previous episodes is also composed by Leah - follow her musical adventures here
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    34 mins
  • S4 Ep5: Leah Kardos on The Next Day Part 3
    Dec 26 2023
    Stadium rock! Ziggy! Morrissey? John Cooper Clarke? The Singing Detective! Join author of Blackstar Theory: The Last Works of David Bowie, musician and director of The Visconti Studio Dr Leah Kardos as she continues her full-spectrum analysis of The Next Day, David Bowie's masterful penultimate album from 2013. In this episode, we look at the final three songs of the album - (You Will) Set The World On Fire, You Feel So Lonely You Could Die and brooding closer Heat. 

    This is the third of four episodes devoted to The Next Day and its unruly children on The Next Day Extra
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    44 mins

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